#1 of 15 #1 English-language movie of Week 4, 2019
The Kid Who Would Be King (2019)
2019 · Action, Adventure
$32.1M worldwide · 67% of the chart's total
$16.8M US & Canada · 52% $15.4M elsewhere · 48%
English box office · Week 4 · Jan 20–26, 2019
English Box Office, Week 4 of 2019: English Releases of Jan 20–26
The Kid Who Would Be King (2019) is the highest-grossing English-language movie released in week 4 of 2019 (Jan 20–26), with $32.1M worldwide, ahead of Serenity (2019) at $14.5M and Polar (2019) at $615.8K. 15 English-language films released that week report a worldwide gross, $47.8M in all, 53% of it from the US & Canada. That is down 84% on Week 3, 2019, whose releases took $296.9M. By genre, Action leads with $32.8M across 3 English releases.
- week 4 releases with a gross
- 15
- combined worldwide
- $47.8M
- The Kid Who Would Be King (2019), the #1
- $32.1M
- vs Week 3, 2019
- −84%
#1 of 15 Top 5
What Were the Biggest English Hits of Week 4 of 2019?
The Kid Who Would Be King (2019) leads with $32.1M, 67% of the total. The top 5 together took $47.6M, 99% of what all 15 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every English Release of Week 4 of 2019, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 4 of 2019 (Jan 20–26).
- 1 Jan 25, 2019 US and Canada: $16.8M Rest of the world: $15.4M Worldwide: $32.1M
- 2 Jan 25, 2019 US and Canada: $8.5M Rest of the world: $5.9M Worldwide: $14.5M
- 3 Jan 25, 2019 US and Canada: – Rest of the world: – Worldwide: $615.8K
- 4 Jan 23, 2019 US and Canada: – Rest of the world: – Worldwide: $204.6K
- 5 Jan 26, 2019 US and Canada: – Rest of the world: – Worldwide: $167.8K
- 6
Jan 24, 2019 US and Canada: $25.2K Rest of the world: $70K Worldwide: $95.2K - 7
Jan 26, 2019 US and Canada: – Rest of the world: – Worldwide: $72.1K - 8
Jan 26, 2019 US and Canada: – Rest of the world: – Worldwide: $28.7K - 9
Jan 24, 2019 US and Canada: – Rest of the world: – Worldwide: $18.9K - 10
Jan 22, 2019 US and Canada: – Rest of the world: – Worldwide: $14.2K - 11
Jan 25, 2019 US and Canada: $11.3K Rest of the world: Worldwide: $11.3K - 12
Jan 26, 2019 US and Canada: – Rest of the world: – Worldwide: $8.1K - 13
Jan 25, 2019 US and Canada: – Rest of the world: – Worldwide: $6K - 14
Jan 25, 2019 US and Canada: – Rest of the world: – Worldwide: $3.2K - 15
Jan 26, 2019 US and Canada: – Rest of the world: – Worldwide: $1K
US & Canada vs the world
Where Did the Money Come From in Week 4 of 2019?
Of the top 10, Serenity (2019) earned the biggest share at home (59% in the US & Canada), while The Final Wish (2019) made 74% of its gross abroad. Across all 15 films, $25.4M (53%) came from the US & Canada. 7 films of the top 10 report no US & Canada figure.
- 1 The Kid Who Would Be King (2019) $32.1M $16.8M US & Canada · 52% $15.4M elsewhere · 48%
- 2 Serenity (2019) $14.5M $8.5M US & Canada · 59% $5.9M elsewhere · 41%
- 3 Polar (2019) $615.8K No US & Canada figure reported
- 4 Dirty God (2019) $204.6K No US & Canada figure reported
- 5 The Vast of Night (2019) $167.8K No US & Canada figure reported
- 6 The Final Wish (2019) $95.2K $25.2K US & Canada · 26% $70K elsewhere · 74%
- 7 Take Me Somewhere Nice (2019) $72.1K No US & Canada figure reported
- 8 Abe (2019) $28.7K No US & Canada figure reported
- 9 Door in the Woods (2019) $18.9K No US & Canada figure reported
- 10 My Best Friend (2019) $14.2K No US & Canada figure reported
Gross bands
How Many Week 4 of 2019 Releases Crossed $100 Million?
None of the 15 films reached $100M. 13 films, 87% of the list, earned under $10M. Each band shows its films and its share of the $47.8M total.
97%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 0 films, 0% of the list No films
- $10M to $100M 2 films, 13% of the list $46.6M · 97% of the gross
- Under $10M 13 films, 87% of the list $1.2M · 3% of the gross
Weeks around it
How Does Week 4 Compare With the Weeks Around It?
Week 4 releases took $47.8M. The biggest of these 9 weeks is week 51, 2018 (Dec 16–22) with $2.1B, led by Aquaman (2018).
- Week 51, 2018 Wk 51 Dec 16–22 Aquaman (2018) $2.1B Aquaman (2018)
- Week 52, 2018 Wk 52 Dec 23–29 Vice (2018) $186.2M Vice (2018)
- Week 53, 2018 Wk 53 Dec 30–31 No reported grosses – No reported grosses
- Week 1 Wk 1 Jan 1–5 Escape Room (2019) $161.9M Escape Room (2019)
- Week 2 Wk 2 Jan 6–12 A Dog's Way Home (2019) $96.9M A Dog's Way Home (2019)
- Week 3 Wk 3 Jan 13–19 Glass (2019) $296.9M Glass (2019)
- Week 4 Wk 4 Jan 20–26 The Kid Who Would Be King (2019) $47.8M The Kid Who Would Be King (2019)
- Week 5 Wk 5 Jan 27–Feb 2 Miss Bala (2019) $21.2M Miss Bala (2019)
- Week 6 Wk 6 Feb 3–9 The LEGO Movie 2: The Second Part (2019) $373.6M The LEGO Movie 2: The Second Part (2019)
Earlier years
How Does Week 4 of 2019 Compare With Earlier Years?
Of these 10 years, Week 4, 2017 earned the most: $532.7M from 10 films, led by Resident Evil: The Final Chapter (2017). Week 4, 2019 took $47.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 4, 2010 Jan 17–23 8 films | 8 | $201.7M | – | Tooth Fairy (2010) $112.5M |
| Week 4, 2011 Jan 16–22 7 films · −3% | 7 | $196.7M | −3% | No Strings Attached (2011) $149.2M |
| Week 4, 2012 Jan 22–28 4 films · −16% | 4 | $166M | −16% | The Grey (2012) $79.8M |
| Week 4, 2013 Jan 20–26 9 films · +84% | 9 | $306M | +84% | Hansel and Gretel: Witch Hunters (2013) $226.3M |
| Week 4, 2014 Jan 19–25 5 films · −74% | 5 | $78.4M | −74% | I, Frankenstein (2014) $76.8M |
| Week 4, 2015 Jan 18–24 19 films · +71% | 19 | $133.9M | +71% | The Boy Next Door (2015) $52.4M |
| Week 4, 2016 Jan 17–23 10 films · +108% | 10 | $279M | +108% | The 5th Wave (2016) $109.9M |
| Week 4, 2017 Jan 22–28 10 films · +91% | 10 | $532.7M | +91% | Resident Evil: The Final Chapter (2017) $312.2M |
| Week 4, 2018 Jan 21–27 11 films · −46% | 11 | $289.8M | −46% | Maze Runner: The Death Cure (2018) $288.2M |
| Week 4, 2019 Jan 20–26 15 films · −83% | 15 | $47.8M | −83% | The Kid Who Would Be King (2019) $32.1M |
By genre
Which English Genres Earned the Most in Week 4 of 2019?
Action took $32.8M across 3 films, 68% of the total, ahead of Adventure ($32.2M) and Family ($32.1M). A film counts once for each of its genres.
Week 4 of 2019 English Box Office by Genre
-
Action $32.8M3 films · #1 The Kid Who Would Be King (2019) -
Adventure $32.2M2 films · #1 The Kid Who Would Be King (2019) -
Family $32.1M1 film · #1 The Kid Who Would Be King (2019) -
Fantasy $32.1M1 film · #1 The Kid Who Would Be King (2019) -
Drama $15.6M10 films · #1 Serenity (2019) -
Thriller $15.3M4 films · #1 Serenity (2019) -
Mystery $14.6M2 films · #1 Serenity (2019) -
Sci-Fi $14.6M2 films · #1 Serenity (2019) -
Crime $621.9K2 films · #1 Polar (2019) -
Horror $114.1K2 films · #1 The Final Wish (2019)
Archive
English Box Office in 2019, Week by Week
53 weeks of 2019 with reported grosses; the biggest is week 17 (Apr 21–27) with $2.8B, led by Avengers: Endgame (2019).
- Week 1 $161.9M
- Week 2 $96.9M
- Week 3 $296.9M
- Week 4 $47.8M
- Week 5 $21.2M
- Week 6 $373.6M
- Week 7 $567.7M
- Week 8 $546.7M
- Week 9 $95.8M
- Week 10 $1.1B
- Week 11 $594.7M
- Week 12 $280.2M
- Week 13 $28.5M
- Week 14 $505.5M
- Week 15 $228M
- Week 16 $212M
- Week 17 $2.8B
- Week 18 $191.8M
- Week 19 $587.2M
- Week 20 $424.6M
- Week 21 $1.1B
- Week 22 $646M
- Week 23 $724.5M
- Week 24 $293M
- Week 25 $1.2B
- Week 26 $400M
- Week 27 $1.2B
- Week 28 $155.3M
- Week 29 $1.7B
- Week 30 $396M
- Week 31 $768M
- Week 32 $291.9M
- Week 33 $343.5M
- Week 34 $279.9M
- Week 35 $28.1M
- Week 36 $485.5M
- Week 37 $194.6M
- Week 38 $421.6M
- Week 39 $238.8M
- Week 40 $1.2B
- Week 41 $412.6M
- Week 42 $732.5M
- Week 43 $81.7M
- Week 44 $339.3M
- Week 45 $410.3M
- Week 46 $338.3M
- Week 47 $1.6B
- Week 48 $361.8M
- Week 49 $22.2M
- Week 50 $1B
- Week 51 $1.2B
- Week 52 $1B
- Week 53 $179.8K
FAQ
English Box Office Week 4 of 2019: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 15 films as the chart.
What is the highest-grossing English-language movie in week 4 of 2019 (Jan 20–26)?
The Kid Who Would Be King (2019) leads with $32.1M worldwide, $16.8M of it in the US & Canada. Next come Serenity (2019) at $14.5M and Polar (2019) at $615.8K.
How much did English-language movies released in week 4 of 2019 (Jan 20–26) earn?
15 English-language films released in week 4 of 2019 (Jan 20–26) report a worldwide gross, $47.8M in all, or $3.2M per film on average. Week 3, 2019 releases took $296.9M.
How many English-language movies released in week 4 of 2019 (Jan 20–26) made $1 billion?
None. The biggest, The Kid Who Would Be King (2019), earned $32.1M.
How is the week 4, 2019 English box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 4 of 2019 (Jan 20–26). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 4, 2019 English box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.