#1 of 7 Me and Earl and the Dying Girl (2015)
2015 · Drama, Comedy
$9.1M worldwide · 60% of the chart's total
Me and Earl and the Dying Girl (2015) is the highest-grossing comedy movie released in week 24 of 2015 (Jun 7–13), with $9.1M worldwide, ahead of The Pasta Detectives 2 (2015) at $3M and The Sweet Escape (2015) at $2.5M. 7 comedy films released that week report a worldwide gross, $15.1M in all, 45% of it from the US & Canada. That is down 95% on Week 23, 2015, whose releases took $287.3M. By language, English leads with $9.1M across 2 comedy releases.
#1 of 7 Me and Earl and the Dying Girl (2015)
2015 · Drama, Comedy
$9.1M worldwide · 60% of the chart's total
Me and Earl and the Dying Girl (2015) leads with $9.1M, 60% of the total. The top 5 together took $15.1M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 24 of 2015 (Jun 7–13).
Jun 12, 2015 US and Canada: $6.8M Rest of the world: $2.3M Worldwide: $9.1M
Jun 11, 2015 US and Canada: – Rest of the world: – Worldwide: $3M
Jun 10, 2015 US and Canada: – Rest of the world: – Worldwide: $2.5M
Jun 10, 2015 US and Canada: – Rest of the world: – Worldwide: $322.1K
Jun 7, 2015 US and Canada: – Rest of the world: – Worldwide: $214.4K
Jun 10, 2015 US and Canada: – Rest of the world: – Worldwide: $29.2K
Jun 12, 2015 US and Canada: $2.4K Rest of the world: Worldwide: $2.4K Week 24 releases took $15.1M. The biggest of these 9 weeks is week 25 (Jun 14–20) with $1.7B, led by Inside Out (2015).
Of these 10 years, Week 24, 2014 earned the most: $341.9M from 6 films, led by 22 Jump Street (2014). Week 24, 2015 took $15.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 24, 2006 Jun 11–17 9 films | 9 | $246.5M | – | Garfield: A Tail of Two Kitties (2006) $143.3M |
| Week 24, 2007 Jun 10–16 11 films · −71% | 11 | $72.1M | −71% | Nancy Drew (2007) $30.7M |
| Week 24, 2008 Jun 8–14 2 films · −90% | 2 | $7.5M | −90% | Mere Baap Pehle Aap (2008) $7.4M |
| Week 24, 2009 Jun 7–13 8 films · +547% | 8 | $48.2M | +547% | Imagine That (2009) $23M |
| Week 24, 2010 Jun 6–12 5 films · −98% | 5 | $1.2M | −98% | Freedom on Parole (2010) $984.4K |
| Week 24, 2011 Jun 5–11 6 films · +3081% | 6 | $36.6M | +3081% | Judy Moody and the Not Bummer Summer (2011) $15.7M |
| Week 24, 2012 Jun 10–16 12 films · +378% | 12 | $174.8M | +378% | Rock of Ages (2012) $59.4M |
| Week 24, 2013 Jun 9–15 8 films · −12% | 8 | $154.2M | −12% | This Is the End (2013) $126M |
| Week 24, 2014 Jun 8–14 6 films · +122% | 6 | $341.9M | +122% | 22 Jump Street (2014) $331.3M |
| Week 24, 2015 Jun 7–13 7 films · −96% | 7 | $15.1M | −96% | Me and Earl and the Dying Girl (2015) $9.1M |
53 weeks of 2015 with reported grosses; the biggest is week 25 (Jun 14–20) with $1.7B, led by Inside Out (2015).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Me and Earl and the Dying Girl (2015) leads with $9.1M worldwide, $6.8M of it in the US & Canada. Next come The Pasta Detectives 2 (2015) at $3M and The Sweet Escape (2015) at $2.5M.
7 comedy films released in week 24 of 2015 (Jun 7–13) report a worldwide gross, $15.1M in all, or $2.2M per film on average. Week 23, 2015 releases took $287.3M.
None. The biggest, Me and Earl and the Dying Girl (2015), earned $9.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 24 of 2015 (Jun 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.