#1 of 7 2019 · Action, Comedy
$119.9M worldwide · 72% of the chart's total
Extreme Job (2019) is the highest-grossing action movie released in week 4 of 2019 (Jan 20–26), with $119.9M worldwide, ahead of The Kid Who Would Be King (2019) at $32.1M and Manikarnika: The Queen of Jhansi (2019) at $13M. 7 action films released that week report a worldwide gross, $165.9M in all, 11% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 55% on Week 3, 2019, whose releases took $370.7M. By language, Korean leads with $119.9M across 1 action release.
#1 of 7 2019 · Action, Comedy
$119.9M worldwide · 72% of the chart's total
Extreme Job (2019) leads with $119.9M, 72% of the total. The top 5 together took $165.9M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 4 of 2019 (Jan 20–26).
Jan 25, 2019 US and Canada: $1.6M Rest of the world: $118.4M Worldwide: $119.9M
Jan 25, 2019 US and Canada: – Rest of the world: – Worldwide: $615.8K
Jan 25, 2019 US and Canada: – Rest of the world: – Worldwide: $38.5K
Jan 25, 2019 US and Canada: $11.3K Rest of the world: Worldwide: $11.3K Of the top 7, In Like Flynn (2019) earned the biggest share at home (100% in the US & Canada), while Extreme Job (2019) made 99% of its gross abroad. Across all 7 films, $18.4M (11%) came from the US & Canada. 4 films of the top 7 report no US & Canada figure.
Week 4 releases took $165.9M. The biggest of these 9 weeks is week 51, 2018 (Dec 16–22) with $1.7B, led by Aquaman (2018).
Of these 10 years, Week 4, 2017 earned the most: $753M from 7 films, led by Resident Evil: The Final Chapter (2017). Week 4, 2019 took $165.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 4, 2010 Jan 17–23 5 films | 5 | $86M | – | Legion (2010) $67.9M |
| Week 4, 2011 Jan 16–22 4 films · −17% | 4 | $71.1M | −17% | Evangelion: 2.0 You Can (Not) Advance (2011) $60.6M |
| Week 4, 2012 Jan 22–28 4 films · +108% | 4 | $147.7M | +108% | The Grey (2012) $79.8M |
| Week 4, 2013 Jan 20–26 5 films · +100% | 5 | $296.1M | +100% | Hansel and Gretel: Witch Hunters (2013) $226.3M |
| Week 4, 2014 Jan 19–25 2 films · −73% | 2 | $78.9M | −73% | I, Frankenstein (2014) $76.8M |
| Week 4, 2015 Jan 18–24 5 films · −25% | 5 | $59.5M | −25% | Mortdecai (2015) $47.3M |
| Week 4, 2016 Jan 17–23 10 films · +1084% | 10 | $704.6M | +1084% | Monster Hunt (2016) $387.1M |
| Week 4, 2017 Jan 22–28 7 films · +7% | 7 | $753M | +7% | Resident Evil: The Final Chapter (2017) $312.2M |
| Week 4, 2018 Jan 21–27 7 films · −53% | 7 | $352.3M | −53% | Maze Runner: The Death Cure (2018) $288.2M |
| Week 4, 2019 Jan 20–26 7 films · −53% | 7 | $165.9M | −53% | Extreme Job (2019) $119.9M |
53 weeks of 2019 with reported grosses; the biggest is week 17 (Apr 21–27) with $2.8B, led by Avengers: Endgame (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Extreme Job (2019) leads with $119.9M worldwide, $1.6M of it in the US & Canada. Next come The Kid Who Would Be King (2019) at $32.1M and Manikarnika: The Queen of Jhansi (2019) at $13M.
7 action films released in week 4 of 2019 (Jan 20–26) report a worldwide gross, $165.9M in all, or $23.7M per film on average. Week 3, 2019 releases took $370.7M.
None. 1 film crossed $100 million, led by Extreme Job (2019) with $119.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 4 of 2019 (Jan 20–26). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.