#1 of 19 #1 English-language movie of Week 15, 2019
2019 · Drama, Romance
$69.5M worldwide · 30% of the chart's total
$12.1M US & Canada · 17% $57.4M elsewhere · 83%
English box office · Week 15 · Apr 7–13, 2019
English Box Office, Week 15 of 2019: English Releases of Apr 7–13
After (2019) is the highest-grossing English-language movie released in week 15 of 2019 (Apr 7–13), with $69.5M worldwide, ahead of The Perfect Date (2019) at $56.6M and Hellboy (2019) at $55.1M. 19 English-language films released that week report a worldwide gross, $228M in all, 23% of it from the US & Canada. That is down 55% on Week 14, 2019, whose releases took $505.5M. By genre, Romance leads with $126.1M across 2 English releases.
- week 15 releases with a gross
- 19
- combined worldwide
- $228M
- After (2019), the #1
- $69.5M
- vs Week 14, 2019
- −55%
#1 of 19 Top 5
What Were the Biggest English Hits of Week 15 of 2019?
After (2019) leads with $69.5M, 30% of the total. The top 5 together took $219.4M, 96% of what all 19 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every English Release of Week 15 of 2019, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 15 of 2019 (Apr 7–13).
- 1 Apr 12, 2019 US and Canada: $12.1M Rest of the world: $57.4M Worldwide: $69.5M
- 2 Apr 12, 2019 US and Canada: – Rest of the world: – Worldwide: $56.6M
- 3 Apr 12, 2019 US and Canada: $21.9M Rest of the world: $33.2M Worldwide: $55.1M
- 4 Apr 12, 2019 US and Canada: $16.6M Rest of the world: $9.9M Worldwide: $26.6M
- 5 Apr 12, 2019 US and Canada: $124.7K Rest of the world: $11.6M Worldwide: $11.7M
- 6
Apr 10, 2019 US and Canada: $392K Rest of the world: $2M Worldwide: $2.4M - 7
Apr 10, 2019 US and Canada: – Rest of the world: – Worldwide: $2.3M - 8
Apr 12, 2019 US and Canada: $441.4K Rest of the world: $1.1M Worldwide: $1.6M - 9
Apr 12, 2019 US and Canada: $302.1K Rest of the world: $837.4K Worldwide: $1.1M - 10
Apr 12, 2019 US and Canada: $519.5K Rest of the world: $4.5K Worldwide: $524K - 11
Apr 12, 2019 US and Canada: $255.6K Rest of the world: $4.9K Worldwide: $260.5K - 12
Apr 11, 2019 US and Canada: – Rest of the world: – Worldwide: $231K - 13
Apr 12, 2019 US and Canada: – Rest of the world: – Worldwide: $20.4K - 14
Apr 11, 2019 US and Canada: – Rest of the world: – Worldwide: $19.8K - 15
Apr 11, 2019 US and Canada: – Rest of the world: – Worldwide: $12.4K - 16
Apr 13, 2019 US and Canada: $10K Rest of the world: Worldwide: $10K - 17
Apr 11, 2019 US and Canada: – Rest of the world: – Worldwide: $9.4K - 18
Apr 12, 2019 US and Canada: – Rest of the world: – Worldwide: $9.2K - 19
Apr 10, 2019 US and Canada: – Rest of the world: – Worldwide: $2.5K
US & Canada vs the world
Where Did the Money Come From in Week 15 of 2019?
Of the top 10, Wild Nights with Emily (2019) earned the biggest share at home (99% in the US & Canada), while Mary Magdalene (2019) made 99% of its gross abroad. Across all 19 films, $52.7M (23%) came from the US & Canada. 2 films of the top 10 report no US & Canada figure.
- 1 After (2019) $69.5M $12.1M US & Canada · 17% $57.4M elsewhere · 83%
- 2 The Perfect Date (2019) $56.6M No US & Canada figure reported
- 3 Hellboy (2019) $55.1M $21.9M US & Canada · 40% $33.2M elsewhere · 60%
- 4 Missing Link (2019) $26.6M $16.6M US & Canada · 63% $9.9M elsewhere · 37%
- 5 Mary Magdalene (2019) $11.7M $124.7K US & Canada · 1% $11.6M elsewhere · 99%
- 6 The Man Who Killed Don Quixote (2019) $2.4M $392K US & Canada · 16% $2M elsewhere · 84%
- 7 The Silence (2019) $2.3M No US & Canada figure reported
- 8 Teen Spirit (2019) $1.6M $441.4K US & Canada · 28% $1.1M elsewhere · 72%
- 9 Stockholm (2019) $1.1M $302.1K US & Canada · 27% $837.4K elsewhere · 73%
- 10 Wild Nights with Emily (2019) $524K $519.5K US & Canada · 99% $4.5K elsewhere · <1%
Gross bands
How Many Week 15 of 2019 Releases Crossed $100 Million?
None of the 19 films reached $100M. 14 films, 74% of the list, earned under $10M. Each band shows its films and its share of the $228M total.
96%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 0 films, 0% of the list No films
- $10M to $100M 5 films, 26% of the list $219.4M · 96% of the gross
- Under $10M 14 films, 74% of the list $8.6M · 4% of the gross
Weeks around it
How Does Week 15 Compare With the Weeks Around It?
Week 15 releases took $228M. The biggest of these 9 weeks is week 17 (Apr 21–27) with $2.8B, led by Avengers: Endgame (2019).
- Week 9 Wk 9 Feb 24–Mar 2 Tyler Perry's A Madea Family Funeral (2019) $95.8M Tyler Perry's A Madea Family Funeral (2019)
- Week 10 Wk 10 Mar 3–9 Captain Marvel (2019) $1.1B Captain Marvel (2019)
- Week 11 Wk 11 Mar 10–16 Dumbo (2019) $594.7M Dumbo (2019)
- Week 12 Wk 12 Mar 17–23 Us (2019) $280.2M Us (2019)
- Week 13 Wk 13 Mar 24–30 Unplanned (2019) $28.5M Unplanned (2019)
- Week 14 Wk 14 Mar 31–Apr 6 Shazam! (2019) $505.5M Shazam! (2019)
- Week 15 Wk 15 Apr 7–13 After (2019) $228M After (2019)
- Week 16 Wk 16 Apr 14–20 The Curse of La Llorona (2019) $212M The Curse of La Llorona (2019)
- Week 17 Wk 17 Apr 21–27 Avengers: Endgame (2019) $2.8B Avengers: Endgame (2019)
Earlier years
How Does Week 15 of 2019 Compare With Earlier Years?
Of these 10 years, Week 15, 2017 earned the most: $1.3B from 13 films, led by The Fate of the Furious (2017). Week 15, 2019 took $228M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 15, 2010 Apr 4–10 8 films | 8 | $158.8M | – | Date Night (2010) $152.3M |
| Week 15, 2011 Apr 3–9 14 films · +55% | 14 | $246.7M | +55% | Hanna (2011) $63.8M |
| Week 15, 2012 Apr 8–14 15 films · −34% | 15 | $162.6M | −34% | The Cabin in the Woods (2012) $70M |
| Week 15, 2013 Apr 7–13 10 films · +21% | 10 | $196.2M | +21% | 42 (2013) $97.5M |
| Week 15, 2014 Apr 6–12 10 films · +213% | 10 | $613.8M | +213% | Rio 2 (2014) $498.8M |
| Week 15, 2015 Apr 5–11 13 films · −82% | 13 | $109.2M | −82% | The Longest Ride (2015) $62.9M |
| Week 15, 2016 Apr 3–9 14 films · −5% | 14 | $103.2M | −5% | The Boss (2016) $78.8M |
| Week 15, 2017 Apr 9–15 13 films · +1123% | 13 | $1.3B | +1123% | The Fate of the Furious (2017) $1.2B |
| Week 15, 2018 Apr 8–14 16 films · −56% | 16 | $557.5M | −56% | Rampage (2018) $428.1M |
| Week 15, 2019 Apr 7–13 19 films · −59% | 19 | $228M | −59% | After (2019) $69.5M |
By genre
Which English Genres Earned the Most in Week 15 of 2019?
Romance took $126.1M across 2 films, 55% of the total, ahead of Comedy ($87.5M) and Drama ($86.9M). A film counts once for each of its genres.
Week 15 of 2019 English Box Office by Genre
-
Romance $126.1M2 films · #1 After (2019) -
Comedy $87.5M7 films · #1 The Perfect Date (2019) -
Drama $86.9M10 films · #1 After (2019) -
Adventure $84.1M3 films · #1 Hellboy (2019) -
Fantasy $84.1M3 films · #1 Hellboy (2019) -
Sci-Fi $57.5M2 films · #1 Hellboy (2019) -
Horror $57.4M3 films · #1 Hellboy (2019) -
Action $55.1M1 film · #1 Hellboy (2019) -
Family $26.6M2 films · #1 Missing Link (2019) -
Animation $26.6M1 film · #1 Missing Link (2019)
Archive
English Box Office in 2019, Week by Week
53 weeks of 2019 with reported grosses; the biggest is week 17 (Apr 21–27) with $2.8B, led by Avengers: Endgame (2019).
- Week 1 $161.9M
- Week 2 $96.9M
- Week 3 $296.9M
- Week 4 $47.8M
- Week 5 $21.2M
- Week 6 $373.6M
- Week 7 $567.7M
- Week 8 $546.7M
- Week 9 $95.8M
- Week 10 $1.1B
- Week 11 $594.7M
- Week 12 $280.2M
- Week 13 $28.5M
- Week 14 $505.5M
- Week 15 $228M
- Week 16 $212M
- Week 17 $2.8B
- Week 18 $191.8M
- Week 19 $587.2M
- Week 20 $424.6M
- Week 21 $1.1B
- Week 22 $646M
- Week 23 $724.5M
- Week 24 $293M
- Week 25 $1.2B
- Week 26 $400M
- Week 27 $1.2B
- Week 28 $155.3M
- Week 29 $1.7B
- Week 30 $396M
- Week 31 $768M
- Week 32 $291.9M
- Week 33 $343.5M
- Week 34 $279.9M
- Week 35 $28.1M
- Week 36 $485.5M
- Week 37 $194.6M
- Week 38 $421.6M
- Week 39 $238.8M
- Week 40 $1.2B
- Week 41 $412.6M
- Week 42 $732.5M
- Week 43 $81.7M
- Week 44 $339.3M
- Week 45 $410.3M
- Week 46 $338.3M
- Week 47 $1.6B
- Week 48 $361.8M
- Week 49 $22.2M
- Week 50 $1B
- Week 51 $1.2B
- Week 52 $1B
- Week 53 $179.8K
FAQ
English Box Office Week 15 of 2019: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 19 films as the chart.
What is the highest-grossing English-language movie in week 15 of 2019 (Apr 7–13)?
After (2019) leads with $69.5M worldwide, $12.1M of it in the US & Canada. Next come The Perfect Date (2019) at $56.6M and Hellboy (2019) at $55.1M.
How much did English-language movies released in week 15 of 2019 (Apr 7–13) earn?
19 English-language films released in week 15 of 2019 (Apr 7–13) report a worldwide gross, $228M in all, or $12M per film on average. Week 14, 2019 releases took $505.5M.
How many English-language movies released in week 15 of 2019 (Apr 7–13) made $1 billion?
None. The biggest, After (2019), earned $69.5M.
How is the week 15, 2019 English box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 15 of 2019 (Apr 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 15, 2019 English box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.