#1 of 3 #1 sci-fi movie of Week 14, 2018
2018 · Sci-Fi, Drama
$341M worldwide · 100% of the chart's total
$188M US & Canada · 55% $152.9M elsewhere · 45%
Sci-Fi box office · Week 14 · Apr 1–7, 2018
Sci-Fi Box Office, Week 14 of 2018: Sci-Fi Releases of Apr 1–7
A Quiet Place (2018) is the highest-grossing sci-fi movie released in week 14 of 2018 (Apr 1–7), with $341M worldwide, ahead of The Endless (2018) at $960.1K and The Humanity Bureau (2018) at $59K. 3 sci-fi films released that week report a worldwide gross, $342M in all, 55% of it from the US & Canada. One film crossed $100 million; none reached $1 billion.
- week 14 releases with a gross
- 3
- combined worldwide
- $342M
- film crossed $100M
- 1
- earned in the US & Canada
- 55%
#1 of 3 Top 3
What Were the Biggest Sci-Fi Hits of Week 14 of 2018?
A Quiet Place (2018) leads with $341M, 100% of the total. The top 3 together took $342M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Sci-Fi Release of Week 14 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 14 of 2018 (Apr 1–7).
- 1 Apr 6, 2018 US and Canada: $188M Rest of the world: $152.9M Worldwide: $341M
- 2 Apr 6, 2018 US and Canada: $272K Rest of the world: $688.1K Worldwide: $960.1K
- 3 Apr 6, 2018 US and Canada: – Rest of the world: – Worldwide: $59K
Weeks around it
How Does Week 14 Compare With the Weeks Around It?
Week 14 releases took $342M. The biggest of these 9 weeks is week 13 (Mar 25–31) with $610.5M, led by Ready Player One (2018).
- Week 8 Wk 8 Feb 18–24 The Cured (2018) $555.7K The Cured (2018)
- Week 9 Wk 9 Feb 25–Mar 3 Kirk Cameron: Connect (2018) $959.2K Kirk Cameron: Connect (2018)
- Week 10 Wk 10 Mar 4–10 A Wrinkle in Time (2018) $132.7M A Wrinkle in Time (2018)
- Week 11 Wk 11 Mar 11–17 No reported grosses – No reported grosses
- Week 12 Wk 12 Mar 18–24 Pacific Rim: Uprising (2018) $363.6M Pacific Rim: Uprising (2018)
- Week 13 Wk 13 Mar 25–31 Ready Player One (2018) $610.5M Ready Player One (2018)
- Week 14 Wk 14 Apr 1–7 A Quiet Place (2018) $342M A Quiet Place (2018)
- Week 15 Wk 15 Apr 8–14 Rampage (2018) $428.1M Rampage (2018)
- Week 16 Wk 16 Apr 15–21 Inuyashiki (2018) $5.6M Inuyashiki (2018)
Earlier years
How Does Week 14 of 2018 Compare With Earlier Years?
Of these 10 years, Week 14, 2014 earned the most: $722M from 3 films, led by Captain America: The Winter Soldier (2014). Week 14, 2018 took $342M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 14, 2009 Mar 29–Apr 4 1 film | 1 | $104.5K | – | Alien Trespass (2009) $104.5K |
| Week 14, 2010 Mar 28–Apr 3 1 film · +85% | 1 | $193.5K | +85% | Trigun: Badlands Rumble (2010) $193.5K |
| Week 14, 2011 Mar 27–Apr 2 2 films · +76110% | 2 | $147.4M | +76110% | Source Code (2011) $147.3M |
| Week 14, 2012 Apr 1–7 No films | 0 | – | – | – |
| Week 14, 2013 Mar 31–Apr 6 1 film | 1 | $587.2K | – | Upstream Color (2013) $587.2K |
| Week 14, 2014 Mar 30–Apr 5 3 films · +122862% | 3 | $722M | +122862% | Captain America: The Winter Soldier (2014) $714.4M |
| Week 14, 2015 Mar 29–Apr 4 No films | 0 | – | – | – |
| Week 14, 2016 Mar 27–Apr 2 2 films | 2 | $8.7K | – | Pandemic (2016) $8.5K |
| Week 14, 2017 Apr 2–8 2 films · +56303% | 2 | $4.9M | +56303% | Colossal (2017) $4.5M |
| Week 14, 2018 Apr 1–7 3 films · +6880% | 3 | $342M | +6880% | A Quiet Place (2018) $341M |
Archive
Sci-Fi Box Office in 2018, Week by Week
46 weeks of 2018 with reported grosses; the biggest is week 17 (Apr 22–28) with $2.1B, led by Avengers: Infinity War (2018).
- Week 1 $53K
- Week 2 $8.4M
- Week 3 No grosses
- Week 4 $288.2M
- Week 5 $518.9K
- Week 6 $526.1K
- Week 7 $1.8B
- Week 8 $555.7K
- Week 9 $959.2K
- Week 10 $132.7M
- Week 11 No grosses
- Week 12 $363.6M
- Week 13 $610.5M
- Week 14 $342M
- Week 15 $428.1M
- Week 16 $5.6M
- Week 17 $2.1B
- Week 18 $14.8M
- Week 19 $274.1K
- Week 20 $785.9M
- Week 21 $396.9M
- Week 22 $16.7M
- Week 23 $17.6M
- Week 24 $1.2B
- Week 25 $1.3B
- Week 26 $24.4M
- Week 27 $852.4M
- Week 28 No grosses
- Week 29 $423.6K
- Week 30 $60M
- Week 31 $78.3M
- Week 32 $529.4M
- Week 33 $23.3M
- Week 34 No grosses
- Week 35 $824
- Week 36 $749K
- Week 37 $160.5M
- Week 38 $19.8K
- Week 39 $1.8M
- Week 40 $856.1M
- Week 41 $461.7K
- Week 42 $2M
- Week 43 $27.6K
- Week 44 $22.8K
- Week 45 $856.4K
- Week 46 $41.6K
- Week 47 $530M
- Week 48 $43.1M
- Week 49 No grosses
- Week 50 $477.5M
- Week 51 $1.6B
- Week 52 No grosses
- Week 53 No grosses
FAQ
Sci-Fi Box Office Week 14 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing sci-fi movie in week 14 of 2018 (Apr 1–7)?
A Quiet Place (2018) leads with $341M worldwide, $188M of it in the US & Canada. Next come The Endless (2018) at $960.1K and The Humanity Bureau (2018) at $59K.
How much did sci-fi movies released in week 14 of 2018 (Apr 1–7) earn?
3 sci-fi films released in week 14 of 2018 (Apr 1–7) report a worldwide gross, $342M in all, or $114M per film on average.
How many sci-fi movies released in week 14 of 2018 (Apr 1–7) made $1 billion?
None. 1 film crossed $100 million, led by A Quiet Place (2018) with $341M.
How is the week 14, 2018 sci-fi box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 14 of 2018 (Apr 1–7). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 14, 2018 sci-fi box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.