#1 of 26 Tyler Perry's A Madea Family Funeral (2019)
2019 · Comedy
$74.7M worldwide · 78% of the chart's total
Tyler Perry's A Madea Family Funeral (2019) is the highest-grossing English-language movie released in week 9 of 2019 (Feb 24–Mar 2), with $74.7M worldwide, ahead of Apollo 11 (2019) at $15.3M and The Hole in the Ground (2019) at $3.4M. 26 English-language films released that week report a worldwide gross, $95.8M in all, 87% of it from the US & Canada. That is down 82% on Week 8, 2019, whose releases took $546.7M. By genre, Comedy leads with $74.8M across 3 English releases.
#1 of 26 Tyler Perry's A Madea Family Funeral (2019)
2019 · Comedy
$74.7M worldwide · 78% of the chart's total
Tyler Perry's A Madea Family Funeral (2019) leads with $74.7M, 78% of the total. The top 5 together took $94.2M, 98% of what all 26 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 9 of 2019 (Feb 24–Mar 2).
Mar 1, 2019 US and Canada: $73.3M Rest of the world: $1.5M Worldwide: $74.7M
Mar 1, 2019 US and Canada: $9M Rest of the world: $6.3M Worldwide: $15.3M
Mar 1, 2019 US and Canada: $21.1K Rest of the world: $3.4M Worldwide: $3.4M
Mar 1, 2019 US and Canada: $386.2K Rest of the world: Worldwide: $386.2K
Mar 1, 2019 US and Canada: $72.5K Rest of the world: $228.4K Worldwide: $300.8K
Mar 1, 2019 US and Canada: $78.9K Rest of the world: $169.2K Worldwide: $248.1K
Feb 26, 2019 US and Canada: – Rest of the world: – Worldwide: $240.3K
Feb 28, 2019 US and Canada: $60.8K Rest of the world: $130K Worldwide: $190.8K
Mar 1, 2019 US and Canada: $181.5K Rest of the world: Worldwide: $181.5K
Mar 1, 2019 US and Canada: – Rest of the world: – Worldwide: $157.1K
Feb 28, 2019 US and Canada: – Rest of the world: – Worldwide: $139.9K
Feb 27, 2019 US and Canada: $70.8K Rest of the world: $47.4K Worldwide: $118.2K
Mar 1, 2019 US and Canada: $91K Rest of the world: Worldwide: $91K
Feb 27, 2019 US and Canada: – Rest of the world: – Worldwide: $67.5K
Mar 1, 2019 US and Canada: $13.3K Rest of the world: $40.9K Worldwide: $54.2K
Mar 1, 2019 US and Canada: $33.2K Rest of the world: Worldwide: $33.2K
Feb 28, 2019 US and Canada: – Rest of the world: – Worldwide: $29.3K
Feb 28, 2019 US and Canada: – Rest of the world: – Worldwide: $19.3K
Feb 27, 2019 US and Canada: – Rest of the world: – Worldwide: $17.2K
Mar 1, 2019 US and Canada: $16.1K Rest of the world: Worldwide: $16.1K
Mar 1, 2019 US and Canada: – Rest of the world: – Worldwide: $15.6K
Feb 28, 2019 US and Canada: – Rest of the world: – Worldwide: $13.6K
Feb 24, 2019 US and Canada: – Rest of the world: – Worldwide: $6.8K
Mar 1, 2019 US and Canada: – Rest of the world: – Worldwide: $5K
Mar 1, 2019 US and Canada: – Rest of the world: – Worldwide: $1.7K
Feb 26, 2019 US and Canada: – Rest of the world: – Worldwide: $1.5K Of the top 10, The Wedding Guest (2019) earned the biggest share at home (100% in the US & Canada), while The Hole in the Ground (2019) made 99% of its gross abroad. Across all 26 films, $83.3M (87%) came from the US & Canada. 2 films of the top 10 report no US & Canada figure.
None of the 26 films reached $100M. 24 films, 92% of the list, earned under $10M. Each band shows its films and its share of the $95.8M total.
Week 9 releases took $95.8M. The biggest of these 9 weeks is week 10 (Mar 3–9) with $1.1B, led by Captain Marvel (2019).
Of these 10 years, Week 9, 2017 earned the most: $741.7M from 16 films, led by Logan (2017). Week 9, 2019 took $95.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 9, 2010 Feb 21–27 7 films | 7 | $111.4M | – | Cop Out (2010) $55.6M |
| Week 9, 2011 Feb 20–26 5 films · +17% | 5 | $130.4M | +17% | Hall Pass (2011) $86.2M |
| Week 9, 2012 Feb 26–Mar 3 15 films · +251% | 15 | $458.3M | +251% | The Lorax (2012) $349.3M |
| Week 9, 2013 Feb 24–Mar 2 15 films · −36% | 15 | $292.7M | −36% | Jack the Giant Slayer (2013) $197.7M |
| Week 9, 2014 Feb 23–Mar 1 11 films · +23% | 11 | $360.6M | +23% | Non-Stop (2014) $222.8M |
| Week 9, 2015 Feb 22–28 15 films · −41% | 15 | $212.4M | −41% | Focus (2015) $159.2M |
| Week 9, 2016 Feb 21–27 9 films · +23% | 9 | $261.8M | +23% | Gods of Egypt (2016) $150.7M |
| Week 9, 2017 Feb 26–Mar 4 16 films · +183% | 16 | $741.7M | +183% | Logan (2017) $619.2M |
| Week 9, 2018 Feb 25–Mar 3 13 films · −72% | 13 | $205.2M | −72% | Red Sparrow (2018) $151.6M |
| Week 9, 2019 Feb 24–Mar 2 26 films · −53% | 26 | $95.8M | −53% | Tyler Perry's A Madea Family Funeral (2019) $74.7M |
Comedy took $74.8M across 3 films, 78% of the total, ahead of Documentary ($15.4M) and History ($15.3M). A film counts once for each of its genres.
53 weeks of 2019 with reported grosses; the biggest is week 17 (Apr 21–27) with $2.8B, led by Avengers: Endgame (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 26 films as the chart.
Tyler Perry's A Madea Family Funeral (2019) leads with $74.7M worldwide, $73.3M of it in the US & Canada. Next come Apollo 11 (2019) at $15.3M and The Hole in the Ground (2019) at $3.4M.
26 English-language films released in week 9 of 2019 (Feb 24–Mar 2) report a worldwide gross, $95.8M in all, or $3.7M per film on average. Week 8, 2019 releases took $546.7M.
None. The biggest, Tyler Perry's A Madea Family Funeral (2019), earned $74.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 9 of 2019 (Feb 24–Mar 2). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.