#1 of 5 2018 · Action, Adventure
$622.7M worldwide · 73% of the chart's total
Ant-Man and the Wasp (2018) is the highest-grossing sci-fi movie released in week 27 of 2018 (Jul 1–7), with $622.7M worldwide, ahead of The First Purge (2018) at $137.1M and Bleeding Steel (2018) at $48.8M. 5 sci-fi films released that week report a worldwide gross, $852.4M in all, 36% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. By language, English leads with $826.7M across 4 sci-fi releases.
#1 of 5 2018 · Action, Adventure
$622.7M worldwide · 73% of the chart's total
Ant-Man and the Wasp (2018) leads with $622.7M, 73% of the total. The top 5 together took $852.4M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 27 of 2018 (Jul 1–7).
Jul 6, 2018 US and Canada: $216.6M Rest of the world: $406M Worldwide: $622.7M
Jul 4, 2018 US and Canada: $69.5M Rest of the world: $67.6M Worldwide: $137.1M
Jul 6, 2018 US and Canada: – Rest of the world: – Worldwide: $48.8M
Jul 3, 2018 US and Canada: $525.3K Rest of the world: $25.1M Worldwide: $25.7M
Jul 6, 2018 US and Canada: $17.5M Rest of the world: $677.6K Worldwide: $18.2M Of the top 5, Sorry to Bother You (2018) earned the biggest share at home (96% in the US & Canada), while Fireworks (2018) made 98% of its gross abroad. Across all 5 films, $304.2M (36%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 27 releases took $852.4M. The biggest of these 9 weeks is week 25 (Jun 17–23) with $1.3B, led by Jurassic World: Fallen Kingdom (2018).
Of these 10 years, Week 27, 2011 earned the most: $1.1B from 2 films, led by Transformers: Dark of the Moon (2011). Week 27, 2018 took $852.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 27, 2009 Jun 28–Jul 4 1 film | 1 | $6.6M | – | MW (2009) $6.6M |
| Week 27, 2010 Jun 27–Jul 3 1 film · +10523% | 1 | $698.5M | +10523% | The Twilight Saga: Eclipse (2010) $698.5M |
| Week 27, 2011 Jun 26–Jul 2 2 films · +62% | 2 | $1.1B | +62% | Transformers: Dark of the Moon (2011) $1.1B |
| Week 27, 2012 Jul 1–7 No films | 0 | – | – | – |
| Week 27, 2013 Jun 30–Jul 6 1 film | 1 | $970.8M | – | Despicable Me 2 (2013) $970.8M |
| Week 27, 2014 Jun 29–Jul 5 1 film · −95% | 1 | $45.7M | −95% | Earth to Echo (2014) $45.7M |
| Week 27, 2015 Jun 28–Jul 4 2 films · +867% | 2 | $441.5M | +867% | Terminator Genisys (2015) $440.6M |
| Week 27, 2016 Jun 26–Jul 2 2 films · −73% | 2 | $118.6M | −73% | The Purge: Election Year (2016) $118.6M |
| Week 27, 2017 Jul 2–8 1 film · +643% | 1 | $881M | +643% | Spider-Man: Homecoming (2017) $881M |
| Week 27, 2018 Jul 1–7 5 films · −3% | 5 | $852.4M | −3% | Ant-Man and the Wasp (2018) $622.7M |
46 weeks of 2018 with reported grosses; the biggest is week 17 (Apr 22–28) with $2.1B, led by Avengers: Infinity War (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Ant-Man and the Wasp (2018) leads with $622.7M worldwide, $216.6M of it in the US & Canada. Next come The First Purge (2018) at $137.1M and Bleeding Steel (2018) at $48.8M.
5 sci-fi films released in week 27 of 2018 (Jul 1–7) report a worldwide gross, $852.4M in all, or $170.5M per film on average.
None. 2 films crossed $100 million, led by Ant-Man and the Wasp (2018) with $622.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 27 of 2018 (Jul 1–7). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.