#1 of 34 2019 · Drama, Thriller
$157.6M worldwide · 50% of the chart's total
Hustlers (2019) is the highest-grossing drama movie released in week 37 of 2019 (Sep 8–14), with $157.6M worldwide, ahead of Jade Dynasty (2019) at $57.1M and Hit Me Anyone One More Time (2019) at $32.3M. 34 drama films released that week report a worldwide gross, $314.1M in all, 36% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 40% on Week 36, 2019, whose releases took $523.4M. By language, English leads with $170.7M across 13 drama releases.
#1 of 34 2019 · Drama, Thriller
$157.6M worldwide · 50% of the chart's total
Hustlers (2019) leads with $157.6M, 50% of the total. The top 5 together took $277.4M, 88% of what all 34 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 2019 (Sep 8–14).
Sep 13, 2019 US and Canada: $105M Rest of the world: $52.6M Worldwide: $157.6M
Sep 13, 2019 US and Canada: – Rest of the world: – Worldwide: $57.1M
Sep 13, 2019 US and Canada: – Rest of the world: – Worldwide: $32.3M
Sep 11, 2019 US and Canada: $97.7K Rest of the world: $17.1M Worldwide: $17.2M
Sep 11, 2019 US and Canada: – Rest of the world: – Worldwide: $13.2M
Sep 13, 2019 US and Canada: – Rest of the world: – Worldwide: $10.5M
Sep 13, 2019 US and Canada: $5.3M Rest of the world: $4.7M Worldwide: $10M
Sep 11, 2019 US and Canada: – Rest of the world: – Worldwide: $8.7M
Sep 13, 2019 US and Canada: $406.5K Rest of the world: $1.5M Worldwide: $1.9M
Sep 12, 2019 US and Canada: – Rest of the world: – Worldwide: $1.3M
Sep 9, 2019 US and Canada: $323.7K Rest of the world: $451.2K Worldwide: $774.9K
Sep 11, 2019 US and Canada: – Rest of the world: – Worldwide: $483.4K
Sep 13, 2019 US and Canada: $276.6K Rest of the world: $91.8K Worldwide: $368.4K
Sep 13, 2019 US and Canada: – Rest of the world: – Worldwide: $282.8K
Sep 13, 2019 US and Canada: $265.3K Rest of the world: Worldwide: $265.3K
Sep 13, 2019 US and Canada: – Rest of the world: – Worldwide: $263.5K
Sep 8, 2019 US and Canada: – Rest of the world: – Worldwide: $239.2K
Sep 13, 2019 US and Canada: – Rest of the world: – Worldwide: $212.5K
Sep 12, 2019 US and Canada: – Rest of the world: – Worldwide: $166.3K
Sep 13, 2019 US and Canada: – Rest of the world: – Worldwide: $129.9K
Sep 9, 2019 US and Canada: – Rest of the world: – Worldwide: $123.6K
Sep 8, 2019 US and Canada: – Rest of the world: – Worldwide: $103.2K
Sep 8, 2019 US and Canada: – Rest of the world: – Worldwide: $92.6K
Sep 13, 2019 US and Canada: $20K Rest of the world: $58.6K Worldwide: $78.6K
Sep 10, 2019 US and Canada: – Rest of the world: – Worldwide: $66.2K
Sep 12, 2019 US and Canada: – Rest of the world: – Worldwide: $44K
Sep 11, 2019 US and Canada: – Rest of the world: – Worldwide: $39.1K
Sep 13, 2019 US and Canada: $17.4K Rest of the world: Worldwide: $17.4K
Sep 13, 2019 US and Canada: – Rest of the world: – Worldwide: $8.5K
Sep 12, 2019 US and Canada: – Rest of the world: – Worldwide: $3.7K
Sep 13, 2019 US and Canada: – Rest of the world: – Worldwide: $2.3K
Sep 10, 2019 US and Canada: – Rest of the world: – Worldwide: $9 Of the top 10, Hustlers (2019) earned the biggest share at home (67% in the US & Canada), while Tazza: One Eyed Jack (2019) made 99% of its gross abroad. Across all 34 films, $111.7M (36%) came from the US & Canada. 6 films of the top 10 report no US & Canada figure.
1 of 34 films crossed $100M and took $157.6M between them, 50% of the total. 27 films, 79% of the list, earned under $10M.
Week 37 releases took $314.1M. The biggest of these 9 weeks is week 32 (Aug 4–10) with $536.9M, led by Dying to Survive (2019).
Of these 10 years, Week 37, 2016 earned the most: $320.3M from 30 films, led by Sully (2016). Week 37, 2019 took $314.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 2010 Sep 5–11 15 films | 15 | $21.9M | – | Bran Nue Dae (2010) $6.8M |
| Week 37, 2011 Sep 4–10 21 films · +269% | 21 | $80.6M | +269% | Shaolin (2011) $43M |
| Week 37, 2012 Sep 9–15 20 films · +43% | 20 | $114.9M | +43% | Arbitrage (2012) $35.5M |
| Week 37, 2013 Sep 8–14 19 films · −1% | 19 | $113.6M | −1% | The Face Reader (2013) $61.6M |
| Week 37, 2014 Sep 7–13 23 films · +12% | 23 | $127.2M | +12% | Dolphin Tale 2 (2014) $57.8M |
| Week 37, 2015 Sep 6–12 28 films · +14% | 28 | $145.1M | +14% | The Perfect Guy (2015) $60.3M |
| Week 37, 2016 Sep 4–10 30 films · +121% | 30 | $320.3M | +121% | Sully (2016) $243.9M |
| Week 37, 2017 Sep 10–16 24 films · −78% | 24 | $69.9M | −78% | mother! (2017) $44.5M |
| Week 37, 2018 Sep 9–15 26 films · +144% | 26 | $170.8M | +144% | A Simple Favor (2018) $97.6M |
| Week 37, 2019 Sep 8–14 34 films · +84% | 34 | $314.1M | +84% | Hustlers (2019) $157.6M |
English-language drama films took $170.7M across 13 films, 54% of the total, ahead of Chinese-language drama films ($57.1M) and Japanese-language drama films ($55.9M).
53 weeks of 2019 with reported grosses; the biggest is week 40 (Sep 29–Oct 5) with $1.7B, led by Joker (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 34 films as the chart.
Hustlers (2019) leads with $157.6M worldwide, $105M of it in the US & Canada. Next come Jade Dynasty (2019) at $57.1M and Hit Me Anyone One More Time (2019) at $32.3M.
34 drama films released in week 37 of 2019 (Sep 8–14) report a worldwide gross, $314.1M in all, or $9.2M per film on average. Week 36, 2019 releases took $523.4M.
None. 1 film crossed $100 million, led by Hustlers (2019) with $157.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 2019 (Sep 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.