#1 of 26 2019 · Drama, Romance
$92.6M worldwide · 66% of the chart's total
Five Feet Apart (2019) is the highest-grossing drama movie released in week 11 of 2019 (Mar 10–16), with $92.6M worldwide, ahead of Ash Is Purest White (2019) at $11.8M and The Aftermath (2019) at $9.2M. 26 drama films released that week report a worldwide gross, $139.7M in all, 39% of it from the US & Canada. That is up 189% on Week 10, 2019, whose releases took $48.3M. By language, English leads with $111.5M across 11 drama releases.
#1 of 26 2019 · Drama, Romance
$92.6M worldwide · 66% of the chart's total
Five Feet Apart (2019) leads with $92.6M, 66% of the total. The top 5 together took $128.5M, 92% of what all 26 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2019 (Mar 10–16).
Mar 15, 2019 US and Canada: $45.7M Rest of the world: $46.8M Worldwide: $92.6M
Mar 15, 2019 US and Canada: $422.8K Rest of the world: $11.4M Worldwide: $11.8M
Mar 15, 2019 US and Canada: $1.6M Rest of the world: $7.6M Worldwide: $9.2M
Mar 15, 2019 US and Canada: – Rest of the world: – Worldwide: $8.5M
Mar 15, 2019 US and Canada: $5M Rest of the world: $1.4M Worldwide: $6.4M
Mar 15, 2019 US and Canada: – Rest of the world: – Worldwide: $5M
Mar 15, 2019 US and Canada: $36K Rest of the world: $1.5M Worldwide: $1.6M
Mar 15, 2019 US and Canada: – Rest of the world: – Worldwide: $1.3M
Mar 15, 2019 US and Canada: $371.8K Rest of the world: $506.4K Worldwide: $878.2K
Mar 15, 2019 US and Canada: – Rest of the world: – Worldwide: $577.9K
Mar 11, 2019 US and Canada: $10.9K Rest of the world: $547.8K Worldwide: $558.7K
Mar 15, 2019 US and Canada: $32.5K Rest of the world: $309.3K Worldwide: $341.8K
Mar 15, 2019 US and Canada: – Rest of the world: – Worldwide: $106.8K
Mar 15, 2019 US and Canada: – Rest of the world: – Worldwide: $100.1K
Mar 11, 2019 US and Canada: $44.3K Rest of the world: $14.9K Worldwide: $59.3K
Mar 10, 2019 US and Canada: $29.5K Rest of the world: Worldwide: $29.5K
Mar 15, 2019 US and Canada: – Rest of the world: – Worldwide: $26K
Mar 15, 2019 US and Canada: – Rest of the world: – Worldwide: $25.4K
Mar 15, 2019 US and Canada: – Rest of the world: – Worldwide: $23.2K
Mar 15, 2019 US and Canada: – Rest of the world: – Worldwide: $17.8K
Mar 15, 2019 US and Canada: $15.8K Rest of the world: Worldwide: $15.8K
Mar 14, 2019 US and Canada: – Rest of the world: – Worldwide: $13.2K
Mar 13, 2019 US and Canada: – Rest of the world: – Worldwide: $11.3K
Mar 15, 2019 US and Canada: – Rest of the world: – Worldwide: $9.3K
Mar 15, 2019 US and Canada: – Rest of the world: – Worldwide: $1.4K Of the top 10, Nancy Drew and the Hidden Staircase (2019) earned the biggest share at home (100% in the US & Canada), while Yardie (2019) made 98% of its gross abroad. Across all 26 films, $54M (39%) came from the US & Canada. 3 films of the top 10 report no US & Canada figure.
None of the 26 films reached $100M. 24 films, 92% of the list, earned under $10M. Each band shows its films and its share of the $139.7M total.
Week 11 releases took $139.7M. The biggest of these 9 weeks is week 6 (Feb 3–9) with $858.1M, led by The Wandering Earth (2019).
Of these 10 years, Week 11, 2018 earned the most: $683M from 20 films, led by Tomb Raider (2018). Week 11, 2019 took $139.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 2010 Mar 7–13 16 films | 16 | $221.9M | – | Green Zone (2010) $113.4M |
| Week 11, 2011 Mar 6–12 11 films · −20% | 11 | $177.1M | −20% | Red Riding Hood (2011) $90.3M |
| Week 11, 2012 Mar 11–17 12 films · −49% | 12 | $90.1M | −49% | We Were There: First Love (2012) $49.7M |
| Week 11, 2013 Mar 10–16 16 films · +32% | 16 | $118.9M | +32% | Spring Breakers (2013) $32M |
| Week 11, 2014 Mar 9–15 12 films · +109% | 12 | $248.5M | +109% | Need For Speed (2014) $203.3M |
| Week 11, 2015 Mar 8–14 16 films · −61% | 16 | $97M | −61% | Run All Night (2015) $71.7M |
| Week 11, 2016 Mar 6–12 21 films · +106% | 21 | $200.2M | +106% | 10 Cloverfield Lane (2016) $110.2M |
| Week 11, 2017 Mar 12–18 13 films · −70% | 13 | $60.8M | −70% | T2 Trainspotting (2017) $41.7M |
| Week 11, 2018 Mar 11–17 20 films · +1023% | 20 | $683M | +1023% | Tomb Raider (2018) $275M |
| Week 11, 2019 Mar 10–16 26 films · −80% | 26 | $139.7M | −80% | Five Feet Apart (2019) $92.6M |
English-language drama films took $111.5M across 11 films, 80% of the total, ahead of Chinese-language drama films ($12.4M) and Japanese-language drama films ($8.5M).
53 weeks of 2019 with reported grosses; the biggest is week 40 (Sep 29–Oct 5) with $1.7B, led by Joker (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 26 films as the chart.
Five Feet Apart (2019) leads with $92.6M worldwide, $45.7M of it in the US & Canada. Next come Ash Is Purest White (2019) at $11.8M and The Aftermath (2019) at $9.2M.
26 drama films released in week 11 of 2019 (Mar 10–16) report a worldwide gross, $139.7M in all, or $5.4M per film on average. Week 10, 2019 releases took $48.3M.
None. The biggest, Five Feet Apart (2019), earned $92.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2019 (Mar 10–16). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.