#1 of 6 2019 · Mystery, Thriller
$231.3M worldwide · 99% of the chart's total
Annabelle Comes Home (2019) is the highest-grossing thriller movie released in week 26 of 2019 (Jun 23–29), with $231.3M worldwide, ahead of Article 15 (2019) at $734.5K and Ophelia (2019) at $338.9K. 6 thriller films released that week report a worldwide gross, $232.4M in all, 32% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 5.4 times the total of Week 25, 2019, whose releases took $43.4M. By language, English leads with $231.7M across 3 thriller releases.
#1 of 6 2019 · Mystery, Thriller
$231.3M worldwide · 99% of the chart's total
Annabelle Comes Home (2019) leads with $231.3M, 99% of the total. The top 5 together took $232.4M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 26 of 2019 (Jun 23–29).
Jun 26, 2019 US and Canada: $74.2M Rest of the world: $157.1M Worldwide: $231.3M
Jun 28, 2019 US and Canada: – Rest of the world: – Worldwide: $734.5K
Jun 28, 2019 US and Canada: $50.7K Rest of the world: $288.2K Worldwide: $338.9K
Jun 28, 2019 US and Canada: – Rest of the world: – Worldwide: $100.6K
Jun 27, 2019 US and Canada: – Rest of the world: – Worldwide: $13.2K
Jun 28, 2019 US and Canada: – Rest of the world: – Worldwide: $9.7K Week 26 releases took $232.4M. The biggest of these 9 weeks is week 20 (May 12–18) with $334.5M, led by John Wick: Chapter 3 - Parabellum (2019).
Of these 10 years, Week 26, 2010 earned the most: $262M from 1 film, led by Knight and Day (2010). Week 26, 2019 took $232.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 26, 2010 Jun 20–26 1 film | 1 | $262M | – | Knight and Day (2010) $262M |
| Week 26, 2011 Jun 19–25 3 films · −98% | 3 | $4.8M | −98% | Omar Killed Me (2011) $4.4M |
| Week 26, 2012 Jun 24–30 1 film · −78% | 1 | $1M | −78% | Unconditional (2012) $1M |
| Week 26, 2013 Jun 23–29 6 films · +22536% | 6 | $234.2M | +22536% | White House Down (2013) $205.4M |
| Week 26, 2014 Jun 22–28 4 films · −63% | 4 | $87.3M | −63% | Snowpiercer (2014) $86.8M |
| Week 26, 2015 Jun 21–27 3 films · −91% | 3 | $7.6M | −91% | Escobar: Paradise Lost (2015) $6.8M |
| Week 26, 2016 Jun 19–25 7 films · +1543% | 7 | $125M | +1543% | The Shallows (2016) $119.1M |
| Week 26, 2017 Jun 25–Jul 1 8 films · +88% | 8 | $234.7M | +88% | Baby Driver (2017) $226.9M |
| Week 26, 2018 Jun 24–30 5 films · −64% | 5 | $84M | −64% | Sicario: Day of the Soldado (2018) $75.8M |
| Week 26, 2019 Jun 23–29 6 films · +177% | 6 | $232.4M | +177% | Annabelle Comes Home (2019) $231.3M |
52 weeks of 2019 with reported grosses; the biggest is week 40 (Sep 29–Oct 5) with $1.3B, led by Joker (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Annabelle Comes Home (2019) leads with $231.3M worldwide, $74.2M of it in the US & Canada. Next come Article 15 (2019) at $734.5K and Ophelia (2019) at $338.9K.
6 thriller films released in week 26 of 2019 (Jun 23–29) report a worldwide gross, $232.4M in all, or $38.7M per film on average. Week 25, 2019 releases took $43.4M.
None. 1 film crossed $100 million, led by Annabelle Comes Home (2019) with $231.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 26 of 2019 (Jun 23–29). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.