#1 of 9 #1 comedy movie of Week 19, 2019
2019 · Comedy, Crime
$97.4M worldwide · 73% of the chart's total
$35.4M US & Canada · 36% $62M elsewhere · 64%
Comedy box office · Week 19 · May 5–11, 2019
Comedy Box Office, Week 19 of 2019: Comedy Releases of May 5–11
The Hustle (2019) is the highest-grossing comedy movie released in week 19 of 2019 (May 5–11), with $97.4M worldwide, ahead of Poms (2019) at $16.4M and Miss & Mrs. Cops (2019) at $12.1M. 9 comedy films released that week report a worldwide gross, $133.8M in all, 37% of it from the US & Canada. That is up 11% on Week 18, 2019, whose releases took $120.2M. By language, English leads with $113.8M across 3 comedy releases.
- week 19 releases with a gross
- 9
- combined worldwide
- $133.8M
- The Hustle (2019), the #1
- $97.4M
- vs Week 18, 2019
- +11%
#1 of 9 Top 5
What Were the Biggest Comedy Hits of Week 19 of 2019?
The Hustle (2019) leads with $97.4M, 73% of the total. The top 5 together took $132.3M, 99% of what all 9 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Comedy Release of Week 19 of 2019, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 19 of 2019 (May 5–11).
- 1 May 10, 2019 US and Canada: $35.4M Rest of the world: $62M Worldwide: $97.4M
- 2 May 10, 2019 US and Canada: $13.6M Rest of the world: $2.8M Worldwide: $16.4M
- 3 May 9, 2019 US and Canada: $104.6K Rest of the world: $12M Worldwide: $12.1M
- 4 May 8, 2019 US and Canada: – Rest of the world: – Worldwide: $4.7M
- 5 May 10, 2019 US and Canada: $778.6K Rest of the world: $857.3K Worldwide: $1.6M
- 6
May 10, 2019 US and Canada: – Rest of the world: – Worldwide: $1.2M - 7
May 9, 2019 US and Canada: – Rest of the world: – Worldwide: $320K - 8
May 6, 2019 US and Canada: – Rest of the world: – Worldwide: $10.2K - 9
May 10, 2019 US and Canada: – Rest of the world: – Worldwide: $3.8K
US & Canada vs the world
Where Did the Money Come From in Week 19 of 2019?
Of the top 9, Poms (2019) earned the biggest share at home (83% in the US & Canada), while Miss & Mrs. Cops (2019) made 99% of its gross abroad. Across all 9 films, $49.9M (37%) came from the US & Canada. 5 films of the top 9 report no US & Canada figure.
- 1 The Hustle (2019) $97.4M $35.4M US & Canada · 36% $62M elsewhere · 64%
- 2 Poms (2019) $16.4M $13.6M US & Canada · 83% $2.8M elsewhere · 17%
- 3 Miss & Mrs. Cops (2019) $12.1M $104.6K US & Canada · <1% $12M elsewhere · 99%
- 4 The Shiny Shrimps (2019) $4.7M No US & Canada figure reported
- 5 Student of the Year 2 (2019) $1.6M $778.6K US & Canada · 48% $857.3K elsewhere · 52%
- 6 In Family I Trust (2019) $1.2M No US & Canada figure reported
- 7 Il grande spirito (2019) $320K No US & Canada figure reported
- 8 Me and My Left Brain (2019) $10.2K No US & Canada figure reported
- 9 Dry Martina (2019) $3.8K No US & Canada figure reported
Weeks around it
How Does Week 19 Compare With the Weeks Around It?
Week 19 releases took $133.8M. The biggest of these 9 weeks is week 21 (May 19–25) with $1.1B, led by Aladdin (2019).
- Week 13 Wk 13 Mar 24–30 The Beach Bum (2019) $5.8M The Beach Bum (2019)
- Week 14 Wk 14 Mar 31–Apr 6 Shazam! (2019) $369.1M Shazam! (2019)
- Week 15 Wk 15 Apr 7–13 The Perfect Date (2019) $111.8M The Perfect Date (2019)
- Week 16 Wk 16 Apr 14–20 Billion (2019) $20M Billion (2019)
- Week 17 Wk 17 Apr 21–27 Oru Yamandan Premakadha (2019) $5.1M Oru Yamandan Premakadha (2019)
- Week 18 Wk 18 Apr 28–May 4 Long Shot (2019) $120.2M Long Shot (2019)
- Week 19 Wk 19 May 5–11 The Hustle (2019) $133.8M The Hustle (2019)
- Week 20 Wk 20 May 12–18 A Dog's Journey (2019) $135.4M A Dog's Journey (2019)
- Week 21 Wk 21 May 19–25 Aladdin (2019) $1.1B Aladdin (2019)
Earlier years
How Does Week 19 of 2019 Compare With Earlier Years?
Of these 10 years, Week 19, 2014 earned the most: $344.3M from 8 films, led by Neighbors (2014). Week 19, 2019 took $133.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 19, 2010 May 2–8 4 films | 4 | $25M | – | OSS 117 - Lost in Rio (2010) $21.9M |
| Week 19, 2011 May 1–7 6 films · +552% | 6 | $162.8M | +552% | Something Borrowed (2011) $65.1M |
| Week 19, 2012 May 6–12 14 films · +66% | 14 | $269.8M | +66% | Dark Shadows (2012) $245.5M |
| Week 19, 2013 May 5–11 10 films · −89% | 10 | $30.1M | −89% | Peeples (2013) $9.3M |
| Week 19, 2014 May 4–10 8 films · +1045% | 8 | $344.3M | +1045% | Neighbors (2014) $270.7M |
| Week 19, 2015 May 3–9 12 films · −80% | 12 | $69.1M | −80% | Hot Pursuit (2015) $51.7M |
| Week 19, 2016 May 1–7 3 films · −99% | 3 | $383K | −99% | Born to Win (2016) $250.8K |
| Week 19, 2017 May 7–13 10 films · +20953% | 10 | $80.6M | +20953% | Snatched (2017) $60.8M |
| Week 19, 2018 May 6–12 10 films · +57% | 10 | $126.3M | +57% | Life of the Party (2018) $65.7M |
| Week 19, 2019 May 5–11 9 films · +6% | 9 | $133.8M | +6% | The Hustle (2019) $97.4M |
By language
Which Languages Do the Biggest Comedy Movies Speak in Week 19 of 2019?
English-language comedy films took $113.8M across 3 films, 85% of the total, ahead of Korean-language comedy films ($12.1M) and French-language comedy films ($4.7M).
Week 19 of 2019 Comedy Box Office by Language
-
English $113.8M3 films · #1 The Hustle (2019) -
Korean $12.1M1 film · #1 Miss & Mrs. Cops (2019) -
French $4.7M1 film · #1 The Shiny Shrimps (2019) -
Hindi $1.6M1 film · #1 Student of the Year 2 (2019) -
Spanish $1.2M2 films · #1 In Family I Trust (2019) -
Italian $320K1 film · #1 Il grande spirito (2019)
Archive
Comedy Box Office in 2019, Week by Week
52 weeks of 2019 with reported grosses; the biggest is week 29 (Jul 14–20) with $1.7B, led by The Lion King (2019).
- Week 1 $2.4M
- Week 2 $17.7M
- Week 3 $81.5M
- Week 4 $142.3M
- Week 5 $25.1M
- Week 6 $787.8M
- Week 7 $182.2M
- Week 8 $603.8M
- Week 9 $111.3M
- Week 10 $23.4M
- Week 11 $163.1M
- Week 12 $8.8M
- Week 13 $5.8M
- Week 14 $369.1M
- Week 15 $111.8M
- Week 16 $20M
- Week 17 $5.1M
- Week 18 $120.2M
- Week 19 $133.8M
- Week 20 $135.4M
- Week 21 $1.1B
- Week 22 $11.5M
- Week 23 $455.8M
- Week 24 $307M
- Week 25 $1.1B
- Week 26 $167.7M
- Week 27 $1.1B
- Week 28 $77.1M
- Week 29 $1.7B
- Week 30 $453.2M
- Week 31 $868.5M
- Week 32 $525M
- Week 33 $301.3M
- Week 34 $103.4M
- Week 35 $11.8M
- Week 36 $22.3M
- Week 37 $215.4M
- Week 38 $2.1M
- Week 39 $236.9M
- Week 40 $30.8M
- Week 41 $485.2M
- Week 42 $233.2M
- Week 43 $28.8M
- Week 44 $22M
- Week 45 $224.2M
- Week 46 $89.1M
- Week 47 $1.5B
- Week 48 $397.2M
- Week 49 $28.4M
- Week 50 $886.5M
- Week 51 $142.8M
- Week 52 $249.6M
- Week 53 No grosses
FAQ
Comedy Box Office Week 19 of 2019: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 9 films as the chart.
What is the highest-grossing comedy movie in week 19 of 2019 (May 5–11)?
The Hustle (2019) leads with $97.4M worldwide, $35.4M of it in the US & Canada. Next come Poms (2019) at $16.4M and Miss & Mrs. Cops (2019) at $12.1M.
How much did comedy movies released in week 19 of 2019 (May 5–11) earn?
9 comedy films released in week 19 of 2019 (May 5–11) report a worldwide gross, $133.8M in all, or $14.9M per film on average. Week 18, 2019 releases took $120.2M.
How many comedy movies released in week 19 of 2019 (May 5–11) made $1 billion?
None. The biggest, The Hustle (2019), earned $97.4M.
How is the week 19, 2019 comedy box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 19 of 2019 (May 5–11). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 19, 2019 comedy box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.