#1 of 7 The Curse of La Llorona (2019)
2019 · Mystery, Thriller
$123.2M worldwide · 90% of the chart's total
The Curse of La Llorona (2019) is the highest-grossing thriller movie released in week 16 of 2019 (Apr 14–20), with $123.2M worldwide, ahead of Red Joan (2019) at $10.6M and Under the Silver Lake (2019) at $2.1M. 7 thriller films released that week report a worldwide gross, $136.4M in all, 41% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 18.1 times the total of Week 15, 2019, whose releases took $7.5M. By language, English leads with $136.1M across 5 thriller releases.
#1 of 7 The Curse of La Llorona (2019)
2019 · Mystery, Thriller
$123.2M worldwide · 90% of the chart's total
The Curse of La Llorona (2019) leads with $123.2M, 90% of the total. The top 5 together took $136.4M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 16 of 2019 (Apr 14–20).
Apr 19, 2019 US and Canada: $54.7M Rest of the world: $68.5M Worldwide: $123.2M
Apr 19, 2019 US and Canada: $1.6M Rest of the world: $9.1M Worldwide: $10.6M
Apr 19, 2019 US and Canada: $46.1K Rest of the world: $2M Worldwide: $2.1M
Apr 17, 2019 US and Canada: – Rest of the world: – Worldwide: $339.4K
Apr 19, 2019 US and Canada: $76.9K Rest of the world: Worldwide: $76.9K
Apr 19, 2019 US and Canada: $45.7K Rest of the world: Worldwide: $45.7K
Apr 19, 2019 US and Canada: – Rest of the world: – Worldwide: $2.3K Of the top 7, Fast Color (2019) earned the biggest share at home (100% in the US & Canada), while Under the Silver Lake (2019) made 98% of its gross abroad. Across all 7 films, $56.5M (41%) came from the US & Canada. 2 films of the top 7 report no US & Canada figure.
Week 16 releases took $136.4M. The biggest of these 9 weeks is week 12 (Mar 17–23) with $281.2M, led by Us (2019).
Of these 10 years, Week 16, 2010 earned the most: $201.6M from 6 films, led by Kick-Ass (2010). Week 16, 2019 took $136.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 16, 2010 Apr 11–17 6 films | 6 | $201.6M | – | Kick-Ass (2010) $96.2M |
| Week 16, 2011 Apr 10–16 2 films · −52% | 2 | $97.2M | −52% | Scream 4 (2011) $97.2M |
| Week 16, 2012 Apr 15–21 No films | 0 | – | – | – |
| Week 16, 2013 Apr 14–20 6 films | 6 | $18M | – | In the House (2013) $16.2M |
| Week 16, 2014 Apr 13–19 4 films · +479% | 4 | $103.9M | +479% | Transcendence (2014) $103M |
| Week 16, 2015 Apr 12–18 6 films · −21% | 6 | $82.5M | −21% | Unfriended (2015) $62.9M |
| Week 16, 2016 Apr 10–16 10 films · +4% | 10 | $85.8M | +4% | Criminal (2016) $38.8M |
| Week 16, 2017 Apr 16–22 6 films · −74% | 6 | $22.4M | −74% | Unforgettable (2017) $17.8M |
| Week 16, 2018 Apr 15–21 5 films · −57% | 5 | $9.6M | −57% | Traffik (2018) $9.5M |
| Week 16, 2019 Apr 14–20 7 films · +1326% | 7 | $136.4M | +1326% | The Curse of La Llorona (2019) $123.2M |
52 weeks of 2019 with reported grosses; the biggest is week 40 (Sep 29–Oct 5) with $1.3B, led by Joker (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Curse of La Llorona (2019) leads with $123.2M worldwide, $54.7M of it in the US & Canada. Next come Red Joan (2019) at $10.6M and Under the Silver Lake (2019) at $2.1M.
7 thriller films released in week 16 of 2019 (Apr 14–20) report a worldwide gross, $136.4M in all, or $19.5M per film on average. Week 15, 2019 releases took $7.5M.
None. 1 film crossed $100 million, led by The Curse of La Llorona (2019) with $123.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 16 of 2019 (Apr 14–20). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.