#1 of 4 #1 crime movie of Week 16, 2018
2018 · Mystery, Comedy
$31.6M worldwide · 98% of the chart's total
$30.6M US & Canada · 97% $1M elsewhere · 3%
Crime box office · Week 16 · Apr 15–21, 2018
Crime Box Office, Week 16 of 2018: Crime Releases of Apr 15–21
Super Troopers 2 (2018) is the highest-grossing crime movie released in week 16 of 2018 (Apr 15–21), with $31.6M worldwide, ahead of Perdida (2018) at $750.2K and Body of Sin (2018) at $16.2K. 4 crime films released that week report a worldwide gross, $32.4M in all, 95% of it from the US & Canada.
- week 16 releases with a gross
- 4
- combined worldwide
- $32.4M
- Super Troopers 2 (2018), the #1
- $31.6M
- earned in the US & Canada
- 95%
#1 of 4 Top 4
What Were the Biggest Crime Hits of Week 16 of 2018?
Super Troopers 2 (2018) leads with $31.6M, 98% of the total. The top 4 together took $32.4M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Crime Release of Week 16 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 16 of 2018 (Apr 15–21).
- 1 Apr 20, 2018 US and Canada: $30.6M Rest of the world: $1M Worldwide: $31.6M
- 2 Apr 19, 2018 US and Canada: – Rest of the world: – Worldwide: $750.2K
- 3 Apr 17, 2018 US and Canada: – Rest of the world: – Worldwide: $16.2K
- 4 Apr 16, 2018 US and Canada: – Rest of the world: – Worldwide: $1.8K
Weeks around it
How Does Week 16 Compare With the Weeks Around It?
Week 16 releases took $32.4M. The biggest of these 9 weeks is week 11 (Mar 11–17) with $218.6M, led by Us and Them (2018).
- Week 10 Wk 10 Mar 4–10 The Hurricane Heist (2018) $53.8M The Hurricane Heist (2018)
- Week 11 Wk 11 Mar 11–17 Us and Them (2018) $218.6M Us and Them (2018)
- Week 12 Wk 12 Mar 18–24 Beauty and the Dogs (2018) $167.7K Beauty and the Dogs (2018)
- Week 13 Wk 13 Mar 25–31 No reported grosses – No reported grosses
- Week 14 Wk 14 Apr 1–7 Chappaquiddick (2018) $20.1M Chappaquiddick (2018)
- Week 15 Wk 15 Apr 8–14 Snatch Up (2018) $392.4K Snatch Up (2018)
- Week 16 Wk 16 Apr 15–21 Super Troopers 2 (2018) $32.4M Super Troopers 2 (2018)
- Week 17 Wk 17 Apr 22–28 A or B (2018) $63.2M A or B (2018)
- Week 18 Wk 18 Apr 29–May 5 Laplace’s Witch (2018) $11.5M Laplace’s Witch (2018)
Earlier years
How Does Week 16 of 2018 Compare With Earlier Years?
Of these 10 years, Week 16, 2010 earned the most: $168M from 5 films, led by Kick-Ass (2010). Week 16, 2018 took $32.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 16, 2009 Apr 12–18 2 films | 2 | $74.2M | – | Detective Conan: The Raven Chaser (2009) $39.7M |
| Week 16, 2010 Apr 11–17 5 films · +126% | 5 | $168M | +126% | Kick-Ass (2010) $96.2M |
| Week 16, 2011 Apr 10–16 1 film · −75% | 1 | $42.8M | −75% | Detective Conan: Quarter of Silence (2011) $42.8M |
| Week 16, 2012 Apr 15–21 No films | 0 | – | – | – |
| Week 16, 2013 Apr 14–20 3 films | 3 | $26.3K | – | The Secret Scandal (2013) $17.2K |
| Week 16, 2014 Apr 13–19 2 films · +77516% | 2 | $20.4M | +77516% | That Demon Within (2014) $20.4M |
| Week 16, 2015 Apr 12–18 1 film · +427% | 1 | $107.6M | +427% | Paul Blart: Mall Cop 2 (2015) $107.6M |
| Week 16, 2016 Apr 10–16 6 films · −51% | 6 | $53.2M | −51% | Criminal (2016) $38.8M |
| Week 16, 2017 Apr 16–22 3 films · −93% | 3 | $3.9M | −93% | Free Fire (2017) $3.7M |
| Week 16, 2018 Apr 15–21 4 films · +723% | 4 | $32.4M | +723% | Super Troopers 2 (2018) $31.6M |
Archive
Crime Box Office in 2018, Week by Week
51 weeks of 2018 with reported grosses; the biggest is week 28 (Jul 8–14) with $390.7M, led by Skyscraper (2018).
- Week 1 $210.7K
- Week 2 $142.3M
- Week 3 $91.1M
- Week 4 $26.8M
- Week 5 $142.3K
- Week 6 $66.8K
- Week 7 $19M
- Week 8 $131.2M
- Week 9 $51M
- Week 10 $53.8M
- Week 11 $218.6M
- Week 12 $167.7K
- Week 13 No grosses
- Week 14 $20.1M
- Week 15 $392.4K
- Week 16 $32.4M
- Week 17 $63.2M
- Week 18 $11.5M
- Week 19 $58.6M
- Week 20 $39.2M
- Week 21 $2.3M
- Week 22 $4.1M
- Week 23 $331.3M
- Week 24 $27.3M
- Week 25 $34.8M
- Week 26 $75.8M
- Week 27 $152.2M
- Week 28 $390.7M
- Week 29 $209.1M
- Week 30 $974.9K
- Week 31 $127.1K
- Week 32 $102.4M
- Week 33 $78.2M
- Week 34 $100.6M
- Week 35 $830K
- Week 36 $4.2M
- Week 37 $125.2M
- Week 38 $76.3M
- Week 39 $210M
- Week 40 $135.5M
- Week 41 $43.2M
- Week 42 $24.8M
- Week 43 $8M
- Week 44 $8.6M
- Week 45 $90M
- Week 46 $76.1M
- Week 47 $68M
- Week 48 $14.9M
- Week 49 $11.4M
- Week 50 $199M
- Week 51 $23.5M
- Week 52 $98.2M
- Week 53 No grosses
FAQ
Crime Box Office Week 16 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing crime movie in week 16 of 2018 (Apr 15–21)?
Super Troopers 2 (2018) leads with $31.6M worldwide, $30.6M of it in the US & Canada. Next come Perdida (2018) at $750.2K and Body of Sin (2018) at $16.2K.
How much did crime movies released in week 16 of 2018 (Apr 15–21) earn?
4 crime films released in week 16 of 2018 (Apr 15–21) report a worldwide gross, $32.4M in all, or $8.1M per film on average.
How many crime movies released in week 16 of 2018 (Apr 15–21) made $1 billion?
None. The biggest, Super Troopers 2 (2018), earned $31.6M.
How is the week 16, 2018 crime box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 16 of 2018 (Apr 15–21). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 16, 2018 crime box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.