#1 of 6 2017 · Fantasy, Comedy
$528M worldwide · 99% of the chart's total
The Boss Baby (2017) is the highest-grossing comedy movie released in week 13 of 2017 (Mar 26–Apr 1), with $528M worldwide, ahead of Gangsterdam (2017) at $2.7M and Classe Z (2017) at $912.7K. 6 comedy films released that week report a worldwide gross, $531.8M in all, 33% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 6.6 times the total of Week 12, 2017, whose releases took $80.2M. By language, English leads with $528.1M across 3 comedy releases.
#1 of 6 2017 · Fantasy, Comedy
$528M worldwide · 99% of the chart's total
The Boss Baby (2017) leads with $528M, 99% of the total. The top 5 together took $531.8M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 13 of 2017 (Mar 26–Apr 1).
Mar 31, 2017 US and Canada: $175M Rest of the world: $353M Worldwide: $528M
Mar 29, 2017 US and Canada: $954 Rest of the world: $2.7M Worldwide: $2.7M
Mar 30, 2017 US and Canada: – Rest of the world: – Worldwide: $912.7K
Apr 1, 2017 US and Canada: – Rest of the world: – Worldwide: $121.1K
Mar 31, 2017 US and Canada: $19K Rest of the world: $9.5K Worldwide: $28.4K Of the top 6, Carrie Pilby (2017) earned the biggest share at home (67% in the US & Canada), while Gangsterdam (2017) made 100% of its gross abroad. Across all 6 films, $175M (33%) came from the US & Canada. 3 films of the top 6 report no US & Canada figure.
Week 13 releases took $531.8M. The biggest of these 9 weeks is week 13 (Mar 26–Apr 1) with $531.8M, led by The Boss Baby (2017).
Of these 10 years, Week 13, 2015 earned the most: $554.7M from 7 films, led by Home (2015). Week 13, 2017 took $531.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 13, 2008 Mar 23–29 5 films | 5 | $124.3M | – | Superhero Movie (2008) $71.6M |
| Week 13, 2009 Mar 22–28 4 films · +212% | 4 | $388.3M | +212% | Monsters vs Aliens (2009) $381.5M |
| Week 13, 2010 Mar 21–27 7 films · −78% | 7 | $85.1M | −78% | Hot Tub Time Machine (2010) $64.8M |
| Week 13, 2011 Mar 20–26 9 films · +48% | 9 | $125.8M | +48% | Diary of a Wimpy Kid 2: Rodrick Rules (2011) $72.5M |
| Week 13, 2012 Mar 25–31 11 films · +74% | 11 | $219.2M | +74% | Mirror Mirror (2012) $183M |
| Week 13, 2013 Mar 24–30 10 films · −63% | 10 | $80.4M | −63% | The Chef, The Actor, The Scoundrel (2013) $43M |
| Week 13, 2014 Mar 23–29 5 films · −94% | 5 | $5.2M | −94% | Naked Ambition 3D (2014) $2.4M |
| Week 13, 2015 Mar 22–28 7 films · +10626% | 7 | $554.7M | +10626% | Home (2015) $386M |
| Week 13, 2016 Mar 20–26 10 films · −77% | 10 | $126.3M | −77% | My Big Fat Greek Wedding 2 (2016) $90.6M |
| Week 13, 2017 Mar 26–Apr 1 6 films · +321% | 6 | $531.8M | +321% | The Boss Baby (2017) $528M |
52 weeks of 2017 with reported grosses; the biggest is week 26 (Jun 25–Jul 1) with $1.3B, led by Despicable Me 3 (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
The Boss Baby (2017) leads with $528M worldwide, $175M of it in the US & Canada. Next come Gangsterdam (2017) at $2.7M and Classe Z (2017) at $912.7K.
6 comedy films released in week 13 of 2017 (Mar 26–Apr 1) report a worldwide gross, $531.8M in all, or $88.6M per film on average. Week 12, 2017 releases took $80.2M.
None. 1 film crossed $100 million, led by The Boss Baby (2017) with $528M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 13 of 2017 (Mar 26–Apr 1). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.