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Fantasy box office · Week 4 · Jan 20–26, 2019

Fantasy Box Office, Week 4 of 2019: Fantasy Releases of Jan 20–26

The Kid Who Would Be King (2019) is the highest-grossing fantasy movie released in week 4 of 2019 (Jan 20–26), with $32.1M worldwide, ahead of Princess Emmy (2019) at $54.3K and The Shamer’s Daughter 2: The Serpent Gift (2019) at $45.9K. 5 fantasy films released that week report a worldwide gross, $32.3M in all, 52% of it from the US & Canada. That is down 75% on Week 3, 2019, whose releases took $131.1M. By language, English leads with $32.1M across 1 fantasy release.

week 4 releases with a gross
5
combined worldwide
$32.3M
The Kid Who Would Be King (2019), the #1
$32.1M
vs Week 3, 2019
−75%
The Kid Who Would Be King (2019) movie poster #1 of 5
#1 fantasy movie of Week 4, 2019

The Kid Who Would Be King (2019)

2019 · Action, Adventure

$32.1M worldwide · 100% of the chart's total

$16.8M US & Canada · 52% $15.4M elsewhere · 48%
Top 5

What Were the Biggest Fantasy Hits of Week 4 of 2019?

The Kid Who Would Be King (2019) leads with $32.1M, 100% of the total. The top 5 together took $32.3M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. The Kid Who Would Be King (2019) movie poster Number 1
    $32.1M The Kid Who Would Be King (2019)
    $16.8M US & Canada · 52% $15.4M elsewhere · 48%
  2. Princess Emmy (2019) movie poster Number 2
    $54.3K Princess Emmy (2019)
    No US & Canada figure reported
  3. The Shamer’s Daughter 2: The Serpent Gift (2019) movie poster Number 3
    $45.9K The Shamer’s Daughter 2: The Serpent Gift (2019)
    No US & Canada figure reported
  4. The Relative Worlds (2019) movie poster Number 4
    $38.5K The Relative Worlds (2019)
    No US & Canada figure reported
  5. Koko-di Koko-da (2019) movie poster Number 5
    $9.6K Koko-di Koko-da (2019)
    No US & Canada figure reported

US & Canada (domestic) Rest of the world

The chart

Every Fantasy Release of Week 4 of 2019, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 4 of 2019 (Jan 20–26).

  1. 1 The Kid Who Would Be King (2019) movie poster
    The Kid Who Would Be King (2019) Jan 25, 2019 · English · Action, Adventure, Fantasy $32.1M worldwide
    Jan 25, 2019 US and Canada: $16.8M Rest of the world: $15.4M Worldwide: $32.1M
  2. 2 Princess Emmy (2019) movie poster
    Princess Emmy (2019) Jan 24, 2019 · German · Animation, Fantasy, Family $54.3K worldwide
    Jan 24, 2019 US and Canada: – Rest of the world: – Worldwide: $54.3K
  3. 3 The Shamer’s Daughter 2: The Serpent Gift (2019) movie poster
    The Shamer’s Daughter 2: The Serpent Gift (2019) Jan 24, 2019 · Danish · Adventure, Fantasy $45.9K worldwide
    Jan 24, 2019 US and Canada: – Rest of the world: – Worldwide: $45.9K
  4. 4 The Relative Worlds (2019) movie poster
    The Relative Worlds (2019) Jan 25, 2019 · Japanese · Fantasy, Action, Sci-Fi $38.5K worldwide
    Jan 25, 2019 US and Canada: – Rest of the world: – Worldwide: $38.5K
  5. 5 Koko-di Koko-da (2019) movie poster
    Koko-di Koko-da (2019) Jan 25, 2019 · Swedish · Fantasy, Horror, Comedy $9.6K worldwide
    Jan 25, 2019 US and Canada: – Rest of the world: – Worldwide: $9.6K
Earlier years

How Does Week 4 of 2019 Compare With Earlier Years?

Of these 10 years, Week 4, 2016 earned the most: $390.8M from 3 films, led by Monster Hunt (2016). Week 4, 2019 took $32.3M.

Week Films Worldwide Change Biggest film
Week 4, 2010 Jan 17–23 3 films 3 $183.5M – Tooth Fairy (2010) $112.5M
Week 4, 2011 Jan 16–22 1 film · −98% 1 $4M −98% Tensou Sentai Goseiger vs Shinkenger: Epic on the Silver Screen (2011) $4M
Week 4, 2012 Jan 22–28 No films 0 – – –
Week 4, 2013 Jan 20–26 2 films 2 $226.5M – Hansel and Gretel: Witch Hunters (2013) $226.3M
Week 4, 2014 Jan 19–25 2 films · −66% 2 $76.9M −66% I, Frankenstein (2014) $76.8M
Week 4, 2015 Jan 18–24 1 film · −82% 1 $13.6M −82% Strange Magic (2015) $13.6M
Week 4, 2016 Jan 17–23 3 films · +2773% 3 $390.8M +2773% Monster Hunt (2016) $387.1M
Week 4, 2017 Jan 22–28 4 films · −25% 4 $291.9M −25% A Dog's Purpose (2017) $205M
Week 4, 2018 Jan 21–27 1 film · −100% 1 $69.4K −100% Super Furball (2018) $69.4K
Week 4, 2019 Jan 20–26 5 films · +46416% 5 $32.3M +46416% The Kid Who Would Be King (2019) $32.1M
FAQ

Fantasy Box Office Week 4 of 2019: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.

What is the highest-grossing fantasy movie in week 4 of 2019 (Jan 20–26)?

The Kid Who Would Be King (2019) leads with $32.1M worldwide, $16.8M of it in the US & Canada. Next come Princess Emmy (2019) at $54.3K and The Shamer’s Daughter 2: The Serpent Gift (2019) at $45.9K.

How much did fantasy movies released in week 4 of 2019 (Jan 20–26) earn?

5 fantasy films released in week 4 of 2019 (Jan 20–26) report a worldwide gross, $32.3M in all, or $6.5M per film on average. Week 3, 2019 releases took $131.1M.

How many fantasy movies released in week 4 of 2019 (Jan 20–26) made $1 billion?

None. The biggest, The Kid Who Would Be King (2019), earned $32.1M.

How much of the Week 4, 2019 Fantasy box office came from the US and Canada?

$16.8M of the $32.3M total, or 52%, was earned in the US & Canada (the domestic market); the rest came from other countries. 4 films of the 5 report no domestic figure.

How is the week 4, 2019 fantasy box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 4 of 2019 (Jan 20–26). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 4, 2019 fantasy box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.