#1 of 10 #1 thriller movie of Week 11, 2019
2019 · Sci-Fi, Thriller
$8.8M worldwide · 41% of the chart's total
$6M US & Canada · 68% $2.9M elsewhere · 32%
Thriller box office · Week 11 · Mar 10–16, 2019
Thriller Box Office, Week 11 of 2019: Thriller Releases of Mar 10–16
Captive State (2019) is the highest-grossing thriller movie released in week 11 of 2019 (Mar 10–16), with $8.8M worldwide, ahead of Romeo Akbar Walter (2019) at $6.1M and The Blackout (2019) at $2.8M. 10 thriller films released that week report a worldwide gross, $21.6M in all, 30% of it from the US & Canada. That is up 11% on Week 10, 2019, whose releases took $19.6M. By language, English leads with $9.9M across 4 thriller releases.
- week 11 releases with a gross
- 10
- combined worldwide
- $21.6M
- Captive State (2019), the #1
- $8.8M
- vs Week 10, 2019
- +11%
#1 of 10 Top 5
What Were the Biggest Thriller Hits of Week 11 of 2019?
Captive State (2019) leads with $8.8M, 41% of the total. The top 5 together took $21M, 97% of what all 10 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Thriller Release of Week 11 of 2019, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2019 (Mar 10–16).
- 1 Mar 15, 2019 US and Canada: $6M Rest of the world: $2.9M Worldwide: $8.8M
- 2 Mar 15, 2019 US and Canada: $236.3K Rest of the world: $5.9M Worldwide: $6.1M
- 3 Mar 15, 2019 US and Canada: – Rest of the world: – Worldwide: $2.8M
- 4 Queen of Spades: Through the Looking Glass (2019)Mar 14, 2019 US and Canada: – Rest of the world: – Worldwide: $2.4M
Mar 14, 2019 · Russian · Thriller, Horror $2.4M worldwide - 5 Mar 15, 2019 US and Canada: $371.8K Rest of the world: $506.4K Worldwide: $878.2K
- 6
Mar 15, 2019 US and Canada: $32.5K Rest of the world: $309.3K Worldwide: $341.8K - 7
Mar 12, 2019 US and Canada: – Rest of the world: – Worldwide: $135.9K - 8
Mar 15, 2019 US and Canada: – Rest of the world: – Worldwide: $106.8K - 9
Mar 15, 2019 US and Canada: – Rest of the world: – Worldwide: $25.4K - 10
Mar 14, 2019 US and Canada: – Rest of the world: – Worldwide: $13.2K
US & Canada vs the world
Where Did the Money Come From in Week 11 of 2019?
Of the top 10, Captive State (2019) earned the biggest share at home (68% in the US & Canada), while Romeo Akbar Walter (2019) made 96% of its gross abroad. Across all 10 films, $6.6M (30%) came from the US & Canada. 6 films of the top 10 report no US & Canada figure.
- 1 Captive State (2019) $8.8M $6M US & Canada · 68% $2.9M elsewhere · 32%
- 2 Romeo Akbar Walter (2019) $6.1M $236.3K US & Canada · 4% $5.9M elsewhere · 96%
- 3 The Blackout (2019) $2.8M No US & Canada figure reported
- 4 Queen of Spades: Through the Looking Glass (2019) $2.4M No US & Canada figure reported
- 5 The Hummingbird Project (2019) $878.2K $371.8K US & Canada · 42% $506.4K elsewhere · 58%
- 6 Knife + Heart (2019) $341.8K $32.5K US & Canada · 10% $309.3K elsewhere · 90%
- 7 Welcome to Acapulco (2019) $135.9K No US & Canada figure reported
- 8 Never Grow Old (2019) $106.8K No US & Canada figure reported
- 9 Above Suspicion (2019) $25.4K No US & Canada figure reported
- 10 Lobos (2019) $13.2K No US & Canada figure reported
Gross bands
How Many Week 11 of 2019 Releases Crossed $100 Million?
None of the 10 films reached $100M. 10 films, 100% of the list, earned under $10M. Each band shows its films and its share of the $21.6M total.
100%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 0 films, 0% of the list No films
- $10M to $100M 0 films, 0% of the list No films
- Under $10M 10 films, 100% of the list $21.6M · 100% of the gross
Weeks around it
How Does Week 11 Compare With the Weeks Around It?
Week 11 releases took $21.6M. The biggest of these 9 weeks is week 7 (Feb 10–16) with $470.7M, led by Alita: Battle Angel (2019).
- Week 5 Wk 5 Jan 27–Feb 2 Miss Bala (2019) $16.8M Miss Bala (2019)
- Week 6 Wk 6 Feb 3–9 Cold Pursuit (2019) $118.2M Cold Pursuit (2019)
- Week 7 Wk 7 Feb 10–16 Alita: Battle Angel (2019) $470.7M Alita: Battle Angel (2019)
- Week 8 Wk 8 Feb 17–23 Paradise Beach (2019) $207.9K Paradise Beach (2019)
- Week 9 Wk 9 Feb 24–Mar 2 Greta (2019) $29.2M Greta (2019)
- Week 10 Wk 10 Mar 3–9 Badla (2019) $19.6M Badla (2019)
- Week 11 Wk 11 Mar 10–16 Captive State (2019) $21.6M Captive State (2019)
- Week 12 Wk 12 Mar 17–23 Us (2019) $281.2M Us (2019)
- Week 13 Wk 13 Mar 24–30 Lucifer (2019) $5M Lucifer (2019)
Earlier years
How Does Week 11 of 2019 Compare With Earlier Years?
Of these 10 years, Week 11, 2018 earned the most: $493.4M from 8 films, led by Tomb Raider (2018). Week 11, 2019 took $21.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 2010 Mar 7–13 5 films | 5 | $133.4M | – | Green Zone (2010) $113.4M |
| Week 11, 2011 Mar 6–12 3 films · −2% | 3 | $131.2M | −2% | Red Riding Hood (2011) $90.3M |
| Week 11, 2012 Mar 11–17 3 films · −82% | 3 | $23.2M | −82% | Seeking Justice (2012) $14.1M |
| Week 11, 2013 Mar 10–16 7 films · +551% | 7 | $151M | +551% | The Call (2013) $68.6M |
| Week 11, 2014 Mar 9–15 6 films · +38% | 6 | $207.7M | +38% | Need For Speed (2014) $203.3M |
| Week 11, 2015 Mar 8–14 4 films · −61% | 4 | $80.6M | −61% | Run All Night (2015) $71.7M |
| Week 11, 2016 Mar 6–12 6 films · +86% | 6 | $150.1M | +86% | 10 Cloverfield Lane (2016) $110.2M |
| Week 11, 2017 Mar 12–18 5 films · −87% | 5 | $20M | −87% | The Belko Experiment (2017) $11.1M |
| Week 11, 2018 Mar 11–17 8 films · +2369% | 8 | $493.4M | +2369% | Tomb Raider (2018) $275M |
| Week 11, 2019 Mar 10–16 10 films · −96% | 10 | $21.6M | −96% | Captive State (2019) $8.8M |
By language
Which Languages Do the Biggest Thriller Movies Speak in Week 11 of 2019?
English-language thriller films took $9.9M across 4 films, 46% of the total, ahead of Hindi-language thriller films ($6.1M) and Russian-language thriller films ($5.2M).
Archive
Thriller Box Office in 2019, Week by Week
52 weeks of 2019 with reported grosses; the biggest is week 40 (Sep 29–Oct 5) with $1.3B, led by Joker (2019).
- Week 1 $10.9M
- Week 2 $12.6M
- Week 3 $247.4M
- Week 4 $22M
- Week 5 $16.8M
- Week 6 $118.2M
- Week 7 $470.7M
- Week 8 $207.9K
- Week 9 $29.2M
- Week 10 $19.6M
- Week 11 $21.6M
- Week 12 $281.2M
- Week 13 $5M
- Week 14 $114.4M
- Week 15 $7.5M
- Week 16 $136.4M
- Week 17 $128.5K
- Week 18 $49.7M
- Week 19 $6.1M
- Week 20 $334.5M
- Week 21 $34M
- Week 22 $79.2M
- Week 23 $53.9M
- Week 24 $89.9K
- Week 25 $43.4M
- Week 26 $232.4M
- Week 27 $55.3M
- Week 28 $125.7M
- Week 29 $932.2K
- Week 30 $398.4M
- Week 31 $763.5M
- Week 32 $204.9M
- Week 33 $106.4M
- Week 34 $208.1M
- Week 35 $769.5M
- Week 36 $481M
- Week 37 $179.9M
- Week 38 $226M
- Week 39 $1.2M
- Week 40 $1.3B
- Week 41 $479.5M
- Week 42 $1.1M
- Week 43 $76.8M
- Week 44 $5.1M
- Week 45 $76.5M
- Week 46 $54M
- Week 47 $76.2M
- Week 48 $313M
- Week 49 $11.8M
- Week 50 $269.9M
- Week 51 $65.6M
- Week 52 $3M
- Week 53 No grosses
FAQ
Thriller Box Office Week 11 of 2019: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 10 films as the chart.
What is the highest-grossing thriller movie in week 11 of 2019 (Mar 10–16)?
Captive State (2019) leads with $8.8M worldwide, $6M of it in the US & Canada. Next come Romeo Akbar Walter (2019) at $6.1M and The Blackout (2019) at $2.8M.
How much did thriller movies released in week 11 of 2019 (Mar 10–16) earn?
10 thriller films released in week 11 of 2019 (Mar 10–16) report a worldwide gross, $21.6M in all, or $2.2M per film on average. Week 10, 2019 releases took $19.6M.
How many thriller movies released in week 11 of 2019 (Mar 10–16) made $1 billion?
None. The biggest, Captive State (2019), earned $8.8M.
How is the week 11, 2019 thriller box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2019 (Mar 10–16). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 11, 2019 thriller box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.