#1 of 37 #1 movie of Week 4, 2018
Maze Runner: The Death Cure (2018)
2018 · Action, Sci-Fi
$288.2M worldwide · 64% of the chart's total
$58M US & Canada · 20% $230.1M elsewhere · 80%
Box office · Week 4 · Jan 21–27, 2018
Box Office Week 4, 2018: Highest-Grossing Releases of Jan 21–27
Maze Runner: The Death Cure (2018) is the highest-grossing movie released in week 4 of 2018 (Jan 21–27), with $288.2M worldwide, ahead of Padmaavat (2018) at $60.5M and Pad Man (2018) at $29M. 37 films released that week report a worldwide gross, $446.8M in all, 16% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 25% on Week 3, 2018, whose releases took $357.5M. By genre, Action leads with $352.3M across 7 releases.
- week 4 releases with a gross
- 37
- combined worldwide
- $446.8M
- film crossed $100M
- 1
- vs Week 3, 2018
- +25%
#1 of 37 Top 5
What Were the Biggest Hits of Week 4 of 2018?
Maze Runner: The Death Cure (2018) leads with $288.2M, 64% of the total. The top 5 together took $426.3M, 95% of what all 37 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Release of Week 4 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 4 of 2018 (Jan 21–27).
- 1 Jan 26, 2018 US and Canada: $58M Rest of the world: $230.1M Worldwide: $288.2M
- 2 Jan 26, 2018 US and Canada: $11.8M Rest of the world: $48.7M Worldwide: $60.5M
- 3 Jan 26, 2018 US and Canada: $1.7M Rest of the world: $27.4M Worldwide: $29M
- 4 Jan 26, 2018 US and Canada: $75.1K Rest of the world: $25.3M Worldwide: $25.4M
- 5 Jan 27, 2018 US and Canada: – Rest of the world: – Worldwide: $23.1M
- 6
Jan 22, 2018 US and Canada: – Rest of the world: – Worldwide: $6.1M - 7
Jan 25, 2018 US and Canada: – Rest of the world: – Worldwide: $3.7M - 8
Jan 26, 2018 US and Canada: – Rest of the world: – Worldwide: $1.6M - 9
Jan 24, 2018 US and Canada: – Rest of the world: – Worldwide: $1.4M - 10
Jan 26, 2018 US and Canada: – Rest of the world: – Worldwide: $1.3M - 11
Jan 26, 2018 US and Canada: – Rest of the world: – Worldwide: $977.6K - 12
Jan 25, 2018 US and Canada: – Rest of the world: – Worldwide: $853.5K - 13
Jan 21, 2018 US and Canada: – Rest of the world: – Worldwide: $615.8K - 14
Jan 21, 2018 US and Canada: – Rest of the world: – Worldwide: $551.9K - 15
Jan 26, 2018 US and Canada: – Rest of the world: – Worldwide: $540.9K - 16
Jan 26, 2018 US and Canada: $79.4K Rest of the world: $424.6K Worldwide: $504K - 17
Jan 21, 2018 US and Canada: $139.3K Rest of the world: $310.9K Worldwide: $450.2K - 18
Jan 26, 2018 US and Canada: $9.9K Rest of the world: $396.9K Worldwide: $406.7K - 19
Jan 25, 2018 US and Canada: – Rest of the world: – Worldwide: $393.4K - 20
Jan 22, 2018 US and Canada: – Rest of the world: – Worldwide: $352.1K - 21
Jan 26, 2018 US and Canada: – Rest of the world: – Worldwide: $165K - 22
Jan 26, 2018 US and Canada: $32K Rest of the world: $73.7K Worldwide: $105.7K - 23
Jan 26, 2018 US and Canada: $41.9K Rest of the world: $62.9K Worldwide: $104.8K - 24
The Butcher, The Whore and the One-Eyed Man (2018)Jan 25, 2018 US and Canada: – Rest of the world: – Worldwide: $104.1K
Jan 25, 2018 · Hungarian · Drama, History $104.1K worldwide - 25
Jan 26, 2018 US and Canada: $4.5K Rest of the world: $97.2K Worldwide: $101.7K - 26
Jan 26, 2018 US and Canada: – Rest of the world: – Worldwide: $75.8K - 27
Jan 23, 2018 US and Canada: $68.4K Rest of the world: $1.1K Worldwide: $69.5K - 28
Jan 26, 2018 US and Canada: – Rest of the world: – Worldwide: $69.4K - 29
Jan 26, 2018 US and Canada: $25K Rest of the world: Worldwide: $25K - 30
Jan 26, 2018 US and Canada: $13K Rest of the world: Worldwide: $13K - 31
Jan 26, 2018 US and Canada: – Rest of the world: – Worldwide: $7K - 32
Jan 26, 2018 US and Canada: – Rest of the world: – Worldwide: $6.8K - 33
Jan 25, 2018 US and Canada: – Rest of the world: – Worldwide: $5.9K - 34
Jan 27, 2018 US and Canada: – Rest of the world: – Worldwide: $3.4K - 35
Jan 26, 2018 US and Canada: $1.9K Rest of the world: Worldwide: $1.9K - 36
Jan 26, 2018 US and Canada: – Rest of the world: – Worldwide: $898 - 37
Jan 23, 2018 US and Canada: – Rest of the world: – Worldwide: $93
US & Canada vs the world
Where Did the Money Come From in Week 4 of 2018?
Of the top 10, Maze Runner: The Death Cure (2018) earned the biggest share at home (20% in the US & Canada), while Keys to the Heart (2018) made 100% of its gross abroad. Across all 37 films, $72M (16%) came from the US & Canada. 6 films of the top 10 report no US & Canada figure.
- 1 Maze Runner: The Death Cure (2018) $288.2M $58M US & Canada · 20% $230.1M elsewhere · 80%
- 2 Padmaavat (2018) $60.5M $11.8M US & Canada · 20% $48.7M elsewhere · 80%
- 3 Pad Man (2018) $29M $1.7M US & Canada · 6% $27.4M elsewhere · 94%
- 4 Keys to the Heart (2018) $25.4M $75.1K US & Canada · <1% $25.3M elsewhere · 100%
- 5 The Crimes That Bind (2018) $23.1M No US & Canada figure reported
- 6 Taxing Love (2018) $6.1M No US & Canada figure reported
- 7 Made in Italy (2018) $3.7M No US & Canada figure reported
- 8 Mortal World (2018) $1.6M No US & Canada figure reported
- 9 Gangsta (2018) $1.4M No US & Canada figure reported
- 10 Lo más sencillo es complicarlo todo (2018) $1.3M No US & Canada figure reported
Gross bands
How Many Week 4 of 2018 Releases Crossed $100 Million?
1 of 37 films crossed $100M and took $288.2M between them, 64% of the total. 32 films, 86% of the list, earned under $10M.
64% 31%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 1 film, 3% of the list $288.2M · 64% of the gross
- $10M to $100M 4 films, 11% of the list $138.1M · 31% of the gross
- Under $10M 32 films, 86% of the list $20.5M · 5% of the gross
Weeks around it
How Does Week 4 Compare With the Weeks Around It?
Week 4 releases took $446.8M. The biggest of these 9 weeks is week 51, 2017 (Dec 17–23) with $2.2B, led by Jumanji: Welcome to the Jungle (2017).
- Week 51, 2017 Wk 51 Dec 17–23 Jumanji: Welcome to the Jungle (2017) $2.2B Jumanji: Welcome to the Jungle (2017)
- Week 52, 2017 Wk 52 Dec 24–30 Three Seconds (2017) $438M Three Seconds (2017)
- Week 53, 2017 Wk 53 Dec 31 Retina (2017) $60.7K Retina (2017)
- Week 1 Wk 1 Jan 1–6 Insidious: The Last Key (2018) $288.4M Insidious: The Last Key (2018)
- Week 2 Wk 2 Jan 7–13 Paddington 2 (2018) $478.6M Paddington 2 (2018)
- Week 3 Wk 3 Jan 14–20 Den of Thieves (2018) $357.5M Den of Thieves (2018)
- Week 4 Wk 4 Jan 21–27 Maze Runner: The Death Cure (2018) $446.8M Maze Runner: The Death Cure (2018)
- Week 5 Wk 5 Jan 28–Feb 3 The Magic Tuche (2018) $128.1M The Magic Tuche (2018)
- Week 6 Wk 6 Feb 4–10 Fifty Shades Freed (2018) $826.2M Fifty Shades Freed (2018)
Earlier years
How Does Week 4 of 2018 Compare With Earlier Years?
Of these 10 years, Week 4, 2017 earned the most: $1.2B from 36 films, led by Resident Evil: The Final Chapter (2017). Week 4, 2018 took $446.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 4, 2009 Jan 18–24 20 films | 20 | $264.9M | – | Underworld: Rise of the Lycans (2009) $92.2M |
| Week 4, 2010 Jan 17–23 23 films · −8% | 23 | $244.7M | −8% | Tooth Fairy (2010) $112.5M |
| Week 4, 2011 Jan 16–22 21 films · +35% | 21 | $329.9M | +35% | No Strings Attached (2011) $149.2M |
| Week 4, 2012 Jan 22–28 24 films · −17% | 24 | $274.1M | −17% | The Grey (2012) $79.8M |
| Week 4, 2013 Jan 20–26 22 films · +62% | 22 | $444.8M | +62% | Hansel and Gretel: Witch Hunters (2013) $226.3M |
| Week 4, 2014 Jan 19–25 17 films · −64% | 17 | $161.5M | −64% | I, Frankenstein (2014) $76.8M |
| Week 4, 2015 Jan 18–24 28 films · −2% | 28 | $157.5M | −2% | The Boy Next Door (2015) $52.4M |
| Week 4, 2016 Jan 17–23 36 films · +472% | 36 | $901.2M | +472% | Monster Hunt (2016) $387.1M |
| Week 4, 2017 Jan 22–28 36 films · +31% | 36 | $1.2B | +31% | Resident Evil: The Final Chapter (2017) $312.2M |
| Week 4, 2018 Jan 21–27 37 films · −62% | 37 | $446.8M | −62% | Maze Runner: The Death Cure (2018) $288.2M |
Genres & languages
Which Genres and Languages Earned the Most in Week 4 of 2018?
Action took $352.3M across 7 films, 79% of the total, ahead of Thriller ($313.5M) and Sci-Fi ($288.2M). A film counts once for each of its genres. English-language films took $289.8M across 11 films, 65% of the total, ahead of Hindi-language films ($89.6M) and Korean-language films ($25.4M).
Week 4 of 2018 Box Office by Genre
-
Action $352.3M7 films · #1 Maze Runner: The Death Cure (2018) -
Thriller $313.5M6 films · #1 Maze Runner: The Death Cure (2018) -
Sci-Fi $288.2M2 films · #1 Maze Runner: The Death Cure (2018) -
Drama $117.7M18 films · #1 Padmaavat (2018) -
Romance $70.3M4 films · #1 Padmaavat (2018) -
Comedy $68.8M12 films · #1 Pad Man (2018) -
History $61.5M3 films · #1 Padmaavat (2018) -
Biography $29M1 film · #1 Pad Man (2018) -
Crime $26.8M7 films · #1 The Crimes That Bind (2018) -
Family $25.4M2 films · #1 Keys to the Heart (2018)
Week 4 of 2018 Box Office by Language
-
English $289.8M11 films · #1 Maze Runner: The Death Cure (2018) -
Hindi $89.6M2 films · #1 Padmaavat (2018) -
Korean $25.4M1 film · #1 Keys to the Heart (2018) -
Japanese $23.1M1 film · #1 The Crimes That Bind (2018) -
Polish $6.1M1 film · #1 Taxing Love (2018) -
Italian $3.8M2 films · #1 Made in Italy (2018) -
Turkish $1.9M2 films · #1 Mortal World (2018) -
Spanish $1.9M3 films · #1 Lo más sencillo es complicarlo todo (2018) -
Dutch $1.4M1 film · #1 Gangsta (2018) -
Norwegian $977.6K1 film · #1 Per Fugelli: Siste resept (2018)
Archive
Box Office in 2018, Week by Week
53 weeks of 2018 with reported grosses; the biggest is week 7 (Feb 11–17) with $2.6B, led by Black Panther (2018).
- Week 1 $288.4M
- Week 2 $478.6M
- Week 3 $357.5M
- Week 4 $446.8M
- Week 5 $128.1M
- Week 6 $826.2M
- Week 7 $2.6B
- Week 8 $819.9M
- Week 9 $239.2M
- Week 10 $310.8M
- Week 11 $704.5M
- Week 12 $670.3M
- Week 13 $794.6M
- Week 14 $568.1M
- Week 15 $636.2M
- Week 16 $170.5M
- Week 17 $2.2B
- Week 18 $256.7M
- Week 19 $199.4M
- Week 20 $967.4M
- Week 21 $427.1M
- Week 22 $129.7M
- Week 23 $471.9M
- Week 24 $1.5B
- Week 25 $1.4B
- Week 26 $277.1M
- Week 27 $890M
- Week 28 $976.6M
- Week 29 $679.7M
- Week 30 $1.4B
- Week 31 $491.3M
- Week 32 $999.8M
- Week 33 $585.7M
- Week 34 $263.7M
- Week 35 $129.5M
- Week 36 $479.6M
- Week 37 $361.7M
- Week 38 $383M
- Week 39 $704M
- Week 40 $1.6B
- Week 41 $435.3M
- Week 42 $353.6M
- Week 43 $245.2M
- Week 44 $1.2B
- Week 45 $718.2M
- Week 46 $1.3B
- Week 47 $1.1B
- Week 48 $192.8M
- Week 49 $115.4M
- Week 50 $782.9M
- Week 51 $2.3B
- Week 52 $437.4M
- Week 53 $8.1M
FAQ
Box Office Week 4 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 37 films as the chart.
What is the highest-grossing movie in week 4 of 2018 (Jan 21–27)?
Maze Runner: The Death Cure (2018) leads with $288.2M worldwide, $58M of it in the US & Canada. Next come Padmaavat (2018) at $60.5M and Pad Man (2018) at $29M.
How much did movies released in week 4 of 2018 (Jan 21–27) earn?
37 films released in week 4 of 2018 (Jan 21–27) report a worldwide gross, $446.8M in all, or $12.1M per film on average. Week 3, 2018 releases took $357.5M.
How many movies released in week 4 of 2018 (Jan 21–27) made $1 billion?
None. 1 film crossed $100 million, led by Maze Runner: The Death Cure (2018) with $288.2M.
How is the week 4, 2018 box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 4 of 2018 (Jan 21–27). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 4, 2018 box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.