#1 of 4 #1 crime movie of Week 19, 2018
2018 · Action, Drama
$51.4M worldwide · 88% of the chart's total
$46.8M US & Canada · 91% $4.6M elsewhere · 9%
Crime box office · Week 19 · May 6–12, 2018
Crime Box Office, Week 19 of 2018: Crime Releases of May 6–12
Breaking In (2018) is the highest-grossing crime movie released in week 19 of 2018 (May 6–12), with $51.4M worldwide, ahead of Little Miss Dolittle (2018) at $4.6M and Raazi (2018) at $1.8M. 4 crime films released that week report a worldwide gross, $58.6M in all, 80% of it from the US & Canada. That is 5.1 times the total of Week 18, 2018, whose releases took $11.5M.
- week 19 releases with a gross
- 4
- combined worldwide
- $58.6M
- Breaking In (2018), the #1
- $51.4M
- vs Week 18, 2018
- ×5.1
#1 of 4 Top 4
What Were the Biggest Crime Hits of Week 19 of 2018?
Breaking In (2018) leads with $51.4M, 88% of the total. The top 4 together took $58.6M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Crime Release of Week 19 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 19 of 2018 (May 6–12).
- 1 May 11, 2018 US and Canada: $46.8M Rest of the world: $4.6M Worldwide: $51.4M
- 2 May 10, 2018 US and Canada: – Rest of the world: – Worldwide: $4.6M
- 3 May 11, 2018 US and Canada: – Rest of the world: – Worldwide: $1.8M
- 4 May 11, 2018 US and Canada: – Rest of the world: – Worldwide: $844K
Weeks around it
How Does Week 19 Compare With the Weeks Around It?
Week 19 releases took $58.6M. The biggest of these 9 weeks is week 17 (Apr 22–28) with $63.2M, led by A or B (2018).
- Week 13 Wk 13 Mar 25–31 No reported grosses – No reported grosses
- Week 14 Wk 14 Apr 1–7 Chappaquiddick (2018) $20.1M Chappaquiddick (2018)
- Week 15 Wk 15 Apr 8–14 Snatch Up (2018) $392.4K Snatch Up (2018)
- Week 16 Wk 16 Apr 15–21 Super Troopers 2 (2018) $32.4M Super Troopers 2 (2018)
- Week 17 Wk 17 Apr 22–28 A or B (2018) $63.2M A or B (2018)
- Week 18 Wk 18 Apr 29–May 5 Laplace’s Witch (2018) $11.5M Laplace’s Witch (2018)
- Week 19 Wk 19 May 6–12 Breaking In (2018) $58.6M Breaking In (2018)
- Week 20 Wk 20 May 13–19 Show Dogs (2018) $39.2M Show Dogs (2018)
- Week 21 Wk 21 May 20–26 My Friend “A” (2018) $2.3M My Friend “A” (2018)
Earlier years
How Does Week 19 of 2018 Compare With Earlier Years?
Of these 10 years, Week 19, 2018 earned the most: $58.6M from 4 films, led by Breaking In (2018).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 19, 2009 May 3–9 4 films | 4 | $12.3M | – | Next Day Air (2009) $10.2M |
| Week 19, 2010 May 2–8 1 film · −99% | 1 | $64.4K | −99% | Badmaash Company (2010) $64.4K |
| Week 19, 2011 May 1–7 3 films · +2275% | 3 | $1.5M | +2275% | Hobo with a Shotgun (2011) $748.5K |
| Week 19, 2012 May 6–12 4 films · +28% | 4 | $2M | +28% | The Road (2012) $942K |
| Week 19, 2013 May 5–11 3 films · −39% | 3 | $1.2M | −39% | Shootout at Wadala (2013) $711.4K |
| Week 19, 2014 May 4–10 3 films · +303% | 3 | $4.8M | +303% | Death in Buenos Aires (2014) $2.3M |
| Week 19, 2015 May 3–9 2 films · +984% | 2 | $52.3M | +984% | Hot Pursuit (2015) $51.7M |
| Week 19, 2016 May 1–7 3 films · −75% | 3 | $13.1M | −75% | A Bigger Splash (2016) $7.5M |
| Week 19, 2017 May 7–13 2 films · −95% | 2 | $593.3K | −95% | Sarkar 3 (2017) $358.9K |
| Week 19, 2018 May 6–12 4 films · +9781% | 4 | $58.6M | +9781% | Breaking In (2018) $51.4M |
Archive
Crime Box Office in 2018, Week by Week
51 weeks of 2018 with reported grosses; the biggest is week 28 (Jul 8–14) with $390.7M, led by Skyscraper (2018).
- Week 1 $210.7K
- Week 2 $142.3M
- Week 3 $91.1M
- Week 4 $26.8M
- Week 5 $142.3K
- Week 6 $66.8K
- Week 7 $19M
- Week 8 $131.2M
- Week 9 $51M
- Week 10 $53.8M
- Week 11 $218.6M
- Week 12 $167.7K
- Week 13 No grosses
- Week 14 $20.1M
- Week 15 $392.4K
- Week 16 $32.4M
- Week 17 $63.2M
- Week 18 $11.5M
- Week 19 $58.6M
- Week 20 $39.2M
- Week 21 $2.3M
- Week 22 $4.1M
- Week 23 $331.3M
- Week 24 $27.3M
- Week 25 $34.8M
- Week 26 $75.8M
- Week 27 $152.2M
- Week 28 $390.7M
- Week 29 $209.1M
- Week 30 $974.9K
- Week 31 $127.1K
- Week 32 $102.4M
- Week 33 $78.2M
- Week 34 $100.6M
- Week 35 $830K
- Week 36 $4.2M
- Week 37 $125.2M
- Week 38 $76.3M
- Week 39 $210M
- Week 40 $135.5M
- Week 41 $43.2M
- Week 42 $24.8M
- Week 43 $8M
- Week 44 $8.6M
- Week 45 $90M
- Week 46 $76.1M
- Week 47 $68M
- Week 48 $14.9M
- Week 49 $11.4M
- Week 50 $199M
- Week 51 $23.5M
- Week 52 $98.2M
- Week 53 No grosses
FAQ
Crime Box Office Week 19 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing crime movie in week 19 of 2018 (May 6–12)?
Breaking In (2018) leads with $51.4M worldwide, $46.8M of it in the US & Canada. Next come Little Miss Dolittle (2018) at $4.6M and Raazi (2018) at $1.8M.
How much did crime movies released in week 19 of 2018 (May 6–12) earn?
4 crime films released in week 19 of 2018 (May 6–12) report a worldwide gross, $58.6M in all, or $14.7M per film on average. Week 18, 2018 releases took $11.5M.
How many crime movies released in week 19 of 2018 (May 6–12) made $1 billion?
None. The biggest, Breaking In (2018), earned $51.4M.
How is the week 19, 2018 crime box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 19 of 2018 (May 6–12). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 19, 2018 crime box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.