#1 of 8 2019 · Drama, Thriller
$5.1M worldwide · 68% of the chart's total
Dogman (2019) is the highest-grossing thriller movie released in week 15 of 2019 (Apr 7–13), with $5.1M worldwide, ahead of The Silence (2019) at $2.3M and The Tashkent Files (2019) at $71.4K. 8 thriller films released that week report a worldwide gross, $7.5M in all, 2% of it from the US & Canada. That is down 93% on Week 14, 2019, whose releases took $114.4M. By language, Italian leads with $5.1M across 1 thriller release.
#1 of 8 2019 · Drama, Thriller
$5.1M worldwide · 68% of the chart's total
Dogman (2019) leads with $5.1M, 68% of the total. The top 5 together took $7.5M, almost all of what the 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 15 of 2019 (Apr 7–13).
Apr 12, 2019 US and Canada: $148.2K Rest of the world: $4.9M Worldwide: $5.1M
Apr 10, 2019 US and Canada: – Rest of the world: – Worldwide: $2.3M
Apr 12, 2019 US and Canada: – Rest of the world: – Worldwide: $71.4K
Apr 12, 2019 US and Canada: – Rest of the world: – Worldwide: $20.4K
Apr 11, 2019 US and Canada: – Rest of the world: – Worldwide: $9.4K
Apr 12, 2019 US and Canada: – Rest of the world: – Worldwide: $9.2K
Apr 12, 2019 US and Canada: – Rest of the world: – Worldwide: $4.6K
Apr 12, 2019 US and Canada: – Rest of the world: – Worldwide: $4.3K Week 15 releases took $7.5M. The biggest of these 9 weeks is week 12 (Mar 17–23) with $281.2M, led by Us (2019).
Of these 10 years, Week 15, 2017 earned the most: $1.2B from 4 films, led by The Fate of the Furious (2017). Week 15, 2019 took $7.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 15, 2010 Apr 4–10 4 films | 4 | $155M | – | Date Night (2010) $152.3M |
| Week 15, 2011 Apr 3–9 3 films · −40% | 3 | $92.2M | −40% | Hanna (2011) $63.8M |
| Week 15, 2012 Apr 8–14 3 films · +12% | 3 | $103.2M | +12% | The Cabin in the Woods (2012) $70M |
| Week 15, 2013 Apr 7–13 6 films · −15% | 6 | $87.3M | −15% | Scary Movie 5 (2013) $78.4M |
| Week 15, 2014 Apr 6–12 1 film · −100% | 1 | $6.8K | −100% | No God, No Master (2014) $6.8K |
| Week 15, 2015 Apr 5–11 9 films · +629576% | 9 | $42.8M | +629576% | Ex Machina (2015) $37.4M |
| Week 15, 2016 Apr 3–9 13 films · −52% | 13 | $20.6M | −52% | Hardcore Henry (2016) $16.8M |
| Week 15, 2017 Apr 9–15 4 films · +5904% | 4 | $1.2B | +5904% | The Fate of the Furious (2017) $1.2B |
| Week 15, 2018 Apr 8–14 9 films · −91% | 9 | $116.8M | −91% | Blumhouse's Truth or Dare (2018) $95.3M |
| Week 15, 2019 Apr 7–13 8 films · −94% | 8 | $7.5M | −94% | Dogman (2019) $5.1M |
Italian-language thriller films took $5.1M across 1 film, 68% of the total, ahead of English-language thriller films ($2.4M) and Hindi-language thriller films ($71.4K).
52 weeks of 2019 with reported grosses; the biggest is week 40 (Sep 29–Oct 5) with $1.3B, led by Joker (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
Dogman (2019) leads with $5.1M worldwide, $148.2K of it in the US & Canada. Next come The Silence (2019) at $2.3M and The Tashkent Files (2019) at $71.4K.
8 thriller films released in week 15 of 2019 (Apr 7–13) report a worldwide gross, $7.5M in all, or $940.7K per film on average. Week 14, 2019 releases took $114.4M.
None. The biggest, Dogman (2019), earned $5.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 15 of 2019 (Apr 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.