#1 of 8 2017 · Comedy
$10.7M worldwide · 64% of the chart's total
High Society (2017) is the highest-grossing comedy movie released in week 37 of 2017 (Sep 10–16), with $10.7M worldwide, ahead of Brad's Status (2017) at $3.8M and Bella Donna’s (2017) at $1.8M. 8 comedy films released that week report a worldwide gross, $16.7M in all, 13% of it from the US & Canada. That is down 62% on Week 36, 2017, whose releases took $44.2M. By language, German leads with $10.7M across 1 comedy release.
#1 of 8 2017 · Comedy
$10.7M worldwide · 64% of the chart's total
High Society (2017) leads with $10.7M, 64% of the total. The top 5 together took $16.5M, 99% of what all 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 2017 (Sep 10–16).
Sep 14, 2017 US and Canada: – Rest of the world: – Worldwide: $10.7M
Sep 15, 2017 US and Canada: $2.1M Rest of the world: $1.7M Worldwide: $3.8M
Sep 11, 2017 US and Canada: – Rest of the world: – Worldwide: $1.8M
Sep 14, 2017 US and Canada: – Rest of the world: – Worldwide: $112.1K
Sep 14, 2017 US and Canada: – Rest of the world: – Worldwide: $111.4K
Sep 15, 2017 US and Canada: $90.9K Rest of the world: Worldwide: $90.9K
Sep 15, 2017 US and Canada: – Rest of the world: – Worldwide: $81.1K
Sep 13, 2017 US and Canada: – Rest of the world: – Worldwide: $21K Week 37 releases took $16.7M. The biggest of these 9 weeks is week 38 (Sep 17–23) with $604.6M, led by Kingsman: The Golden Circle (2017).
Of these 10 years, Week 37, 2008 earned the most: $260.2M from 11 films, led by Burn After Reading (2008). Week 37, 2017 took $16.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 2008 Sep 7–13 11 films | 11 | $260.2M | – | Burn After Reading (2008) $163.7M |
| Week 37, 2009 Sep 6–12 11 films · −67% | 11 | $85.6M | −67% | I Can Do Bad All by Myself (2009) $51.7M |
| Week 37, 2010 Sep 5–11 9 films · −33% | 9 | $57M | −33% | Heartbreaker (2010) $48M |
| Week 37, 2011 Sep 4–10 10 films · −39% | 10 | $34.8M | −39% | Men in the City 2 (2011) $14.7M |
| Week 37, 2012 Sep 9–15 8 films · −48% | 8 | $18M | −48% | English Vinglish (2012) $10.3M |
| Week 37, 2013 Sep 8–14 8 films · +78% | 8 | $32M | +78% | Grand Masti (2013) $13.5M |
| Week 37, 2014 Sep 7–13 10 films · −12% | 10 | $28M | −12% | My Old Lady (2014) $10.6M |
| Week 37, 2015 Sep 6–12 10 films · +679% | 10 | $217.9M | +679% | The Visit (2015) $98.5M |
| Week 37, 2016 Sep 4–10 11 films · −75% | 11 | $55.5M | −75% | The Wild Life (2016) $40.1M |
| Week 37, 2017 Sep 10–16 8 films · −70% | 8 | $16.7M | −70% | High Society (2017) $10.7M |
German-language comedy films took $10.7M across 1 film, 64% of the total, ahead of English-language comedy films ($3.9M) and Dutch-language comedy films ($1.8M).
52 weeks of 2017 with reported grosses; the biggest is week 26 (Jun 25–Jul 1) with $1.3B, led by Despicable Me 3 (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
High Society (2017) leads with $10.7M worldwide. Next come Brad's Status (2017) at $3.8M and Bella Donna’s (2017) at $1.8M.
8 comedy films released in week 37 of 2017 (Sep 10–16) report a worldwide gross, $16.7M in all, or $2.1M per film on average. Week 36, 2017 releases took $44.2M.
None. The biggest, High Society (2017), earned $10.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 2017 (Sep 10–16). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.