#1 of 3 #1 crime movie of Week 44, 2018
2018 · Crime, Drama
$7.6M worldwide · 89% of the chart's total
No US & Canada figure reported
Crime box office · Week 44 · Oct 28–Nov 3, 2018
Crime Box Office, Week 44 of 2018: Crime Releases of Oct 28–Nov 3
The Emperor of Paris (2018) is the highest-grossing crime movie released in week 44 of 2018 (Oct 28–Nov 3), with $7.6M worldwide, ahead of The Awakener (2018) at $772.3K and X - The eXploited (2018) at $183.5K. 3 crime films released that week report a worldwide gross, $8.6M in all. That is up 7% on Week 43, 2018, whose releases took $8M.
- week 44 releases with a gross
- 3
- combined worldwide
- $8.6M
- The Emperor of Paris (2018), the #1
- $7.6M
- vs Week 43, 2018
- +7%
#1 of 3 Top 3
What Were the Biggest Crime Hits of Week 44 of 2018?
The Emperor of Paris (2018) leads with $7.6M, 89% of the total. The top 3 together took $8.6M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Crime Release of Week 44 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 44 of 2018 (Oct 28–Nov 3).
- 1 Nov 3, 2018 US and Canada: – Rest of the world: – Worldwide: $7.6M
- 2 Nov 1, 2018 US and Canada: – Rest of the world: – Worldwide: $772.3K
- 3 Nov 1, 2018 US and Canada: – Rest of the world: – Worldwide: $183.5K
Weeks around it
How Does Week 44 Compare With the Weeks Around It?
Week 44 releases took $8.6M. The biggest of these 9 weeks is week 39 (Sep 23–29) with $210M, led by Project Gutenberg (2018).
- Week 38 Wk 38 Sep 16–22 Golden Job (2018) $76.3M Golden Job (2018)
- Week 39 Wk 39 Sep 23–29 Project Gutenberg (2018) $210M Project Gutenberg (2018)
- Week 40 Wk 40 Sep 30–Oct 6 Andhadhun (2018) $135.5M Andhadhun (2018)
- Week 41 Wk 41 Oct 7–13 Bad Times at the El Royale (2018) $43.2M Bad Times at the El Royale (2018)
- Week 42 Wk 42 Oct 14–20 Can You Ever Forgive Me? (2018) $24.8M Can You Ever Forgive Me? (2018)
- Week 43 Wk 43 Oct 21–27 Baazaar (2018) $8M Baazaar (2018)
- Week 44 Wk 44 Oct 28–Nov 3 The Emperor of Paris (2018) $8.6M The Emperor of Paris (2018)
- Week 45 Wk 45 Nov 4–10 Thugs of Hindostan (2018) $90M Thugs of Hindostan (2018)
- Week 46 Wk 46 Nov 11–17 Widows (2018) $76.1M Widows (2018)
Earlier years
How Does Week 44 of 2018 Compare With Earlier Years?
Of these 10 years, Week 44, 2010 earned the most: $187.6M from 4 films, led by Saw 3D (2010). Week 44, 2018 took $8.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 44, 2009 Oct 25–31 1 film | 1 | $10.6M | – | The Boondock Saints II: All Saints Day (2009) $10.6M |
| Week 44, 2010 Oct 24–30 4 films · +1665% | 4 | $187.6M | +1665% | Saw 3D (2010) $136.2M |
| Week 44, 2011 Oct 23–29 9 films · −91% | 9 | $17.3M | −91% | Force (2011) $5.3M |
| Week 44, 2012 Oct 28–Nov 3 2 films · −62% | 2 | $6.6M | −62% | Fly with the Gold (2012) $5.4M |
| Week 44, 2013 Oct 27–Nov 2 2 films · −59% | 2 | $2.7M | −59% | Behzat Ç.: Ankara Is on Fire (2013) $2.1M |
| Week 44, 2014 Oct 26–Nov 1 1 film · +1650% | 1 | $47.4M | +1650% | Nightcrawler (2014) $47.4M |
| Week 44, 2015 Oct 25–31 2 films · −98% | 2 | $938K | −98% | Fatal Intuition (2015) $697.8K |
| Week 44, 2016 Oct 23–29 2 films · +1939% | 2 | $19.1M | +1939% | Death Note: Light Up the NEW World (2016) $19.1M |
| Week 44, 2017 Oct 29–Nov 4 6 films · −35% | 6 | $12.5M | −35% | Carbone (2017) $5.7M |
| Week 44, 2018 Oct 28–Nov 3 3 films · −31% | 3 | $8.6M | −31% | The Emperor of Paris (2018) $7.6M |
Archive
Crime Box Office in 2018, Week by Week
51 weeks of 2018 with reported grosses; the biggest is week 28 (Jul 8–14) with $390.7M, led by Skyscraper (2018).
- Week 1 $210.7K
- Week 2 $142.3M
- Week 3 $91.1M
- Week 4 $26.8M
- Week 5 $142.3K
- Week 6 $66.8K
- Week 7 $19M
- Week 8 $131.2M
- Week 9 $51M
- Week 10 $53.8M
- Week 11 $218.6M
- Week 12 $167.7K
- Week 13 No grosses
- Week 14 $20.1M
- Week 15 $392.4K
- Week 16 $32.4M
- Week 17 $63.2M
- Week 18 $11.5M
- Week 19 $58.6M
- Week 20 $39.2M
- Week 21 $2.3M
- Week 22 $4.1M
- Week 23 $331.3M
- Week 24 $27.3M
- Week 25 $34.8M
- Week 26 $75.8M
- Week 27 $152.2M
- Week 28 $390.7M
- Week 29 $209.1M
- Week 30 $974.9K
- Week 31 $127.1K
- Week 32 $102.4M
- Week 33 $78.2M
- Week 34 $100.6M
- Week 35 $830K
- Week 36 $4.2M
- Week 37 $125.2M
- Week 38 $76.3M
- Week 39 $210M
- Week 40 $135.5M
- Week 41 $43.2M
- Week 42 $24.8M
- Week 43 $8M
- Week 44 $8.6M
- Week 45 $90M
- Week 46 $76.1M
- Week 47 $68M
- Week 48 $14.9M
- Week 49 $11.4M
- Week 50 $199M
- Week 51 $23.5M
- Week 52 $98.2M
- Week 53 No grosses
FAQ
Crime Box Office Week 44 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing crime movie in week 44 of 2018 (Oct 28–Nov 3)?
The Emperor of Paris (2018) leads with $7.6M worldwide. Next come The Awakener (2018) at $772.3K and X - The eXploited (2018) at $183.5K.
How much did crime movies released in week 44 of 2018 (Oct 28–Nov 3) earn?
3 crime films released in week 44 of 2018 (Oct 28–Nov 3) report a worldwide gross, $8.6M in all, or $2.9M per film on average. Week 43, 2018 releases took $8M.
How many crime movies released in week 44 of 2018 (Oct 28–Nov 3) made $1 billion?
None. The biggest, The Emperor of Paris (2018), earned $7.6M.
How is the week 44, 2018 crime box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 44 of 2018 (Oct 28–Nov 3). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 44, 2018 crime box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.