#1 of 7 2015 · Adventure, Sci-Fi
$386M worldwide · 70% of the chart's total
Home (2015) is the highest-grossing comedy movie released in week 13 of 2015 (Mar 22–28), with $386M worldwide, ahead of Get Hard (2015) at $111.8M and Twenty (2015) at $22.3M. 7 comedy films released that week report a worldwide gross, $554.7M in all, 50% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is 13.7 times the total of Week 12, 2015, whose releases took $40.5M. By language, Korean leads with $22.3M across 1 comedy release.
#1 of 7 2015 · Adventure, Sci-Fi
$386M worldwide · 70% of the chart's total
Home (2015) leads with $386M, 70% of the total. The top 5 together took $554M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 13 of 2015 (Mar 22–28).
Mar 27, 2015 US and Canada: $177.4M Rest of the world: $208.6M Worldwide: $386M
Mar 27, 2015 US and Canada: $90.4M Rest of the world: $21.4M Worldwide: $111.8M
Mar 25, 2015 US and Canada: $136.1K Rest of the world: $22.1M Worldwide: $22.3M
Mar 27, 2015 US and Canada: $7.6M Rest of the world: $10.5M Worldwide: $18.1M
Mar 26, 2015 US and Canada: – Rest of the world: – Worldwide: $15.8M
Mar 26, 2015 US and Canada: – Rest of the world: – Worldwide: $573.1K
Mar 25, 2015 US and Canada: $11.5K Rest of the world: $96.1K Worldwide: $107.6K Of the top 7, Get Hard (2015) earned the biggest share at home (81% in the US & Canada), while Twenty (2015) made 99% of its gross abroad. Across all 7 films, $275.5M (50%) came from the US & Canada. 2 films of the top 7 report no US & Canada figure.
Week 13 releases took $554.7M. The biggest of these 9 weeks is week 13 (Mar 22–28) with $554.7M, led by Home (2015).
Of these 10 years, Week 13, 2006 earned the most: $715.4M from 10 films, led by Ice Age: The Meltdown (2006). Week 13, 2015 took $554.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 13, 2006 Mar 26–Apr 1 10 films | 10 | $715.4M | – | Ice Age: The Meltdown (2006) $667.1M |
| Week 13, 2007 Mar 25–31 8 films · −55% | 8 | $321.2M | −55% | Meet the Robinsons (2007) $169.3M |
| Week 13, 2008 Mar 23–29 5 films · −61% | 5 | $124.3M | −61% | Superhero Movie (2008) $71.6M |
| Week 13, 2009 Mar 22–28 4 films · +212% | 4 | $388.3M | +212% | Monsters vs Aliens (2009) $381.5M |
| Week 13, 2010 Mar 21–27 7 films · −78% | 7 | $85.1M | −78% | Hot Tub Time Machine (2010) $64.8M |
| Week 13, 2011 Mar 20–26 9 films · +48% | 9 | $125.8M | +48% | Diary of a Wimpy Kid 2: Rodrick Rules (2011) $72.5M |
| Week 13, 2012 Mar 25–31 11 films · +74% | 11 | $219.2M | +74% | Mirror Mirror (2012) $183M |
| Week 13, 2013 Mar 24–30 10 films · −63% | 10 | $80.4M | −63% | The Chef, The Actor, The Scoundrel (2013) $43M |
| Week 13, 2014 Mar 23–29 5 films · −94% | 5 | $5.2M | −94% | Naked Ambition 3D (2014) $2.4M |
| Week 13, 2015 Mar 22–28 7 films · +10626% | 7 | $554.7M | +10626% | Home (2015) $386M |
53 weeks of 2015 with reported grosses; the biggest is week 25 (Jun 14–20) with $1.7B, led by Inside Out (2015).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Home (2015) leads with $386M worldwide, $177.4M of it in the US & Canada. Next come Get Hard (2015) at $111.8M and Twenty (2015) at $22.3M.
7 comedy films released in week 13 of 2015 (Mar 22–28) report a worldwide gross, $554.7M in all, or $79.2M per film on average. Week 12, 2015 releases took $40.5M.
None. 2 films crossed $100 million, led by Home (2015) with $386M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 13 of 2015 (Mar 22–28). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.