#1 of 18 #1 English-language movie of Week 26, 2019
2019 · Mystery, Thriller
$231.3M worldwide · 58% of the chart's total
$74.2M US & Canada · 32% $157.1M elsewhere · 68%
English box office · Week 26 · Jun 23–29, 2019
English Box Office, Week 26 of 2019: English Releases of Jun 23–29
Annabelle Comes Home (2019) is the highest-grossing English-language movie released in week 26 of 2019 (Jun 23–29), with $231.3M worldwide, ahead of Yesterday (2019) at $154.6M and Maiden (2019) at $3.5M. 18 English-language films released that week report a worldwide gross, $400M in all, 38% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is down 66% on Week 25, 2019, whose releases took $1.2B. By genre, Mystery leads with $233.3M across 3 English releases.
- week 26 releases with a gross
- 18
- combined worldwide
- $400M
- films crossed $100M
- 2
- vs Week 25, 2019
- −66%
#1 of 18 Top 5
What Were the Biggest English Hits of Week 26 of 2019?
Annabelle Comes Home (2019) leads with $231.3M, 58% of the total. The top 5 together took $394.6M, 99% of what all 18 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every English Release of Week 26 of 2019, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 26 of 2019 (Jun 23–29).
- 1 Jun 26, 2019 US and Canada: $74.2M Rest of the world: $157.1M Worldwide: $231.3M
- 2 Jun 28, 2019 US and Canada: $73.3M Rest of the world: $81.3M Worldwide: $154.6M
- 3 Jun 28, 2019 US and Canada: $3.2M Rest of the world: $326.3K Worldwide: $3.5M
- 4 Jun 25, 2019 US and Canada: $900.5K Rest of the world: $2.4M Worldwide: $3.3M
- 5 Jun 28, 2019 US and Canada: – Rest of the world: – Worldwide: $1.9M
- 6
Jun 28, 2019 US and Canada: $1.8M Rest of the world: Worldwide: $1.8M - 7
Jun 23, 2019 US and Canada: $213.1K Rest of the world: $1.2M Worldwide: $1.5M - 8
Jun 27, 2019 US and Canada: – Rest of the world: – Worldwide: $1.2M - 9
Jun 28, 2019 US and Canada: $50.7K Rest of the world: $288.2K Worldwide: $338.9K - 10
Jun 28, 2019 US and Canada: – Rest of the world: – Worldwide: $162.6K - 11
Jun 29, 2019 US and Canada: – Rest of the world: – Worldwide: $137.8K - 12
Jun 28, 2019 US and Canada: – Rest of the world: – Worldwide: $100.6K - 13
Jun 29, 2019 US and Canada: – Rest of the world: – Worldwide: $83.4K - 14
Jun 23, 2019 US and Canada: – Rest of the world: – Worldwide: $23.4K - 15
Jun 23, 2019 US and Canada: – Rest of the world: – Worldwide: $17.1K - 16
Jun 28, 2019 US and Canada: – Rest of the world: – Worldwide: $16.8K - 17
Jun 28, 2019 US and Canada: – Rest of the world: – Worldwide: $16.3K - 18
Jun 24, 2019 US and Canada: $16.1K Rest of the world: Worldwide: $16.1K
US & Canada vs the world
Where Did the Money Come From in Week 26 of 2019?
Of the top 10, The Other Side of Heaven 2: Fire of Faith (2019) earned the biggest share at home (100% in the US & Canada), while Love in Kilnerry (2019) made 85% of its gross abroad. Across all 18 films, $153.6M (38%) came from the US & Canada. 3 films of the top 10 report no US & Canada figure.
- 1 Annabelle Comes Home (2019) $231.3M $74.2M US & Canada · 32% $157.1M elsewhere · 68%
- 2 Yesterday (2019) $154.6M $73.3M US & Canada · 47% $81.3M elsewhere · 53%
- 3 Maiden (2019) $3.5M $3.2M US & Canada · 91% $326.3K elsewhere · 9%
- 4 Kinky Boots: The Musical (2019) $3.3M $900.5K US & Canada · 27% $2.4M elsewhere · 73%
- 5 Euphoria (2019) $1.9M No US & Canada figure reported
- 6 The Other Side of Heaven 2: Fire of Faith (2019) $1.8M $1.8M US & Canada · 100% elsewhere · 0%
- 7 Love in Kilnerry (2019) $1.5M $213.1K US & Canada · 15% $1.2M elsewhere · 85%
- 8 National Theatre Live: Small Island (2019) $1.2M No US & Canada figure reported
- 9 Ophelia (2019) $338.9K $50.7K US & Canada · 15% $288.2K elsewhere · 85%
- 10 Kings of Mulberry Street (2019) $162.6K No US & Canada figure reported
Gross bands
How Many Week 26 of 2019 Releases Crossed $100 Million?
2 of 18 films crossed $100M and took $385.9M between them, 96% of the total. 16 films, 89% of the list, earned under $10M.
96%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 2 films, 11% of the list $385.9M · 96% of the gross
- $10M to $100M 0 films, 0% of the list No films
- Under $10M 16 films, 89% of the list $14.1M · 4% of the gross
Weeks around it
How Does Week 26 Compare With the Weeks Around It?
Week 26 releases took $400M. The biggest of these 9 weeks is week 27 (Jun 30–Jul 6) with $1.2B, led by Spider-Man: Far from Home (2019).
- Week 20 Wk 20 May 12–18 John Wick: Chapter 3 - Parabellum (2019) $424.6M John Wick: Chapter 3 - Parabellum (2019)
- Week 21 Wk 21 May 19–25 Aladdin (2019) $1.1B Aladdin (2019)
- Week 22 Wk 22 May 26–Jun 1 Godzilla: King of the Monsters (2019) $646M Godzilla: King of the Monsters (2019)
- Week 23 Wk 23 Jun 2–8 The Secret Life of Pets 2 (2019) $724.5M The Secret Life of Pets 2 (2019)
- Week 24 Wk 24 Jun 9–15 Men in Black: International (2019) $293M Men in Black: International (2019)
- Week 25 Wk 25 Jun 16–22 Toy Story 4 (2019) $1.2B Toy Story 4 (2019)
- Week 26 Wk 26 Jun 23–29 Annabelle Comes Home (2019) $400M Annabelle Comes Home (2019)
- Week 27 Wk 27 Jun 30–Jul 6 Spider-Man: Far from Home (2019) $1.2B Spider-Man: Far from Home (2019)
- Week 28 Wk 28 Jul 7–13 Crawl (2019) $155.3M Crawl (2019)
Earlier years
How Does Week 26 of 2019 Compare With Earlier Years?
Of these 10 years, Week 26, 2014 earned the most: $1.3B from 10 films, led by Transformers: Age Of Extinction (2014). Week 26, 2019 took $400M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 26, 2010 Jun 20–26 6 films | 6 | $535.8M | – | Grown Ups (2010) $271.5M |
| Week 26, 2011 Jun 19–25 9 films · +53% | 9 | $821.3M | +53% | Cars 2 (2011) $559.9M |
| Week 26, 2012 Jun 24–30 11 films · +1% | 11 | $832.9M | +1% | Ted (2012) $549.4M |
| Week 26, 2013 Jun 23–29 13 films · −74% | 13 | $220.6M | −74% | White House Down (2013) $205.4M |
| Week 26, 2014 Jun 22–28 10 films · +482% | 10 | $1.3B | +482% | Transformers: Age Of Extinction (2014) $1.1B |
| Week 26, 2015 Jun 21–27 17 films · −78% | 17 | $288.4M | −78% | Ted 2 (2015) $215.9M |
| Week 26, 2016 Jun 19–25 14 films · +102% | 14 | $581.6M | +102% | Independence Day: Resurgence (2016) $389.7M |
| Week 26, 2017 Jun 25–Jul 1 15 films · +119% | 15 | $1.3B | +119% | Despicable Me 3 (2017) $1B |
| Week 26, 2018 Jun 24–30 18 films · −88% | 18 | $154.1M | −88% | Sicario: Day of the Soldado (2018) $75.8M |
| Week 26, 2019 Jun 23–29 18 films · +160% | 18 | $400M | +160% | Annabelle Comes Home (2019) $231.3M |
By genre
Which English Genres Earned the Most in Week 26 of 2019?
Mystery took $233.3M across 3 films, 58% of the total, ahead of Thriller ($231.7M) and Horror ($231.3M). A film counts once for each of its genres.
Week 26 of 2019 English Box Office by Genre
-
Mystery $233.3M3 films · #1 Annabelle Comes Home (2019) -
Thriller $231.7M3 films · #1 Annabelle Comes Home (2019) -
Horror $231.3M1 film · #1 Annabelle Comes Home (2019) -
Drama $160.2M11 films · #1 Yesterday (2019) -
Comedy $159.7M6 films · #1 Yesterday (2019) -
Music $158.1M4 films · #1 Yesterday (2019) -
Romance $156.5M6 films · #1 Yesterday (2019) -
Fantasy $154.6M2 films · #1 Yesterday (2019) -
Musical $154.6M1 film · #1 Yesterday (2019) -
Adventure $3.9M3 films · #1 Euphoria (2019)
Archive
English Box Office in 2019, Week by Week
53 weeks of 2019 with reported grosses; the biggest is week 17 (Apr 21–27) with $2.8B, led by Avengers: Endgame (2019).
- Week 1 $161.9M
- Week 2 $96.9M
- Week 3 $296.9M
- Week 4 $47.8M
- Week 5 $21.2M
- Week 6 $373.6M
- Week 7 $567.7M
- Week 8 $546.7M
- Week 9 $95.8M
- Week 10 $1.1B
- Week 11 $594.7M
- Week 12 $280.2M
- Week 13 $28.5M
- Week 14 $505.5M
- Week 15 $228M
- Week 16 $212M
- Week 17 $2.8B
- Week 18 $191.8M
- Week 19 $587.2M
- Week 20 $424.6M
- Week 21 $1.1B
- Week 22 $646M
- Week 23 $724.5M
- Week 24 $293M
- Week 25 $1.2B
- Week 26 $400M
- Week 27 $1.2B
- Week 28 $155.3M
- Week 29 $1.7B
- Week 30 $396M
- Week 31 $768M
- Week 32 $291.9M
- Week 33 $343.5M
- Week 34 $279.9M
- Week 35 $28.1M
- Week 36 $485.5M
- Week 37 $194.6M
- Week 38 $421.6M
- Week 39 $238.8M
- Week 40 $1.2B
- Week 41 $412.6M
- Week 42 $732.5M
- Week 43 $81.7M
- Week 44 $339.3M
- Week 45 $410.3M
- Week 46 $338.3M
- Week 47 $1.6B
- Week 48 $361.8M
- Week 49 $22.2M
- Week 50 $1B
- Week 51 $1.2B
- Week 52 $1B
- Week 53 $179.8K
FAQ
English Box Office Week 26 of 2019: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 18 films as the chart.
What is the highest-grossing English-language movie in week 26 of 2019 (Jun 23–29)?
Annabelle Comes Home (2019) leads with $231.3M worldwide, $74.2M of it in the US & Canada. Next come Yesterday (2019) at $154.6M and Maiden (2019) at $3.5M.
How much did English-language movies released in week 26 of 2019 (Jun 23–29) earn?
18 English-language films released in week 26 of 2019 (Jun 23–29) report a worldwide gross, $400M in all, or $22.2M per film on average. Week 25, 2019 releases took $1.2B.
How many English-language movies released in week 26 of 2019 (Jun 23–29) made $1 billion?
None. 2 films crossed $100 million, led by Annabelle Comes Home (2019) with $231.3M.
How is the week 26, 2019 English box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 26 of 2019 (Jun 23–29). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 26, 2019 English box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.