#1 of 28 2019 · Drama, Thriller
$157.6M worldwide · 81% of the chart's total
Hustlers (2019) is the highest-grossing English-language movie released in week 37 of 2019 (Sep 8–14), with $157.6M worldwide, ahead of The Goldfinch (2019) at $10M and 3 Days with Dad (2019) at $9.5M. 28 English-language films released that week report a worldwide gross, $194.6M in all, 58% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 60% on Week 36, 2019, whose releases took $485.5M. By genre, Drama leads with $170.7M across 13 English releases.
#1 of 28 2019 · Drama, Thriller
$157.6M worldwide · 81% of the chart's total
Hustlers (2019) leads with $157.6M, 81% of the total. The top 5 together took $185.8M, 95% of what all 28 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 2019 (Sep 8–14).
Sep 13, 2019 US and Canada: $105M Rest of the world: $52.6M Worldwide: $157.6M
Sep 13, 2019 US and Canada: $5.3M Rest of the world: $4.7M Worldwide: $10M
Sep 13, 2019 US and Canada: $2.4K Rest of the world: $9.5M Worldwide: $9.5M
Sep 10, 2019 US and Canada: – Rest of the world: – Worldwide: $5M
Sep 12, 2019 US and Canada: $1.6M Rest of the world: $2.1M Worldwide: $3.7M
Sep 13, 2019 US and Canada: – Rest of the world: – Worldwide: $2.2M
Sep 8, 2019 US and Canada: – Rest of the world: – Worldwide: $1.4M
Sep 13, 2019 US and Canada: – Rest of the world: – Worldwide: $1.4M
Sep 9, 2019 US and Canada: $323.7K Rest of the world: $451.2K Worldwide: $774.9K
Sep 11, 2019 US and Canada: – Rest of the world: – Worldwide: $483.4K
Sep 13, 2019 US and Canada: – Rest of the world: – Worldwide: $477K
Sep 11, 2019 US and Canada: $33.8K Rest of the world: $437.3K Worldwide: $471.2K
Sep 13, 2019 US and Canada: $276.6K Rest of the world: $91.8K Worldwide: $368.4K
Sep 13, 2019 US and Canada: – Rest of the world: – Worldwide: $282.8K
Sep 13, 2019 US and Canada: $265.3K Rest of the world: Worldwide: $265.3K
Sep 8, 2019 US and Canada: – Rest of the world: – Worldwide: $239.2K
Sep 13, 2019 US and Canada: $3.2K Rest of the world: $131.6K Worldwide: $134.8K
Sep 8, 2019 US and Canada: – Rest of the world: – Worldwide: $103.2K
Sep 13, 2019 US and Canada: $20K Rest of the world: $58.6K Worldwide: $78.6K
Sep 13, 2019 US and Canada: $33.8K Rest of the world: Worldwide: $33.8K
Sep 13, 2019 US and Canada: $24.1K Rest of the world: Worldwide: $24.1K
Sep 13, 2019 US and Canada: $17.4K Rest of the world: Worldwide: $17.4K
Sep 13, 2019 US and Canada: $14.9K Rest of the world: Worldwide: $14.9K
Sep 13, 2019 US and Canada: $12.1K Rest of the world: Worldwide: $12.1K
Sep 13, 2019 US and Canada: $9.2K Rest of the world: Worldwide: $9.2K
Sep 13, 2019 US and Canada: $3.9K Rest of the world: Worldwide: $3.9K
Sep 12, 2019 US and Canada: – Rest of the world: – Worldwide: $3.7K
Sep 12, 2019 US and Canada: – Rest of the world: – Worldwide: $1K Of the top 10, Hustlers (2019) earned the biggest share at home (67% in the US & Canada), while 3 Days with Dad (2019) made 100% of its gross abroad. Across all 28 films, $112.9M (58%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
1 of 28 films crossed $100M and took $157.6M between them, 81% of the total. 26 films, 93% of the list, earned under $10M.
Week 37 releases took $194.6M. The biggest of these 9 weeks is week 31 (Jul 28–Aug 3) with $768M, led by Fast & Furious Presents: Hobbs & Shaw (2019).
Of these 10 years, Week 37, 2016 earned the most: $323.5M from 16 films, led by Sully (2016). Week 37, 2019 took $194.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 2010 Sep 5–11 15 films | 15 | $310.7M | – | Resident Evil: Afterlife (2010) $300.2M |
| Week 37, 2011 Sep 4–10 19 films · −28% | 19 | $223.7M | −28% | Contagion (2011) $136.5M |
| Week 37, 2012 Sep 9–15 10 films · +26% | 10 | $282.3M | +26% | Resident Evil: Retribution (2012) $240.2M |
| Week 37, 2013 Sep 8–14 16 films · −39% | 16 | $171.9M | −39% | Insidious: Chapter 2 (2013) $161.9M |
| Week 37, 2014 Sep 7–13 23 films · +16% | 23 | $198.9M | +16% | Dolphin Tale 2 (2014) $57.8M |
| Week 37, 2015 Sep 6–12 13 films · +9% | 13 | $216.6M | +9% | The Visit (2015) $98.5M |
| Week 37, 2016 Sep 4–10 16 films · +49% | 16 | $323.5M | +49% | Sully (2016) $243.9M |
| Week 37, 2017 Sep 10–16 19 films · −77% | 19 | $75.1M | −77% | American Assassin (2017) $67.2M |
| Week 37, 2018 Sep 9–15 25 films · +114% | 25 | $160.8M | +114% | A Simple Favor (2018) $97.6M |
| Week 37, 2019 Sep 8–14 28 films · +21% | 28 | $194.6M | +21% | Hustlers (2019) $157.6M |
Drama took $170.7M across 13 films, 88% of the total, ahead of Comedy ($168.4M) and Thriller ($167.3M). A film counts once for each of its genres.
53 weeks of 2019 with reported grosses; the biggest is week 17 (Apr 21–27) with $2.8B, led by Avengers: Endgame (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 28 films as the chart.
Hustlers (2019) leads with $157.6M worldwide, $105M of it in the US & Canada. Next come The Goldfinch (2019) at $10M and 3 Days with Dad (2019) at $9.5M.
28 English-language films released in week 37 of 2019 (Sep 8–14) report a worldwide gross, $194.6M in all, or $6.9M per film on average. Week 36, 2019 releases took $485.5M.
None. 1 film crossed $100 million, led by Hustlers (2019) with $157.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 2019 (Sep 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.