#1 of 29 2018 · Drama, Mystery
$151.6M worldwide · 63% of the chart's total
Red Sparrow (2018) is the highest-grossing movie released in week 9 of 2018 (Feb 25–Mar 3), with $151.6M worldwide, ahead of Death Wish (2018) at $49.6M and The Princess and the Matchmaker (2018) at $9.9M. 29 films released that week report a worldwide gross, $239.2M in all, 34% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 71% on Week 8, 2018, whose releases took $819.9M. By genre, Drama leads with $209.8M across 10 releases.
#1 of 29 2018 · Drama, Mystery
$151.6M worldwide · 63% of the chart's total
Red Sparrow (2018) leads with $151.6M, 63% of the total. The top 5 together took $222.7M, 93% of what all 29 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 9 of 2018 (Feb 25–Mar 3).
Mar 2, 2018 US and Canada: $46.9M Rest of the world: $104.7M Worldwide: $151.6M
Mar 2, 2018 US and Canada: $34M Rest of the world: $15.5M Worldwide: $49.6M
Feb 28, 2018 US and Canada: $78.9K Rest of the world: $9.8M Worldwide: $9.9M
Mar 3, 2018 US and Canada: – Rest of the world: – Worldwide: $6.1M
Mar 2, 2018 US and Canada: – Rest of the world: – Worldwide: $5.5M
Mar 2, 2018 US and Canada: – Rest of the world: – Worldwide: $4.9M
Mar 1, 2018 US and Canada: – Rest of the world: – Worldwide: $3M
Mar 3, 2018 US and Canada: – Rest of the world: – Worldwide: $2.4M
Mar 2, 2018 US and Canada: – Rest of the world: – Worldwide: $1.6M
Mar 1, 2018 US and Canada: – Rest of the world: – Worldwide: $991.2K
Feb 27, 2018 US and Canada: $918.1K Rest of the world: Worldwide: $918.1K
Feb 28, 2018 US and Canada: – Rest of the world: – Worldwide: $755.9K
Mar 2, 2018 US and Canada: $87.6K Rest of the world: $562.7K Worldwide: $650.4K
Mar 2, 2018 US and Canada: $375.4K Rest of the world: $224.8K Worldwide: $600.1K
Mar 2, 2018 US and Canada: – Rest of the world: – Worldwide: $243K
Mar 1, 2018 US and Canada: – Rest of the world: – Worldwide: $175K
Mar 2, 2018 US and Canada: $40K Rest of the world: $4.1K Worldwide: $44.1K
Mar 3, 2018 US and Canada: – Rest of the world: – Worldwide: $42.3K
Feb 28, 2018 US and Canada: – Rest of the world: – Worldwide: $41.2K
Mar 2, 2018 US and Canada: – Rest of the world: – Worldwide: $41K
Mar 1, 2018 US and Canada: – Rest of the world: – Worldwide: $29.9K
Mar 2, 2018 US and Canada: – Rest of the world: – Worldwide: $25.5K
Mar 2, 2018 US and Canada: – Rest of the world: – Worldwide: $21.8K
Feb 28, 2018 US and Canada: – Rest of the world: – Worldwide: $7.3K
Mar 1, 2018 US and Canada: – Rest of the world: – Worldwide: $6.4K
Mar 2, 2018 US and Canada: – Rest of the world: – Worldwide: $4.4K
Mar 1, 2018 US and Canada: – Rest of the world: – Worldwide: $3.6K
Mar 1, 2018 US and Canada: $3.4K Rest of the world: Worldwide: $3.4K Of the top 10, Death Wish (2018) earned the biggest share at home (69% in the US & Canada), while The Princess and the Matchmaker (2018) made 99% of its gross abroad. Across all 29 films, $82.4M (34%) came from the US & Canada. 7 films of the top 10 report no US & Canada figure.
1 of 29 films crossed $100M and took $151.6M between them, 63% of the total. 27 films, 93% of the list, earned under $10M.
Week 9 releases took $239.2M. The biggest of these 9 weeks is week 7 (Feb 11–17) with $2.6B, led by Black Panther (2018).
Of these 10 years, Week 9, 2017 earned the most: $815.9M from 35 films, led by Logan (2017). Week 9, 2018 took $239.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 9, 2009 Feb 22–28 16 films | 16 | $33.6M | – | Street Fighter: The Legend of Chun-Li (2009) $12.8M |
| Week 9, 2010 Feb 21–27 22 films · +380% | 22 | $161.1M | +380% | Cop Out (2010) $55.6M |
| Week 9, 2011 Feb 20–26 19 films · +30% | 19 | $208.8M | +30% | Hall Pass (2011) $86.2M |
| Week 9, 2012 Feb 26–Mar 3 33 films · +177% | 33 | $578.1M | +177% | The Lorax (2012) $349.3M |
| Week 9, 2013 Feb 24–Mar 2 30 films · −45% | 30 | $318.6M | −45% | Jack the Giant Slayer (2013) $197.7M |
| Week 9, 2014 Feb 23–Mar 1 25 films · +61% | 25 | $514.6M | +61% | Non-Stop (2014) $222.8M |
| Week 9, 2015 Feb 22–28 27 films · −43% | 27 | $292.5M | −43% | Focus (2015) $159.2M |
| Week 9, 2016 Feb 21–27 26 films · +5% | 26 | $307.9M | +5% | Gods of Egypt (2016) $150.7M |
| Week 9, 2017 Feb 26–Mar 4 35 films · +165% | 35 | $815.9M | +165% | Logan (2017) $619.2M |
| Week 9, 2018 Feb 25–Mar 3 29 films · −71% | 29 | $239.2M | −71% | Red Sparrow (2018) $151.6M |
Drama took $209.8M across 10 films, 88% of the total, ahead of Thriller ($201.9M) and Mystery ($158.9M). A film counts once for each of its genres. English-language films took $205.2M across 13 films, 86% of the total, ahead of Spanish-language films ($11.7M) and Korean-language films ($10.7M).
53 weeks of 2018 with reported grosses; the biggest is week 7 (Feb 11–17) with $2.6B, led by Black Panther (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 29 films as the chart.
Red Sparrow (2018) leads with $151.6M worldwide, $46.9M of it in the US & Canada. Next come Death Wish (2018) at $49.6M and The Princess and the Matchmaker (2018) at $9.9M.
29 films released in week 9 of 2018 (Feb 25–Mar 3) report a worldwide gross, $239.2M in all, or $8.2M per film on average. Week 8, 2018 releases took $819.9M.
None. 1 film crossed $100 million, led by Red Sparrow (2018) with $151.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 9 of 2018 (Feb 25–Mar 3). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.