#1 of 3 #1 crime movie of Week 18, 2018
2018 · Crime, Mystery
$11M worldwide · 96% of the chart's total
No US & Canada figure reported
Crime box office · Week 18 · Apr 29–May 5, 2018
Crime Box Office, Week 18 of 2018: Crime Releases of Apr 29–May 5
Laplace’s Witch (2018) is the highest-grossing crime movie released in week 18 of 2018 (Apr 29–May 5), with $11M worldwide, ahead of Racer and the Jailbird (2018) at $400K and Vultures (2018) at $87.1K. 3 crime films released that week report a worldwide gross, $11.5M in all, <1% of it from the US & Canada. That is down 82% on Week 17, 2018, whose releases took $63.2M.
- week 18 releases with a gross
- 3
- combined worldwide
- $11.5M
- Laplace’s Witch (2018), the #1
- $11M
- vs Week 17, 2018
- −82%
#1 of 3 Top 3
What Were the Biggest Crime Hits of Week 18 of 2018?
Laplace’s Witch (2018) leads with $11M, 96% of the total. The top 3 together took $11.5M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Crime Release of Week 18 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 18 of 2018 (Apr 29–May 5).
- 1 May 4, 2018 US and Canada: – Rest of the world: – Worldwide: $11M
- 2 May 4, 2018 US and Canada: $46.3K Rest of the world: $353.7K Worldwide: $400K
- 3 May 4, 2018 US and Canada: – Rest of the world: – Worldwide: $87.1K
Weeks around it
How Does Week 18 Compare With the Weeks Around It?
Week 18 releases took $11.5M. The biggest of these 9 weeks is week 17 (Apr 22–28) with $63.2M, led by A or B (2018).
- Week 12 Wk 12 Mar 18–24 Beauty and the Dogs (2018) $167.7K Beauty and the Dogs (2018)
- Week 13 Wk 13 Mar 25–31 No reported grosses – No reported grosses
- Week 14 Wk 14 Apr 1–7 Chappaquiddick (2018) $20.1M Chappaquiddick (2018)
- Week 15 Wk 15 Apr 8–14 Snatch Up (2018) $392.4K Snatch Up (2018)
- Week 16 Wk 16 Apr 15–21 Super Troopers 2 (2018) $32.4M Super Troopers 2 (2018)
- Week 17 Wk 17 Apr 22–28 A or B (2018) $63.2M A or B (2018)
- Week 18 Wk 18 Apr 29–May 5 Laplace’s Witch (2018) $11.5M Laplace’s Witch (2018)
- Week 19 Wk 19 May 6–12 Breaking In (2018) $58.6M Breaking In (2018)
- Week 20 Wk 20 May 13–19 Show Dogs (2018) $39.2M Show Dogs (2018)
Earlier years
How Does Week 18 of 2018 Compare With Earlier Years?
Of these 10 years, Week 18, 2011 earned the most: $628M from 4 films, led by Fast Five (2011). Week 18, 2018 took $11.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 18, 2009 Apr 26–May 2 5 films | 5 | $9.1M | – | Insadong Scandal (2009) $6.2M |
| Week 18, 2010 Apr 25–May 1 2 films · +54% | 2 | $14M | +54% | Harry Brown (2010) $10.4M |
| Week 18, 2011 Apr 24–30 4 films · +4385% | 4 | $628M | +4385% | Fast Five (2011) $626.1M |
| Week 18, 2012 Apr 29–May 5 2 films · −98% | 2 | $11.8M | −98% | Jannat 2 (2012) $11.8M |
| Week 18, 2013 Apr 28–May 4 2 films · −57% | 2 | $5.1M | −57% | The Iceman (2013) $4.6M |
| Week 18, 2014 Apr 27–May 3 1 film · −98% | 1 | $82.3K | −98% | Water & Power (2014) $82.3K |
| Week 18, 2015 Apr 26–May 2 4 films · +587% | 4 | $565.9K | +587% | Argo 2 (2015) $515.5K |
| Week 18, 2016 Apr 24–30 3 films · +127% | 3 | $1.3M | +127% | Golden Years (2016) $1M |
| Week 18, 2017 Apr 30–May 6 4 films · +4795% | 4 | $62.9M | +4795% | Bad Genius (2017) $44.6M |
| Week 18, 2018 Apr 29–May 5 3 films · −82% | 3 | $11.5M | −82% | Laplace’s Witch (2018) $11M |
Archive
Crime Box Office in 2018, Week by Week
51 weeks of 2018 with reported grosses; the biggest is week 28 (Jul 8–14) with $390.7M, led by Skyscraper (2018).
- Week 1 $210.7K
- Week 2 $142.3M
- Week 3 $91.1M
- Week 4 $26.8M
- Week 5 $142.3K
- Week 6 $66.8K
- Week 7 $19M
- Week 8 $131.2M
- Week 9 $51M
- Week 10 $53.8M
- Week 11 $218.6M
- Week 12 $167.7K
- Week 13 No grosses
- Week 14 $20.1M
- Week 15 $392.4K
- Week 16 $32.4M
- Week 17 $63.2M
- Week 18 $11.5M
- Week 19 $58.6M
- Week 20 $39.2M
- Week 21 $2.3M
- Week 22 $4.1M
- Week 23 $331.3M
- Week 24 $27.3M
- Week 25 $34.8M
- Week 26 $75.8M
- Week 27 $152.2M
- Week 28 $390.7M
- Week 29 $209.1M
- Week 30 $974.9K
- Week 31 $127.1K
- Week 32 $102.4M
- Week 33 $78.2M
- Week 34 $100.6M
- Week 35 $830K
- Week 36 $4.2M
- Week 37 $125.2M
- Week 38 $76.3M
- Week 39 $210M
- Week 40 $135.5M
- Week 41 $43.2M
- Week 42 $24.8M
- Week 43 $8M
- Week 44 $8.6M
- Week 45 $90M
- Week 46 $76.1M
- Week 47 $68M
- Week 48 $14.9M
- Week 49 $11.4M
- Week 50 $199M
- Week 51 $23.5M
- Week 52 $98.2M
- Week 53 No grosses
FAQ
Crime Box Office Week 18 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing crime movie in week 18 of 2018 (Apr 29–May 5)?
Laplace’s Witch (2018) leads with $11M worldwide. Next come Racer and the Jailbird (2018) at $400K and Vultures (2018) at $87.1K.
How much did crime movies released in week 18 of 2018 (Apr 29–May 5) earn?
3 crime films released in week 18 of 2018 (Apr 29–May 5) report a worldwide gross, $11.5M in all, or $3.8M per film on average. Week 17, 2018 releases took $63.2M.
How many crime movies released in week 18 of 2018 (Apr 29–May 5) made $1 billion?
None. The biggest, Laplace’s Witch (2018), earned $11M.
How is the week 18, 2018 crime box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 18 of 2018 (Apr 29–May 5). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 18, 2018 crime box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.