#1 of 17 #1 English-language movie of Week 23, 2019
The Secret Life of Pets 2 (2019)
2019 · Adventure, Comedy
$431.2M worldwide · 60% of the chart's total
$159M US & Canada · 37% $272.2M elsewhere · 63%
English box office · Week 23 · Jun 2–8, 2019
English Box Office, Week 23 of 2019: English Releases of Jun 2–8
The Secret Life of Pets 2 (2019) is the highest-grossing English-language movie released in week 23 of 2019 (Jun 2–8), with $431.2M worldwide, ahead of Dark Phoenix (2019) at $252.4M and Late Night (2019) at $22.4M. 17 English-language films released that week report a worldwide gross, $724.5M in all, 35% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is up 12% on Week 22, 2019, whose releases took $646M. By genre, Adventure leads with $683.6M across 2 English releases.
- week 23 releases with a gross
- 17
- combined worldwide
- $724.5M
- films crossed $100M
- 2
- vs Week 22, 2019
- +12%
#1 of 17 Top 5
What Were the Biggest English Hits of Week 23 of 2019?
The Secret Life of Pets 2 (2019) leads with $431.2M, 60% of the total. The top 5 together took $718.7M, 99% of what all 17 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every English Release of Week 23 of 2019, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 23 of 2019 (Jun 2–8).
- 1 Jun 7, 2019 US and Canada: $159M Rest of the world: $272.2M Worldwide: $431.2M
- 2 Jun 7, 2019 US and Canada: $65.8M Rest of the world: $186.6M Worldwide: $252.4M
- 3 Jun 7, 2019 US and Canada: $15.5M Rest of the world: $6.9M Worldwide: $22.4M
- 4 Jun 7, 2019 US and Canada: $4.6M Rest of the world: $3.5M Worldwide: $8.1M
- 5 Jun 7, 2019 US and Canada: $4.5M Rest of the world: $122.1K Worldwide: $4.6M
- 6
Jun 4, 2019 US and Canada: $168K Rest of the world: $4.2M Worldwide: $4.4M - 7
Jun 7, 2019 US and Canada: – Rest of the world: – Worldwide: $643.6K - 8
Jun 7, 2019 US and Canada: $226.4K Rest of the world: Worldwide: $226.4K - 9
Jun 7, 2019 US and Canada: $145.6K Rest of the world: Worldwide: $145.6K - 10
Jun 7, 2019 US and Canada: $84.7K Rest of the world: $14.8K Worldwide: $99.5K - 11
Jun 7, 2019 US and Canada: $90.7K Rest of the world: Worldwide: $90.7K - 12
Jun 7, 2019 US and Canada: – Rest of the world: – Worldwide: $86.8K - 13
Jun 7, 2019 US and Canada: $39.7K Rest of the world: $7.6K Worldwide: $47.3K - 14
Jun 6, 2019 US and Canada: – Rest of the world: – Worldwide: $24.9K - 15
Jun 7, 2019 US and Canada: $13.7K Rest of the world: Worldwide: $13.7K - 16
Jun 8, 2019 US and Canada: – Rest of the world: – Worldwide: $8.6K - 17
Jun 7, 2019 US and Canada: $7.9K Rest of the world: Worldwide: $7.9K
US & Canada vs the world
Where Did the Money Come From in Week 23 of 2019?
Of the top 10, Mine 9 (2019) earned the biggest share at home (100% in the US & Canada), while #FollowMe (2019) made 96% of its gross abroad. Across all 17 films, $250.2M (35%) came from the US & Canada. 1 film of the top 10 reports no US & Canada figure.
- 1 The Secret Life of Pets 2 (2019) $431.2M $159M US & Canada · 37% $272.2M elsewhere · 63%
- 2 Dark Phoenix (2019) $252.4M $65.8M US & Canada · 26% $186.6M elsewhere · 74%
- 3 Late Night (2019) $22.4M $15.5M US & Canada · 69% $6.9M elsewhere · 31%
- 4 Pavarotti (2019) $8.1M $4.6M US & Canada · 57% $3.5M elsewhere · 43%
- 5 The Last Black Man in San Francisco (2019) $4.6M $4.5M US & Canada · 97% $122.1K elsewhere · 3%
- 6 #FollowMe (2019) $4.4M $168K US & Canada · 4% $4.2M elsewhere · 96%
- 7 I Am Mother (2019) $643.6K No US & Canada figure reported
- 8 Mine 9 (2019) $226.4K $226.4K US & Canada · 100% elsewhere · 0%
- 9 Framing John DeLorean (2019) $145.6K $145.6K US & Canada · 100% elsewhere · 0%
- 10 Papi Chulo (2019) $99.5K $84.7K US & Canada · 85% $14.8K elsewhere · 15%
Gross bands
How Many Week 23 of 2019 Releases Crossed $100 Million?
2 of 17 films crossed $100M and took $683.6M between them, 94% of the total. 14 films, 82% of the list, earned under $10M.
94%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 2 films, 12% of the list $683.6M · 94% of the gross
- $10M to $100M 1 film, 6% of the list $22.4M · 3% of the gross
- Under $10M 14 films, 82% of the list $18.5M · 3% of the gross
Weeks around it
How Does Week 23 Compare With the Weeks Around It?
Week 23 releases took $724.5M. The biggest of these 9 weeks is week 17 (Apr 21–27) with $2.8B, led by Avengers: Endgame (2019).
- Week 17 Wk 17 Apr 21–27 Avengers: Endgame (2019) $2.8B Avengers: Endgame (2019)
- Week 18 Wk 18 Apr 28–May 4 Shadow (2019) $191.8M Shadow (2019)
- Week 19 Wk 19 May 5–11 Pokémon Detective Pikachu (2019) $587.2M Pokémon Detective Pikachu (2019)
- Week 20 Wk 20 May 12–18 John Wick: Chapter 3 - Parabellum (2019) $424.6M John Wick: Chapter 3 - Parabellum (2019)
- Week 21 Wk 21 May 19–25 Aladdin (2019) $1.1B Aladdin (2019)
- Week 22 Wk 22 May 26–Jun 1 Godzilla: King of the Monsters (2019) $646M Godzilla: King of the Monsters (2019)
- Week 23 Wk 23 Jun 2–8 The Secret Life of Pets 2 (2019) $724.5M The Secret Life of Pets 2 (2019)
- Week 24 Wk 24 Jun 9–15 Men in Black: International (2019) $293M Men in Black: International (2019)
- Week 25 Wk 25 Jun 16–22 Toy Story 4 (2019) $1.2B Toy Story 4 (2019)
Earlier years
How Does Week 23 of 2019 Compare With Earlier Years?
Of these 10 years, Week 23, 2012 earned the most: $1.2B from 11 films, led by Madagascar 3: Europe's Most Wanted (2012). Week 23, 2019 took $724.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 23, 2010 May 30–Jun 5 14 films | 14 | $304.9M | – | Killers (2010) $98.2M |
| Week 23, 2011 May 29–Jun 4 13 films · +23% | 13 | $373.6M | +23% | X-Men: First Class (2011) $352.6M |
| Week 23, 2012 Jun 3–9 11 films · +220% | 11 | $1.2B | +220% | Madagascar 3: Europe's Most Wanted (2012) $746.9M |
| Week 23, 2013 Jun 2–8 13 films · −84% | 13 | $185.6M | −84% | The Internship (2013) $93.5M |
| Week 23, 2014 Jun 1–7 13 films · +278% | 13 | $701.8M | +278% | Edge of Tomorrow (2014) $387.5M |
| Week 23, 2015 May 31–Jun 6 15 films · −72% | 15 | $199.4M | −72% | Insidious: Chapter 3 (2015) $113M |
| Week 23, 2016 May 29–Jun 4 12 films · +137% | 12 | $472.6M | +137% | Teenage Mutant Ninja Turtles: Out of the Shadows (2016) $245.6M |
| Week 23, 2017 Jun 4–10 17 films · −1% | 17 | $467.2M | −1% | The Mummy (2017) $409.2M |
| Week 23, 2018 Jun 3–9 18 films · −5% | 18 | $444.6M | −5% | Ocean's 8 (2018) $297.8M |
| Week 23, 2019 Jun 2–8 17 films · +63% | 17 | $724.5M | +63% | The Secret Life of Pets 2 (2019) $431.2M |
By genre
Which English Genres Earned the Most in Week 23 of 2019?
Adventure took $683.6M across 2 films, 94% of the total, ahead of Comedy ($453.7M) and Animation ($431.2M). A film counts once for each of its genres.
Week 23 of 2019 English Box Office by Genre
-
Adventure $683.6M2 films · #1 The Secret Life of Pets 2 (2019) -
Comedy $453.7M3 films · #1 The Secret Life of Pets 2 (2019) -
Animation $431.2M1 film · #1 The Secret Life of Pets 2 (2019) -
Family $431.2M1 film · #1 The Secret Life of Pets 2 (2019) -
Sci-Fi $253.1M2 films · #1 Dark Phoenix (2019) -
Action $252.4M1 film · #1 Dark Phoenix (2019) -
Drama $28.2M7 films · #1 Late Night (2019) -
Documentary $8.4M8 films · #1 Pavarotti (2019) -
Biography $8.2M2 films · #1 Pavarotti (2019) -
Music $8.1M1 film · #1 Pavarotti (2019)
Archive
English Box Office in 2019, Week by Week
53 weeks of 2019 with reported grosses; the biggest is week 17 (Apr 21–27) with $2.8B, led by Avengers: Endgame (2019).
- Week 1 $161.9M
- Week 2 $96.9M
- Week 3 $296.9M
- Week 4 $47.8M
- Week 5 $21.2M
- Week 6 $373.6M
- Week 7 $567.7M
- Week 8 $546.7M
- Week 9 $95.8M
- Week 10 $1.1B
- Week 11 $594.7M
- Week 12 $280.2M
- Week 13 $28.5M
- Week 14 $505.5M
- Week 15 $228M
- Week 16 $212M
- Week 17 $2.8B
- Week 18 $191.8M
- Week 19 $587.2M
- Week 20 $424.6M
- Week 21 $1.1B
- Week 22 $646M
- Week 23 $724.5M
- Week 24 $293M
- Week 25 $1.2B
- Week 26 $400M
- Week 27 $1.2B
- Week 28 $155.3M
- Week 29 $1.7B
- Week 30 $396M
- Week 31 $768M
- Week 32 $291.9M
- Week 33 $343.5M
- Week 34 $279.9M
- Week 35 $28.1M
- Week 36 $485.5M
- Week 37 $194.6M
- Week 38 $421.6M
- Week 39 $238.8M
- Week 40 $1.2B
- Week 41 $412.6M
- Week 42 $732.5M
- Week 43 $81.7M
- Week 44 $339.3M
- Week 45 $410.3M
- Week 46 $338.3M
- Week 47 $1.6B
- Week 48 $361.8M
- Week 49 $22.2M
- Week 50 $1B
- Week 51 $1.2B
- Week 52 $1B
- Week 53 $179.8K
FAQ
English Box Office Week 23 of 2019: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 17 films as the chart.
What is the highest-grossing English-language movie in week 23 of 2019 (Jun 2–8)?
The Secret Life of Pets 2 (2019) leads with $431.2M worldwide, $159M of it in the US & Canada. Next come Dark Phoenix (2019) at $252.4M and Late Night (2019) at $22.4M.
How much did English-language movies released in week 23 of 2019 (Jun 2–8) earn?
17 English-language films released in week 23 of 2019 (Jun 2–8) report a worldwide gross, $724.5M in all, or $42.6M per film on average. Week 22, 2019 releases took $646M.
How many English-language movies released in week 23 of 2019 (Jun 2–8) made $1 billion?
None. 2 films crossed $100 million, led by The Secret Life of Pets 2 (2019) with $431.2M.
How is the week 23, 2019 English box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 23 of 2019 (Jun 2–8). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 23, 2019 English box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.