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Crime box office · Week 50 · Dec 9–15, 2018

Crime Box Office, Week 50 of 2018: Crime Releases of Dec 9–15

The Mule (2018) is the highest-grossing crime movie released in week 50 of 2018 (Dec 9–15), with $174.8M worldwide, ahead of If Beale Street Could Talk (2018) at $20.6M and The House That Jack Built (2018) at $3.1M. 4 crime films released that week report a worldwide gross, $199M in all, 60% of it from the US & Canada. One film crossed $100 million; none reached $1 billion.

week 50 releases with a gross
4
combined worldwide
$199M
film crossed $100M
1
earned in the US & Canada
60%
The Mule (2018) movie poster #1 of 4
#1 crime movie of Week 50, 2018

The Mule (2018)

2018 · Drama, Mystery

$174.8M worldwide · 88% of the chart's total

$103.8M US & Canada · 59% $71M elsewhere · 41%
Top 4

What Were the Biggest Crime Hits of Week 50 of 2018?

The Mule (2018) leads with $174.8M, 88% of the total. The top 4 together took $199M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. The Mule (2018) movie poster Number 1
    $174.8M The Mule (2018)
    $103.8M US & Canada · 59% $71M elsewhere · 41%
  2. If Beale Street Could Talk (2018) movie poster Number 2
    $20.6M If Beale Street Could Talk (2018)
    $14.9M US & Canada · 72% $5.7M elsewhere · 28%
  3. The House That Jack Built (2018) movie poster Number 3
    $3.1M The House That Jack Built (2018)
    $258.1K US & Canada · 8% $2.8M elsewhere · 92%
  4. Backtrace (2018) movie poster Number 4
    $490.6K Backtrace (2018)
    No US & Canada figure reported

US & Canada (domestic) Rest of the world

The chart

Every Crime Release of Week 50 of 2018, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 50 of 2018 (Dec 9–15).

  1. 1 The Mule (2018) movie poster
    The Mule (2018) Dec 14, 2018 · English · Drama, Mystery, Thriller $174.8M worldwide
    Dec 14, 2018 US and Canada: $103.8M Rest of the world: $71M Worldwide: $174.8M
  2. 2 If Beale Street Could Talk (2018) movie poster
    If Beale Street Could Talk (2018) Dec 14, 2018 · English · Drama, Romance, Crime $20.6M worldwide
    Dec 14, 2018 US and Canada: $14.9M Rest of the world: $5.7M Worldwide: $20.6M
  3. 3 The House That Jack Built (2018) movie poster
    The House That Jack Built (2018) Dec 14, 2018 · English · Drama, Thriller, Horror $3.1M worldwide
    Dec 14, 2018 US and Canada: $258.1K Rest of the world: $2.8M Worldwide: $3.1M
  4. 4 Backtrace (2018) movie poster
    Backtrace (2018) Dec 14, 2018 · English · Drama, Crime $490.6K worldwide
    Dec 14, 2018 US and Canada: – Rest of the world: – Worldwide: $490.6K
US & Canada vs the world

Where Did the Money Come From in Week 50 of 2018?

Of the top 4, If Beale Street Could Talk (2018) earned the biggest share at home (72% in the US & Canada), while The House That Jack Built (2018) made 92% of its gross abroad. Across all 4 films, $119M (60%) came from the US & Canada. 1 film of the top 4 reports no US & Canada figure.

  1. 1 The Mule (2018) $174.8M
    $103.8M US & Canada · 59% $71M elsewhere · 41%
  2. 2 If Beale Street Could Talk (2018) $20.6M
    $14.9M US & Canada · 72% $5.7M elsewhere · 28%
  3. 3 The House That Jack Built (2018) $3.1M
    $258.1K US & Canada · 8% $2.8M elsewhere · 92%
  4. 4 Backtrace (2018) $490.6K
    No US & Canada figure reported
Earlier years

How Does Week 50 of 2018 Compare With Earlier Years?

Of these 10 years, Week 50, 2013 earned the most: $251.2M from 2 films, led by American Hustle (2013). Week 50, 2018 took $199M.

Week Films Worldwide Change Biggest film
Week 50, 2009 Dec 6–12 2 films 2 $2.3M – Wings of the Night (2009) $2M
Week 50, 2010 Dec 5–11 No films 0 – – –
Week 50, 2011 Dec 4–10 1 film 1 $291.7K – Catch.44 (2011) $291.7K
Week 50, 2012 Dec 9–15 1 film · +1639% 1 $5.1M +1639% Stand Up Guys (2012) $5.1M
Week 50, 2013 Dec 8–14 2 films · +4852% 2 $251.2M +4852% American Hustle (2013) $251.2M
Week 50, 2014 Dec 7–13 2 films · −94% 2 $14.8M −94% Inherent Vice (2014) $14.8M
Week 50, 2015 Dec 6–12 1 film · −98% 1 $249K −98% Close Range (2015) $249K
Week 50, 2016 Dec 4–10 1 film · −96% 1 $9.2K −96% Frank & Lola (2016) $9.2K
Week 50, 2017 Dec 10–16 2 films · +90161% 2 $8.3M +90161% Killing for Love (2017) $8.3M
Week 50, 2018 Dec 9–15 4 films · +2299% 4 $199M +2299% The Mule (2018) $174.8M
FAQ

Crime Box Office Week 50 of 2018: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.

What is the highest-grossing crime movie in week 50 of 2018 (Dec 9–15)?

The Mule (2018) leads with $174.8M worldwide, $103.8M of it in the US & Canada. Next come If Beale Street Could Talk (2018) at $20.6M and The House That Jack Built (2018) at $3.1M.

How much did crime movies released in week 50 of 2018 (Dec 9–15) earn?

4 crime films released in week 50 of 2018 (Dec 9–15) report a worldwide gross, $199M in all, or $49.7M per film on average.

How many crime movies released in week 50 of 2018 (Dec 9–15) made $1 billion?

None. 1 film crossed $100 million, led by The Mule (2018) with $174.8M.

How much of the Week 50, 2018 Crime box office came from the US and Canada?

$119M of the $199M total, or 60%, was earned in the US & Canada (the domestic market); the rest came from other countries. 1 film of the 4 report no domestic figure.

How is the week 50, 2018 crime box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 50 of 2018 (Dec 9–15). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 50, 2018 crime box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.