#1 of 32 2018 · Adventure, Fantasy
$290.1M worldwide · 61% of the chart's total
Paddington 2 (2018) is the highest-grossing movie released in week 2 of 2018 (Jan 7–13), with $290.1M worldwide, ahead of The Commuter (2018) at $119.9M and Proud Mary (2018) at $21.8M. 32 films released that week report a worldwide gross, $478.6M in all, 21% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is up 66% on Week 1, 2018, whose releases took $288.4M. By genre, Comedy leads with $327.5M across 17 releases.
#1 of 32 2018 · Adventure, Fantasy
$290.1M worldwide · 61% of the chart's total
Paddington 2 (2018) leads with $290.1M, 61% of the total. The top 5 together took $450.9M, 94% of what all 32 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 2 of 2018 (Jan 7–13).
Jan 12, 2018 US and Canada: $40.9M Rest of the world: $249.2M Worldwide: $290.1M
Jan 12, 2018 US and Canada: $36.3M Rest of the world: $83.6M Worldwide: $119.9M
Jan 12, 2018 US and Canada: $20.9M Rest of the world: $876.4K Worldwide: $21.8M
Jan 11, 2018 US and Canada: – Rest of the world: – Worldwide: $10.6M
Jan 12, 2018 US and Canada: $447.7K Rest of the world: $8M Worldwide: $8.4M
Jan 12, 2018 US and Canada: – Rest of the world: – Worldwide: $6.2M
Jan 12, 2018 US and Canada: – Rest of the world: – Worldwide: $5.4M
Jan 12, 2018 US and Canada: – Rest of the world: – Worldwide: $5.1M
Jan 12, 2018 US and Canada: $1M Rest of the world: $2.7M Worldwide: $3.7M
Jan 11, 2018 US and Canada: $20K Rest of the world: $2.6M Worldwide: $2.6M
Jan 11, 2018 US and Canada: – Rest of the world: – Worldwide: $1.5M
Jan 12, 2018 US and Canada: – Rest of the world: – Worldwide: $642K
Jan 12, 2018 US and Canada: – Rest of the world: – Worldwide: $386.8K
Jan 12, 2018 US and Canada: – Rest of the world: – Worldwide: $383.9K
Jan 10, 2018 US and Canada: – Rest of the world: – Worldwide: $284.2K
Jan 12, 2018 US and Canada: – Rest of the world: – Worldwide: $156.6K
Jan 11, 2018 US and Canada: – Rest of the world: – Worldwide: $151.6K
Jan 12, 2018 US and Canada: – Rest of the world: – Worldwide: $126.9K
Jan 11, 2018 US and Canada: – Rest of the world: – Worldwide: $79K
Jan 12, 2018 US and Canada: – Rest of the world: – Worldwide: $49.7K
Jan 12, 2018 US and Canada: $40.1K Rest of the world: Worldwide: $40.1K
Jan 12, 2018 US and Canada: – Rest of the world: – Worldwide: $27.5K
Jan 12, 2018 US and Canada: – Rest of the world: – Worldwide: $26.7K
Jan 12, 2018 US and Canada: – Rest of the world: – Worldwide: $25.4K
Jan 12, 2018 US and Canada: $23.9K Rest of the world: $1.2K Worldwide: $25.1K
Jan 12, 2018 US and Canada: $19.7K Rest of the world: $961 Worldwide: $20.7K
Jan 12, 2018 US and Canada: – Rest of the world: – Worldwide: $11.3K
Jan 12, 2018 US and Canada: – Rest of the world: – Worldwide: $3.8K
Jan 10, 2018 US and Canada: – Rest of the world: – Worldwide: $1.9K Of the top 10, Proud Mary (2018) earned the biggest share at home (96% in the US & Canada), while Leo Da Vinci: Mission Mona Lisa (2018) made 99% of its gross abroad. Across all 32 films, $99.7M (21%) came from the US & Canada. 4 films of the top 10 report no US & Canada figure.
2 of 32 films crossed $100M and took $410.1M between them, 86% of the total. 28 films, 88% of the list, earned under $10M.
Week 2 releases took $478.6M. The biggest of these 9 weeks is week 51, 2017 (Dec 17–23) with $2.2B, led by Jumanji: Welcome to the Jungle (2017).
Of these 10 years, Week 2, 2015 earned the most: $539.2M from 14 films, led by Taken 3 (2015). Week 2, 2018 took $478.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 2, 2009 Jan 4–10 17 films | 17 | $211.2M | – | Bride Wars (2009) $115.4M |
| Week 2, 2010 Jan 3–9 21 films · −53% | 21 | $98.5M | −53% | Daybreakers (2010) $51.4M |
| Week 2, 2011 Jan 2–8 8 films · +15% | 8 | $112.8M | +15% | Season of the Witch (2011) $91.6M |
| Week 2, 2012 Jan 8–14 19 films · +74% | 19 | $195.9M | +74% | Contraband (2012) $96.3M |
| Week 2, 2013 Jan 6–12 17 films · +9% | 17 | $214.4M | +9% | Gangster Squad (2013) $105.2M |
| Week 2, 2014 Jan 5–11 28 films · −25% | 28 | $161.1M | −25% | The Legend of Hercules (2014) $61.3M |
| Week 2, 2015 Jan 4–10 14 films · +235% | 14 | $539.2M | +235% | Taken 3 (2015) $326.5M |
| Week 2, 2016 Jan 3–9 18 films · −81% | 18 | $103.2M | −81% | The Forest (2016) $39.7M |
| Week 2, 2017 Jan 8–14 27 films · +141% | 27 | $248.3M | +141% | One Piece Film: Gold (2017) $66.2M |
| Week 2, 2018 Jan 7–13 32 films · +93% | 32 | $478.6M | +93% | Paddington 2 (2018) $290.1M |
Comedy took $327.5M across 17 films, 68% of the total, ahead of Family ($303.4M) and Adventure ($301.7M). A film counts once for each of its genres. English-language films took $432.8M across 9 films, 90% of the total, ahead of Spanish-language films ($15.4M) and Italian-language films ($13.2M).
53 weeks of 2018 with reported grosses; the biggest is week 7 (Feb 11–17) with $2.6B, led by Black Panther (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 32 films as the chart.
Paddington 2 (2018) leads with $290.1M worldwide, $40.9M of it in the US & Canada. Next come The Commuter (2018) at $119.9M and Proud Mary (2018) at $21.8M.
32 films released in week 2 of 2018 (Jan 7–13) report a worldwide gross, $478.6M in all, or $15M per film on average. Week 1, 2018 releases took $288.4M.
None. 2 films crossed $100 million, led by Paddington 2 (2018) with $290.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 2 of 2018 (Jan 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.