
In 1960s Oklahoma, a quiet farmer’s daughter develops an unexpected and close friendship with a vibrant, free-spirited newcomer. As the small town observes their bond, the young woman must find the courage to embrace her own identity and navigate the complexities of growing up amidst societal expectations.
Does To the Stars have end credit scenes?
No!
To the Stars does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of To the Stars, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Shea Whigham
Hank Deerborne

Tony Hale
Gerald Richmond

Kara Hayward
Iris Deerborne

Lucas Jade Zumann
Jeff Owings

Malin Åkerman
Grace Richmond

Liana Liberato
Maggie Richmond

J.D. Evermore
Len McCoy

Adelaide Clemens
Hazel Atkins

Madisen Beaty

Farah White
Barbara

Sophi Bairley
Hattie

Jeremy Parr
Deputy Neale

Lauren Stephenson
Rhonda Robertson

Lauren Cole
Rhonda Robertson
Discover where to watch To the Stars online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how To the Stars is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where To the Stars stands among top-rated movies in its genre.
The film stands out as an emotionally resonant coming‑of‑age drama with strong performances and striking visuals. Critics highlight natural young portrayals and thoughtful direction, while users praise its melancholic atmosphere, layered characters, and memorable score. Some note occasional plot contrivances and a tendency toward familiar tropes, yet the emotional impact remains lasting. Consequently, the movie delivers a compelling, heartfelt experience that rewards repeat viewings.
The Movie Echo Score Breakdown for To the Stars
Art & Craft
The film’s artistry, especially its cinematography and direction, is a clear strength. Reviewers describe the black‑and‑white visuals as exquisite and the shooting as nicely crafted, while users emphasize stunning framing and atmospheric composition. A few critics mention the visual style can feel conventional or overly subdued. Overall, the artistic execution is solid and elevates the narrative.
Character & Emotion
Character work and emotional depth are among the film’s most praised elements. Critics note natural performances and moving portrayals of friendship, and users highlight layered leads, nuanced chemistry, and an outstanding central performance. Minor remarks of occasional unsubtle moments are outweighed by the overall empathy generated. The ensemble delivers credible, affecting portrayals that anchor the story.
Story & Flow
The story’s coming‑of‑age premise receives mixed reactions. Positive notes emphasize an eye‑opening, heartfelt journey and relatable themes of small‑town longing, while critics and some viewers point to contrived plot points, late‑stage clichés, and reliance on familiar tropes. Despite these flaws, the narrative maintains enough emotional thread to stay engaging. The plot is modestly effective but not uniformly strong.
Sensory Experience
The film’s sensory components—soundtrack and visual style—are largely celebrated. Reviews commend an atmospheric score, evocative music choices, and striking black‑and‑white imagery that creates a dreamy mood; users echo the impact of the cinematography and music. A minority view the visual approach as dated, but overall sensory design enriches the viewing experience. Sensory elements significantly enhance the film’s tone.
Rewatch Factor
Rewatch value is high, with many viewers finding lasting appeal. Users report that the film stays on their mind, offering new emotional layers on subsequent viewings, and appreciate its sincere tone and memorable atmosphere; critics refer to its pleasant, lingering impression despite familiar aspects. Some note occasional pacing issues, yet these do not diminish repeat enjoyment. The movie rewards multiple viewings and maintains relevance over time.
Read the complete plot summary of To the Stars, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Iris [Kara Hayward] Deerborne is a teenager living in a rural Oklahoma town in 1960. The shy Iris is emotionally abused by her mother Francie Deerborne [Jordana Spiro], who wishes her daughter were more glamorous. At home, her father Hank Deerborne [Shea Whigham] tries to shield his family from the town’s judgment. At school she is bullied by many of the other kids, especially the popular but insecure “queen bee” Clarissa Dell. Iris harbors a quiet attraction to Jeff Owings [Lucas Jade Zumann], a fellow student who works for her father. Iris frequently sneaks out at night to swim in a local pond, wishing that she could disappear.
One day, as she walks to school, Iris is accosted by several boys. Maggie Richmond [Liana Liberato], a new girl in town, chases them off and tells everyone her father is a glamorous photographer for Life magazine who has photographed movie stars and dignitaries. Later, she confesses that her father actually works for an agricultural trade publication. Maggie’s family includes her mother Grace Richmond [Malin Åkerman], and Maggie quickly befriends Iris, inviting her into a circle that’s eager to stand out from the town’s narrow conventions.
Iris and Maggie become fast friends, and Maggie convinces Iris to skip school so they can get makeovers, with hairdos from the local stylist Hazel Atkins [Adelaide Clemens]. Iris’s fresh look and new confidence begin to win her greater acceptance among the other girls, who are keen to snag dates for the upcoming school dance. At the dance, Iris finally finds the nerve to dance with Jeff Owings [Lucas Jade Zumann], much to the surprise of their peers.
Maggie’s family is thrilled when she’s asked to the prom by a popular football player, Craig Butler. Maggie’s mother takes her dress shopping for the occasion, and Maggie again visits Hazel Atkins for a new hairdo. Maggie learns that the photograph everyone believes to be Hazel’s dead husband is actually her brother. After sharing a tender moment, Hazel touches Maggie’s cheek, and Maggie warms to the moment, then suddenly flees.
That night, Maggie goes to the pond with her new circle of friends and, frustrated by the social fallout around her, ends up having sex with Craig Butler by the water. Afterwards, a distraught Maggie goes to Iris, and the two share a drunken kiss before Maggie rushes away, leaving Iris unsettled by what she’s witnessed.
The next day, Iris learns that Craig has given Maggie a promise ring. Maggie invites the other girls and their dates to the pond to skinny-dip, an act Iris regards as a betrayal of the special place she had shared with Maggie. The confrontation that follows erupts into a feud in which Iris accuses Maggie of lying to everyone, while Maggie retorts with the nickname the other kids used for Iris’s insecurities. Ashamed of what she’s done and the people she’s with, Maggie runs to Hazel’s house, and the two kiss before Maggie enters.
Late that night, a neighbor’s sighting confirms the town’s gossip: Hazel and Maggie’s relationship has become the talk of the town. A group of men vandalize Hazel’s car and threaten her, prompting Hazel to leave town. Maggie’s father beats her again, then breaks down in tears over his idealized image of his daughter. Maggie apologizes to her parents, tells them that they won’t have to worry about her anymore, and flees into the night.
The next morning, Iris learns about what happened. She finds Maggie’s father Gerald Richmond and the police by the pond, a site locally known as the place where Jeff’s mother is believed to have committed suicide. Gerald Richmond asks Iris to tell Maggie to come home and says he doesn’t care about Maggie being “bad” anymore. Iris stands up for Maggie and tells him that she was never “bad.” The police are unable to find Maggie, either alive or dead. When a group of boys harass Iris on the road again, she throws stones at them just as Maggie did. Overhearing her mother gossip with a friend, Iris insists that Maggie isn’t dead but has fled far beyond the town’s narrow-minded reach. She then tells her mother that she’s going on her first date with a boy. Iris and Jeff kiss by the pond and then go swimming.

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