#1 of 10 2019 · Drama, Thriller
$6.7M worldwide · 56% of the chart's total
The Immortal (2019) is the highest-grossing thriller movie released in week 49 of 2019 (Dec 1–7), with $6.7M worldwide, ahead of The Aeronauts (2019) at $3.5M and I See You (2019) at $1.2M. 10 thriller films released that week report a worldwide gross, $11.8M in all. By language, Italian leads with $6.7M across 1 thriller release.
#1 of 10 2019 · Drama, Thriller
$6.7M worldwide · 56% of the chart's total
The Immortal (2019) leads with $6.7M, 56% of the total. The top 5 together took $11.6M, 98% of what all 10 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 49 of 2019 (Dec 1–7).
Dec 5, 2019 US and Canada: – Rest of the world: – Worldwide: $6.7M
Dec 6, 2019 US and Canada: – Rest of the world: – Worldwide: $3.5M
Dec 6, 2019 US and Canada: – Rest of the world: – Worldwide: $1.2M
Dec 6, 2019 US and Canada: – Rest of the world: – Worldwide: $157.2K
Dec 6, 2019 US and Canada: – Rest of the world: – Worldwide: $120.8K
Dec 6, 2019 US and Canada: – Rest of the world: – Worldwide: $93K
Dec 6, 2019 US and Canada: – Rest of the world: – Worldwide: $75.4K
Dec 6, 2019 US and Canada: – Rest of the world: – Worldwide: $5.6K
Dec 6, 2019 US and Canada: – Rest of the world: – Worldwide: $3.2K
Dec 6, 2019 US and Canada: – Rest of the world: – Worldwide: $1.3K None of the 10 films reached $100M. 10 films, 100% of the list, earned under $10M. Each band shows its films and its share of the $11.8M total.
Week 49 releases took $11.8M. The biggest of these 9 weeks is week 48 (Nov 24–30) with $313M, led by Knives Out (2019).
Of these 10 years, Week 49, 2010 earned the most: $344M from 4 films, led by Black Swan (2010). Week 49, 2019 took $11.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 49, 2010 Nov 28–Dec 4 4 films | 4 | $344M | – | Black Swan (2010) $329.4M |
| Week 49, 2011 Nov 27–Dec 3 2 films · −95% | 2 | $18.2M | −95% | The Yellow Sea (2011) $15.8M |
| Week 49, 2012 Dec 2–8 2 films · −89% | 2 | $2M | −89% | Deadfall (2012) $1.9M |
| Week 49, 2013 Dec 1–7 5 films · +5189% | 5 | $103.2M | +5189% | Firestorm (2013) $55.8M |
| Week 49, 2014 Nov 30–Dec 6 5 films · −84% | 5 | $16.8M | −84% | Action Jackson (2014) $11.1M |
| Week 49, 2015 Nov 29–Dec 5 4 films · −35% | 4 | $10.9M | −35% | Hate Story 3 (2015) $5.6M |
| Week 49, 2016 Nov 27–Dec 3 9 films · +139% | 9 | $26M | +139% | Incarnate (2016) $9M |
| Week 49, 2017 Dec 3–9 8 films · −56% | 8 | $11.5M | −56% | The Big Call (2017) $8.6M |
| Week 49, 2018 Dec 2–8 4 films · +3% | 4 | $11.9M | +3% | Door Lock (2018) $11.4M |
| Week 49, 2019 Dec 1–7 10 films · ±0% | 10 | $11.8M | ±0% | The Immortal (2019) $6.7M |
Italian-language thriller films took $6.7M across 1 film, 56% of the total, ahead of English-language thriller films ($3.9M) and Tamil-language thriller films ($3.2K).
52 weeks of 2019 with reported grosses; the biggest is week 40 (Sep 29–Oct 5) with $1.3B, led by Joker (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 10 films as the chart.
The Immortal (2019) leads with $6.7M worldwide. Next come The Aeronauts (2019) at $3.5M and I See You (2019) at $1.2M.
10 thriller films released in week 49 of 2019 (Dec 1–7) report a worldwide gross, $11.8M in all, or $1.2M per film on average.
None. The biggest, The Immortal (2019), earned $6.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 49 of 2019 (Dec 1–7). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.