#1 of 11 #1 comedy movie of Week 37, 2019
2019 · Drama, Thriller
$157.6M worldwide · 73% of the chart's total
$105M US & Canada · 67% $52.6M elsewhere · 33%
Comedy box office · Week 37 · Sep 8–14, 2019
Comedy Box Office, Week 37 of 2019: Comedy Releases of Sep 8–14
Hustlers (2019) is the highest-grossing comedy movie released in week 37 of 2019 (Sep 8–14), with $157.6M worldwide, ahead of Hit Me Anyone One More Time (2019) at $32.3M and 3 Days with Dad (2019) at $9.5M. 11 comedy films released that week report a worldwide gross, $215.4M in all, 49% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 9.6 times the total of Week 36, 2019, whose releases took $22.3M. By language, English leads with $168.4M across 3 comedy releases.
- week 37 releases with a gross
- 11
- combined worldwide
- $215.4M
- film crossed $100M
- 1
- vs Week 36, 2019
- ×9.6
#1 of 11 Top 5
What Were the Biggest Comedy Hits of Week 37 of 2019?
Hustlers (2019) leads with $157.6M, 73% of the total. The top 5 together took $211.1M, 98% of what all 11 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Comedy Release of Week 37 of 2019, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 2019 (Sep 8–14).
- 1 Sep 13, 2019 US and Canada: $105M Rest of the world: $52.6M Worldwide: $157.6M
- 2 Sep 13, 2019 US and Canada: – Rest of the world: – Worldwide: $32.3M
- 3 Sep 13, 2019 US and Canada: $2.4K Rest of the world: $9.5M Worldwide: $9.5M
- 4 Sep 11, 2019 US and Canada: – Rest of the world: – Worldwide: $8.7M
- 5 Sep 12, 2019 US and Canada: – Rest of the world: – Worldwide: $3.1M
- 6
Sep 13, 2019 US and Canada: – Rest of the world: – Worldwide: $1.6M - 7
Sep 13, 2019 US and Canada: – Rest of the world: – Worldwide: $1.4M - 8
Sep 13, 2019 US and Canada: – Rest of the world: – Worldwide: $1.1M - 9
Sep 8, 2019 US and Canada: – Rest of the world: – Worldwide: $92.6K - 10
Sep 13, 2019 US and Canada: – Rest of the world: – Worldwide: $2.3K - 11
Sep 12, 2019 US and Canada: – Rest of the world: – Worldwide: $881
Gross bands
How Many Week 37 of 2019 Releases Crossed $100 Million?
1 of 11 films crossed $100M and took $157.6M between them, 73% of the total. 9 films, 82% of the list, earned under $10M.
73% 15% 12%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 1 film, 9% of the list $157.6M · 73% of the gross
- $10M to $100M 1 film, 9% of the list $32.3M · 15% of the gross
- Under $10M 9 films, 82% of the list $25.5M · 12% of the gross
Weeks around it
How Does Week 37 Compare With the Weeks Around It?
Week 37 releases took $215.4M. The biggest of these 9 weeks is week 31 (Jul 28–Aug 3) with $868.5M, led by Fast & Furious Presents: Hobbs & Shaw (2019).
- Week 31 Wk 31 Jul 28–Aug 3 Fast & Furious Presents: Hobbs & Shaw (2019) $868.5M Fast & Furious Presents: Hobbs & Shaw (2019)
- Week 32 Wk 32 Aug 4–10 Dying to Survive (2019) $525M Dying to Survive (2019)
- Week 33 Wk 33 Aug 11–17 The Angry Birds Movie 2 (2019) $301.3M The Angry Birds Movie 2 (2019)
- Week 34 Wk 34 Aug 18–24 Ready or Not (2019) $103.4M Ready or Not (2019)
- Week 35 Wk 35 Aug 25–31 Tod@s Caen (2019) $11.8M Tod@s Caen (2019)
- Week 36 Wk 36 Sep 1–7 Politics (2019) $22.3M Politics (2019)
- Week 37 Wk 37 Sep 8–14 Hustlers (2019) $215.4M Hustlers (2019)
- Week 38 Wk 38 Sep 15–21 Nikka Zaildar 3 (2019) $2.1M Nikka Zaildar 3 (2019)
- Week 39 Wk 39 Sep 22–28 Abominable (2019) $236.9M Abominable (2019)
Earlier years
How Does Week 37 of 2019 Compare With Earlier Years?
Of these 10 years, Week 37, 2015 earned the most: $217.9M from 10 films, led by The Visit (2015). Week 37, 2019 took $215.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 2010 Sep 5–11 9 films | 9 | $57M | – | Heartbreaker (2010) $48M |
| Week 37, 2011 Sep 4–10 10 films · −39% | 10 | $34.8M | −39% | Men in the City 2 (2011) $14.7M |
| Week 37, 2012 Sep 9–15 8 films · −48% | 8 | $18M | −48% | English Vinglish (2012) $10.3M |
| Week 37, 2013 Sep 8–14 8 films · +78% | 8 | $32M | +78% | Grand Masti (2013) $13.5M |
| Week 37, 2014 Sep 7–13 10 films · −12% | 10 | $28M | −12% | My Old Lady (2014) $10.6M |
| Week 37, 2015 Sep 6–12 10 films · +679% | 10 | $217.9M | +679% | The Visit (2015) $98.5M |
| Week 37, 2016 Sep 4–10 11 films · −75% | 11 | $55.5M | −75% | The Wild Life (2016) $40.1M |
| Week 37, 2017 Sep 10–16 8 films · −70% | 8 | $16.7M | −70% | High Society (2017) $10.7M |
| Week 37, 2018 Sep 9–15 12 films · +660% | 12 | $126.8M | +660% | A Simple Favor (2018) $97.6M |
| Week 37, 2019 Sep 8–14 11 films · +70% | 11 | $215.4M | +70% | Hustlers (2019) $157.6M |
By language
Which Languages Do the Biggest Comedy Movies Speak in Week 37 of 2019?
English-language comedy films took $168.4M across 3 films, 78% of the total, ahead of Japanese-language comedy films ($33.5M) and Korean-language comedy films ($8.7M).
Week 37 of 2019 Comedy Box Office by Language
-
English $168.4M3 films · #1 Hustlers (2019) -
Japanese $33.5M2 films · #1 Hit Me Anyone One More Time (2019) -
Korean $8.7M1 film · #1 Cheer Up, Mr. Lee (2019) -
Portuguese $3.1M1 film · #1 Vai que Cola 2: O Começo (2019) -
Hindi $1.6M1 film · #1 Dream Girl (2019) -
Spanish $93.5K2 films · #1 The Moneychanger (2019) -
Tagalog $2.3K1 film · #1 The Panti Sisters (2019)
Archive
Comedy Box Office in 2019, Week by Week
52 weeks of 2019 with reported grosses; the biggest is week 29 (Jul 14–20) with $1.7B, led by The Lion King (2019).
- Week 1 $2.4M
- Week 2 $17.7M
- Week 3 $81.5M
- Week 4 $142.3M
- Week 5 $25.1M
- Week 6 $787.8M
- Week 7 $182.2M
- Week 8 $603.8M
- Week 9 $111.3M
- Week 10 $23.4M
- Week 11 $163.1M
- Week 12 $8.8M
- Week 13 $5.8M
- Week 14 $369.1M
- Week 15 $111.8M
- Week 16 $20M
- Week 17 $5.1M
- Week 18 $120.2M
- Week 19 $133.8M
- Week 20 $135.4M
- Week 21 $1.1B
- Week 22 $11.5M
- Week 23 $455.8M
- Week 24 $307M
- Week 25 $1.1B
- Week 26 $167.7M
- Week 27 $1.1B
- Week 28 $77.1M
- Week 29 $1.7B
- Week 30 $453.2M
- Week 31 $868.5M
- Week 32 $525M
- Week 33 $301.3M
- Week 34 $103.4M
- Week 35 $11.8M
- Week 36 $22.3M
- Week 37 $215.4M
- Week 38 $2.1M
- Week 39 $236.9M
- Week 40 $30.8M
- Week 41 $485.2M
- Week 42 $233.2M
- Week 43 $28.8M
- Week 44 $22M
- Week 45 $224.2M
- Week 46 $89.1M
- Week 47 $1.5B
- Week 48 $397.2M
- Week 49 $28.4M
- Week 50 $886.5M
- Week 51 $142.8M
- Week 52 $249.6M
- Week 53 No grosses
FAQ
Comedy Box Office Week 37 of 2019: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 11 films as the chart.
What is the highest-grossing comedy movie in week 37 of 2019 (Sep 8–14)?
Hustlers (2019) leads with $157.6M worldwide, $105M of it in the US & Canada. Next come Hit Me Anyone One More Time (2019) at $32.3M and 3 Days with Dad (2019) at $9.5M.
How much did comedy movies released in week 37 of 2019 (Sep 8–14) earn?
11 comedy films released in week 37 of 2019 (Sep 8–14) report a worldwide gross, $215.4M in all, or $19.6M per film on average. Week 36, 2019 releases took $22.3M.
How many comedy movies released in week 37 of 2019 (Sep 8–14) made $1 billion?
None. 1 film crossed $100 million, led by Hustlers (2019) with $157.6M.
How is the week 37, 2019 comedy box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 2019 (Sep 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 37, 2019 comedy box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.