#1 of 4 #1 crime movie of Week 48, 2018
2018 · Action, Crime
$11.8M worldwide · 79% of the chart's total
$101.4K US & Canada · <1% $11.7M elsewhere · 99%
Crime box office · Week 48 · Nov 25–Dec 1, 2018
Crime Box Office, Week 48 of 2018: Crime Releases of Nov 25–Dec 1
Unstoppable (2018) is the highest-grossing crime movie released in week 48 of 2018 (Nov 25–Dec 1), with $11.8M worldwide, ahead of The World Is Yours (2018) at $2.7M and Sicilian Ghost Story (2018) at $204.9K. 4 crime films released that week report a worldwide gross, $14.9M in all, <1% of it from the US & Canada.
- week 48 releases with a gross
- 4
- combined worldwide
- $14.9M
- Unstoppable (2018), the #1
- $11.8M
- earned in the US & Canada
- <1%
#1 of 4 Top 4
What Were the Biggest Crime Hits of Week 48 of 2018?
Unstoppable (2018) leads with $11.8M, 79% of the total. The top 4 together took $14.9M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Crime Release of Week 48 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 48 of 2018 (Nov 25–Dec 1).
- 1 Nov 30, 2018 US and Canada: $101.4K Rest of the world: $11.7M Worldwide: $11.8M
- 2 Nov 30, 2018 US and Canada: – Rest of the world: – Worldwide: $2.7M
- 3 Nov 30, 2018 US and Canada: $15.3K Rest of the world: $189.6K Worldwide: $204.9K
- 4 Nov 29, 2018 US and Canada: – Rest of the world: – Worldwide: $132.1K
Weeks around it
How Does Week 48 Compare With the Weeks Around It?
Week 48 releases took $14.9M. The biggest of these 9 weeks is week 50 (Dec 9–15) with $199M, led by The Mule (2018).
- Week 42 Wk 42 Oct 14–20 Can You Ever Forgive Me? (2018) $24.8M Can You Ever Forgive Me? (2018)
- Week 43 Wk 43 Oct 21–27 Baazaar (2018) $8M Baazaar (2018)
- Week 44 Wk 44 Oct 28–Nov 3 The Emperor of Paris (2018) $8.6M The Emperor of Paris (2018)
- Week 45 Wk 45 Nov 4–10 Thugs of Hindostan (2018) $90M Thugs of Hindostan (2018)
- Week 46 Wk 46 Nov 11–17 Widows (2018) $76.1M Widows (2018)
- Week 47 Wk 47 Nov 18–24 Shoplifters (2018) $68M Shoplifters (2018)
- Week 48 Wk 48 Nov 25–Dec 1 Unstoppable (2018) $14.9M Unstoppable (2018)
- Week 49 Wk 49 Dec 2–8 Door Lock (2018) $11.4M Door Lock (2018)
- Week 50 Wk 50 Dec 9–15 The Mule (2018) $199M The Mule (2018)
Earlier years
How Does Week 48 of 2018 Compare With Earlier Years?
Of these 10 years, Week 48, 2014 earned the most: $107.6M from 1 film, led by Horrible Bosses 2 (2014). Week 48, 2018 took $14.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 48, 2009 Nov 22–28 4 films | 4 | $76.2M | – | Ninja Assassin (2009) $61.6M |
| Week 48, 2010 Nov 21–27 1 film · −53% | 1 | $35.6M | −53% | Faster (2010) $35.6M |
| Week 48, 2011 Nov 20–26 2 films · −80% | 2 | $7.1M | −80% | S.I.U. (2011) $7M |
| Week 48, 2012 Nov 25–Dec 1 2 films · +510% | 2 | $43.2M | +510% | Killing Them Softly (2012) $37.9M |
| Week 48, 2013 Nov 24–30 3 films · +20% | 3 | $52M | +20% | Homefront (2013) $48.4M |
| Week 48, 2014 Nov 23–29 1 film · +107% | 1 | $107.6M | +107% | Horrible Bosses 2 (2014) $107.6M |
| Week 48, 2015 Nov 22–28 3 films · −89% | 3 | $11.8M | −89% | The Vanished Murderer (2015) $11M |
| Week 48, 2016 Nov 20–26 3 films · +107% | 3 | $24.4M | +107% | Bad Santa 2 (2016) $24.1M |
| Week 48, 2017 Nov 26–Dec 2 6 films · +86% | 6 | $45.3M | +86% | The Swindlers (2017) $29.7M |
| Week 48, 2018 Nov 25–Dec 1 4 films · −67% | 4 | $14.9M | −67% | Unstoppable (2018) $11.8M |
Archive
Crime Box Office in 2018, Week by Week
51 weeks of 2018 with reported grosses; the biggest is week 28 (Jul 8–14) with $390.7M, led by Skyscraper (2018).
- Week 1 $210.7K
- Week 2 $142.3M
- Week 3 $91.1M
- Week 4 $26.8M
- Week 5 $142.3K
- Week 6 $66.8K
- Week 7 $19M
- Week 8 $131.2M
- Week 9 $51M
- Week 10 $53.8M
- Week 11 $218.6M
- Week 12 $167.7K
- Week 13 No grosses
- Week 14 $20.1M
- Week 15 $392.4K
- Week 16 $32.4M
- Week 17 $63.2M
- Week 18 $11.5M
- Week 19 $58.6M
- Week 20 $39.2M
- Week 21 $2.3M
- Week 22 $4.1M
- Week 23 $331.3M
- Week 24 $27.3M
- Week 25 $34.8M
- Week 26 $75.8M
- Week 27 $152.2M
- Week 28 $390.7M
- Week 29 $209.1M
- Week 30 $974.9K
- Week 31 $127.1K
- Week 32 $102.4M
- Week 33 $78.2M
- Week 34 $100.6M
- Week 35 $830K
- Week 36 $4.2M
- Week 37 $125.2M
- Week 38 $76.3M
- Week 39 $210M
- Week 40 $135.5M
- Week 41 $43.2M
- Week 42 $24.8M
- Week 43 $8M
- Week 44 $8.6M
- Week 45 $90M
- Week 46 $76.1M
- Week 47 $68M
- Week 48 $14.9M
- Week 49 $11.4M
- Week 50 $199M
- Week 51 $23.5M
- Week 52 $98.2M
- Week 53 No grosses
FAQ
Crime Box Office Week 48 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing crime movie in week 48 of 2018 (Nov 25–Dec 1)?
Unstoppable (2018) leads with $11.8M worldwide, $101.4K of it in the US & Canada. Next come The World Is Yours (2018) at $2.7M and Sicilian Ghost Story (2018) at $204.9K.
How much did crime movies released in week 48 of 2018 (Nov 25–Dec 1) earn?
4 crime films released in week 48 of 2018 (Nov 25–Dec 1) report a worldwide gross, $14.9M in all, or $3.7M per film on average.
How many crime movies released in week 48 of 2018 (Nov 25–Dec 1) made $1 billion?
None. The biggest, Unstoppable (2018), earned $11.8M.
How is the week 48, 2018 crime box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 48 of 2018 (Nov 25–Dec 1). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 48, 2018 crime box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.