#1 of 20 #1 drama movie of Week 2, 2019
2019 · Adventure, Drama
$80.7M worldwide · 51% of the chart's total
$42M US & Canada · 52% $38.7M elsewhere · 48%
Drama box office · Week 2 · Jan 6–12, 2019
Drama Box Office, Week 2 of 2019: Drama Releases of Jan 6–12
A Dog's Way Home (2019) is the highest-grossing drama movie released in week 2 of 2019 (Jan 6–12), with $80.7M worldwide, ahead of Uri: The Surgical Strike (2019) at $39.3M and Fate/stay night: Heaven’s Feel II. Lost Butterfly (2019) at $17.3M. 20 drama films released that week report a worldwide gross, $158.8M in all, 32% of it from the US & Canada. That is 55.5 times the total of Week 1, 2019, whose releases took $2.9M. By language, English leads with $94M across 8 drama releases.
- week 2 releases with a gross
- 20
- combined worldwide
- $158.8M
- A Dog's Way Home (2019), the #1
- $80.7M
- vs Week 1, 2019
- ×55.5
#1 of 20 Top 5
What Were the Biggest Drama Hits of Week 2 of 2019?
A Dog's Way Home (2019) leads with $80.7M, 51% of the total. The top 5 together took $150M, 94% of what all 20 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 $17.3M Fate/stay night: Heaven’s Feel II. Lost Butterfly (2019)$420.6K US & Canada · 2% $16.9M elsewhere · 98% -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Drama Release of Week 2 of 2019, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 2 of 2019 (Jan 6–12).
- 1 Jan 11, 2019 US and Canada: $42M Rest of the world: $38.7M Worldwide: $80.7M
- 2 Jan 11, 2019 US and Canada: $4.2M Rest of the world: $35.2M Worldwide: $39.3M
- 3 Fate/stay night: Heaven’s Feel II. Lost Butterfly (2019)Jan 12, 2019 US and Canada: $420.6K Rest of the world: $16.9M Worldwide: $17.3M
Jan 12, 2019 · Japanese · Fantasy, Action, Romance $17.3M worldwide - 4 Jan 11, 2019 US and Canada: $4M Rest of the world: $5.3M Worldwide: $9.3M
- 5 Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $3.3M
- 6
Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $2.3M - 7
Jan 10, 2019 US and Canada: – Rest of the world: – Worldwide: $2M - 8
Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $1.6M - 9
Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $1.1M - 10
Jan 10, 2019 US and Canada: – Rest of the world: – Worldwide: $918.7K - 11
Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $530.5K - 12
Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $141.1K - 13
Jan 8, 2019 US and Canada: – Rest of the world: – Worldwide: $78.5K - 14
Jan 11, 2019 US and Canada: $13.8K Rest of the world: $61.7K Worldwide: $75.5K - 15
Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $42.8K - 16
Jan 11, 2019 US and Canada: $9.3K Rest of the world: $15.3K Worldwide: $24.6K - 17
Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $15.5K - 18
Jan 11, 2019 US and Canada: $4.4K Rest of the world: Worldwide: $4.4K - 19
Jan 11, 2019 US and Canada: – Rest of the world: – Worldwide: $3.3K - 20
Jan 11, 2019 US and Canada: $790 Rest of the world: Worldwide: $790
US & Canada vs the world
Where Did the Money Come From in Week 2 of 2019?
Of the top 10, A Dog's Way Home (2019) earned the biggest share at home (52% in the US & Canada), while Fate/stay night: Heaven’s Feel II. Lost Butterfly (2019) made 98% of its gross abroad. Across all 20 films, $50.7M (32%) came from the US & Canada. 6 films of the top 10 report no US & Canada figure.
- 1 A Dog's Way Home (2019) $80.7M $42M US & Canada · 52% $38.7M elsewhere · 48%
- 2 Uri: The Surgical Strike (2019) $39.3M $4.2M US & Canada · 11% $35.2M elsewhere · 89%
- 3 Fate/stay night: Heaven’s Feel II. Lost Butterfly (2019) $17.3M $420.6K US & Canada · 2% $16.9M elsewhere · 98%
- 4 Replicas (2019) $9.3M $4M US & Canada · 43% $5.3M elsewhere · 57%
- 5 The Accidental Prime Minister (2019) $3.3M No US & Canada figure reported
- 6 Beyond the Night (2019) $2.3M No US & Canada figure reported
- 7 Petta (2019) $2M No US & Canada figure reported
- 8 Ashes in the Snow (2019) $1.6M No US & Canada figure reported
- 9 Psychobitch (2019) $1.1M No US & Canada figure reported
- 10 Viswasam (2019) $918.7K No US & Canada figure reported
Gross bands
How Many Week 2 of 2019 Releases Crossed $100 Million?
None of the 20 films reached $100M. 17 films, 85% of the list, earned under $10M. Each band shows its films and its share of the $158.8M total.
86% 14%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 0 films, 0% of the list No films
- $10M to $100M 3 films, 15% of the list $137.4M · 86% of the gross
- Under $10M 17 films, 85% of the list $21.5M · 14% of the gross
Weeks around it
How Does Week 2 Compare With the Weeks Around It?
Week 2 releases took $158.8M. The biggest of these 9 weeks is week 52, 2018 (Dec 23–29) with $329.1M, led by Kill Mobile (2018).
- Week 49, 2018 Wk 49 Dec 2–8 Mary Queen of Scots (2018) $82.3M Mary Queen of Scots (2018)
- Week 50, 2018 Wk 50 Dec 9–15 The Mule (2018) $281.4M The Mule (2018)
- Week 51, 2018 Wk 51 Dec 16–22 Second Act (2018) $199.9M Second Act (2018)
- Week 52, 2018 Wk 52 Dec 23–29 Kill Mobile (2018) $329.1M Kill Mobile (2018)
- Week 53, 2018 Wk 53 Dec 30–31 No reported grosses – No reported grosses
- Week 1 Wk 1 Jan 1–5 No Mercy (2019) $2.9M No Mercy (2019)
- Week 2 Wk 2 Jan 6–12 A Dog's Way Home (2019) $158.8M A Dog's Way Home (2019)
- Week 3 Wk 3 Jan 13–19 Glass (2019) $249.6M Glass (2019)
- Week 4 Wk 4 Jan 20–26 Serenity (2019) $65.6M Serenity (2019)
Earlier years
How Does Week 2 of 2019 Compare With Earlier Years?
Of these 10 years, Week 2, 2015 earned the most: $193.7M from 6 films, led by Ode to My Father (2015). Week 2, 2019 took $158.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 2, 2010 Jan 3–9 8 films | 8 | $73.7M | – | Daybreakers (2010) $51.4M |
| Week 2, 2011 Jan 2–8 4 films · +26% | 4 | $92.6M | +26% | Season of the Witch (2011) $91.6M |
| Week 2, 2012 Jan 8–14 9 films · −57% | 9 | $39.9M | −57% | Nanban (2012) $15M |
| Week 2, 2013 Jan 6–12 8 films · +188% | 8 | $115M | +188% | Gangster Squad (2013) $105.2M |
| Week 2, 2014 Jan 5–11 12 films · −82% | 12 | $20.3M | −82% | Dedh Ishqiya (2014) $5.6M |
| Week 2, 2015 Jan 4–10 6 films · +852% | 6 | $193.7M | +852% | Ode to My Father (2015) $184.8M |
| Week 2, 2016 Jan 3–9 9 films · −71% | 9 | $55.4M | −71% | Anger of the Dead (2016) $27.6M |
| Week 2, 2017 Jan 8–14 10 films · −86% | 10 | $7.6M | −86% | Ok Jaanu (2017) $5.4M |
| Week 2, 2018 Jan 7–13 12 films · +1545% | 12 | $125.1M | +1545% | The Commuter (2018) $119.9M |
| Week 2, 2019 Jan 6–12 20 films · +27% | 20 | $158.8M | +27% | A Dog's Way Home (2019) $80.7M |
By language
Which Languages Do the Biggest Drama Movies Speak in Week 2 of 2019?
English-language drama films took $94M across 8 films, 59% of the total, ahead of Hindi-language drama films ($42.7M) and Japanese-language drama films ($17.3M).
Week 2 of 2019 Drama Box Office by Language
-
English $94M8 films · #1 A Dog's Way Home (2019) -
Hindi $42.7M3 films · #1 Uri: The Surgical Strike (2019) - Japanese $17.3M1 film · #1 Fate/stay night: Heaven’s Feel II. Lost Butterfly (2019)
- Tamil $2.9M2 films · #1 Petta (2019)
-
Norwegian $1.1M1 film · #1 Psychobitch (2019) -
French $530.5K1 film · #1 The Bouncer (2019) -
Ukrainian $141.1K1 film · #1 Donbass (2019) - Telugu $121.4K2 films · #1 N.T.R: Kathanayakudu (2019)
- Malayalam $3.3K1 film · #1 Vijay Superum Pournamiyum (2019)
Archive
Drama Box Office in 2019, Week by Week
53 weeks of 2019 with reported grosses; the biggest is week 40 (Sep 29–Oct 5) with $1.7B, led by Joker (2019).
- Week 1 $2.9M
- Week 2 $158.8M
- Week 3 $249.6M
- Week 4 $65.6M
- Week 5 $41.2M
- Week 6 $858.1M
- Week 7 $183.6M
- Week 8 $16M
- Week 9 $47.7M
- Week 10 $48.3M
- Week 11 $139.7M
- Week 12 $355.5M
- Week 13 $38.8M
- Week 14 $22.5M
- Week 15 $177M
- Week 16 $91.4M
- Week 17 $12.2M
- Week 18 $177.2M
- Week 19 $36.3M
- Week 20 $441.6M
- Week 21 $95M
- Week 22 $261.3M
- Week 23 $155.6M
- Week 24 $8.8M
- Week 25 $39.4M
- Week 26 $165.3M
- Week 27 $51.3M
- Week 28 $118.6M
- Week 29 $1.7B
- Week 30 $438.8M
- Week 31 $10.7M
- Week 32 $536.9M
- Week 33 $126.8M
- Week 34 $261.3M
- Week 35 $60.4M
- Week 36 $523.4M
- Week 37 $314.1M
- Week 38 $332.2M
- Week 39 $99.4M
- Week 40 $1.7B
- Week 41 $472.8M
- Week 42 $140.8M
- Week 43 $68.3M
- Week 44 $82.6M
- Week 45 $605M
- Week 46 $322.3M
- Week 47 $146.7M
- Week 48 $394.7M
- Week 49 $29.4M
- Week 50 $200.6M
- Week 51 $157.3M
- Week 52 $1.1B
- Week 53 $17.6M
FAQ
Drama Box Office Week 2 of 2019: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 20 films as the chart.
What is the highest-grossing drama movie in week 2 of 2019 (Jan 6–12)?
A Dog's Way Home (2019) leads with $80.7M worldwide, $42M of it in the US & Canada. Next come Uri: The Surgical Strike (2019) at $39.3M and Fate/stay night: Heaven’s Feel II. Lost Butterfly (2019) at $17.3M.
How much did drama movies released in week 2 of 2019 (Jan 6–12) earn?
20 drama films released in week 2 of 2019 (Jan 6–12) report a worldwide gross, $158.8M in all, or $7.9M per film on average. Week 1, 2019 releases took $2.9M.
How many drama movies released in week 2 of 2019 (Jan 6–12) made $1 billion?
None. The biggest, A Dog's Way Home (2019), earned $80.7M.
How is the week 2, 2019 drama box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 2 of 2019 (Jan 6–12). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 2, 2019 drama box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.