#1 of 4 #1 crime movie of Week 9, 2018
2018 · Action, Drama
$49.6M worldwide · 97% of the chart's total
$34M US & Canada · 69% $15.5M elsewhere · 31%
Crime box office · Week 9 · Feb 25–Mar 3, 2018
Crime Box Office, Week 9 of 2018: Crime Releases of Feb 25–Mar 3
Death Wish (2018) is the highest-grossing crime movie released in week 9 of 2018 (Feb 25–Mar 3), with $49.6M worldwide, ahead of Gate (2018) at $755.9K and Goldstone (2018) at $650.4K. 4 crime films released that week report a worldwide gross, $51M in all, 67% of it from the US & Canada. That is down 61% on Week 8, 2018, whose releases took $131.2M.
- week 9 releases with a gross
- 4
- combined worldwide
- $51M
- Death Wish (2018), the #1
- $49.6M
- vs Week 8, 2018
- −61%
#1 of 4 Top 4
What Were the Biggest Crime Hits of Week 9 of 2018?
Death Wish (2018) leads with $49.6M, 97% of the total. The top 4 together took $51M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Crime Release of Week 9 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 9 of 2018 (Feb 25–Mar 3).
- 1 Mar 2, 2018 US and Canada: $34M Rest of the world: $15.5M Worldwide: $49.6M
- 2 Feb 28, 2018 US and Canada: – Rest of the world: – Worldwide: $755.9K
- 3 Mar 2, 2018 US and Canada: $87.6K Rest of the world: $562.7K Worldwide: $650.4K
- 4 Mar 3, 2018 US and Canada: – Rest of the world: – Worldwide: $42.3K
Weeks around it
How Does Week 9 Compare With the Weeks Around It?
Week 9 releases took $51M. The biggest of these 9 weeks is week 11 (Mar 11–17) with $218.6M, led by Us and Them (2018).
- Week 3 Wk 3 Jan 14–20 Den of Thieves (2018) $91.1M Den of Thieves (2018)
- Week 4 Wk 4 Jan 21–27 The Crimes That Bind (2018) $26.8M The Crimes That Bind (2018)
- Week 5 Wk 5 Jan 28–Feb 3 Street Lights (2018) $142.3K Street Lights (2018)
- Week 6 Wk 6 Feb 4–10 Bomb City (2018) $66.8K Bomb City (2018)
- Week 7 Wk 7 Feb 11–17 Detective K: Secret of the Living Dead (2018) $19M Detective K: Secret of the Living Dead (2018)
- Week 8 Wk 8 Feb 18–24 Game Night (2018) $131.2M Game Night (2018)
- Week 9 Wk 9 Feb 25–Mar 3 Death Wish (2018) $51M Death Wish (2018)
- Week 10 Wk 10 Mar 4–10 The Hurricane Heist (2018) $53.8M The Hurricane Heist (2018)
- Week 11 Wk 11 Mar 11–17 Us and Them (2018) $218.6M Us and Them (2018)
Earlier years
How Does Week 9 of 2018 Compare With Earlier Years?
Of these 10 years, Week 9, 2015 earned the most: $159.2M from 1 film, led by Focus (2015). Week 9, 2018 took $51M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 9, 2009 Feb 22–28 1 film | 1 | $2.2M | – | Echelon Conspiracy (2009) $2.2M |
| Week 9, 2010 Feb 21–27 3 films · +3262% | 3 | $73.5M | +3262% | Cop Out (2010) $55.6M |
| Week 9, 2011 Feb 20–26 1 film · −100% | 1 | $116.8K | −100% | This Is Not an American Movie (2011) $116.8K |
| Week 9, 2012 Feb 26–Mar 3 3 films · +8163% | 3 | $9.7M | +8163% | Sen Kimsin? (2012) $8.3M |
| Week 9, 2013 Feb 24–Mar 2 3 films · +10% | 3 | $10.6M | +10% | The Sweeney (2013) $7.7M |
| Week 9, 2014 Feb 23–Mar 1 2 films · −95% | 2 | $485.5K | −95% | The Bag Man (2014) $461.8K |
| Week 9, 2015 Feb 22–28 1 film · +32683% | 1 | $159.2M | +32683% | Focus (2015) $159.2M |
| Week 9, 2016 Feb 21–27 1 film · −85% | 1 | $23.2M | −85% | Triple 9 (2016) $23.2M |
| Week 9, 2017 Feb 26–Mar 4 5 films · −80% | 5 | $4.6M | −80% | Commando 2 (2017) $3M |
| Week 9, 2018 Feb 25–Mar 3 4 films · +1021% | 4 | $51M | +1021% | Death Wish (2018) $49.6M |
Archive
Crime Box Office in 2018, Week by Week
51 weeks of 2018 with reported grosses; the biggest is week 28 (Jul 8–14) with $390.7M, led by Skyscraper (2018).
- Week 1 $210.7K
- Week 2 $142.3M
- Week 3 $91.1M
- Week 4 $26.8M
- Week 5 $142.3K
- Week 6 $66.8K
- Week 7 $19M
- Week 8 $131.2M
- Week 9 $51M
- Week 10 $53.8M
- Week 11 $218.6M
- Week 12 $167.7K
- Week 13 No grosses
- Week 14 $20.1M
- Week 15 $392.4K
- Week 16 $32.4M
- Week 17 $63.2M
- Week 18 $11.5M
- Week 19 $58.6M
- Week 20 $39.2M
- Week 21 $2.3M
- Week 22 $4.1M
- Week 23 $331.3M
- Week 24 $27.3M
- Week 25 $34.8M
- Week 26 $75.8M
- Week 27 $152.2M
- Week 28 $390.7M
- Week 29 $209.1M
- Week 30 $974.9K
- Week 31 $127.1K
- Week 32 $102.4M
- Week 33 $78.2M
- Week 34 $100.6M
- Week 35 $830K
- Week 36 $4.2M
- Week 37 $125.2M
- Week 38 $76.3M
- Week 39 $210M
- Week 40 $135.5M
- Week 41 $43.2M
- Week 42 $24.8M
- Week 43 $8M
- Week 44 $8.6M
- Week 45 $90M
- Week 46 $76.1M
- Week 47 $68M
- Week 48 $14.9M
- Week 49 $11.4M
- Week 50 $199M
- Week 51 $23.5M
- Week 52 $98.2M
- Week 53 No grosses
FAQ
Crime Box Office Week 9 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing crime movie in week 9 of 2018 (Feb 25–Mar 3)?
Death Wish (2018) leads with $49.6M worldwide, $34M of it in the US & Canada. Next come Gate (2018) at $755.9K and Goldstone (2018) at $650.4K.
How much did crime movies released in week 9 of 2018 (Feb 25–Mar 3) earn?
4 crime films released in week 9 of 2018 (Feb 25–Mar 3) report a worldwide gross, $51M in all, or $12.8M per film on average. Week 8, 2018 releases took $131.2M.
How many crime movies released in week 9 of 2018 (Feb 25–Mar 3) made $1 billion?
None. The biggest, Death Wish (2018), earned $49.6M.
How is the week 9, 2018 crime box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 9 of 2018 (Feb 25–Mar 3). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 9, 2018 crime box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.