#1 of 27 2019 · Drama, Thriller
$473.1M worldwide · 97% of the chart's total
It: Chapter Two (2019) is the highest-grossing English-language movie released in week 36 of 2019 (Sep 1–7), with $473.1M worldwide, ahead of Linda Ronstadt: The Sound of My Voice (2019) at $4.3M and Roger Waters: Us + Them (2019) at $1.3M. 27 English-language films released that week report a worldwide gross, $485.5M in all, 45% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 17.3 times the total of Week 35, 2019, whose releases took $28.1M. By genre, Drama leads with $477.8M across 15 English releases.
#1 of 27 2019 · Drama, Thriller
$473.1M worldwide · 97% of the chart's total
It: Chapter Two (2019) leads with $473.1M, 97% of the total. The top 5 together took $480.5M, 99% of what all 27 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 36 of 2019 (Sep 1–7).
Sep 6, 2019 US and Canada: $211.6M Rest of the world: $261.5M Worldwide: $473.1M
Sep 6, 2019 US and Canada: $4.3M Rest of the world: Worldwide: $4.3M
Sep 6, 2019 US and Canada: $611.6K Rest of the world: $682.8K Worldwide: $1.3M
Sep 6, 2019 US and Canada: – Rest of the world: – Worldwide: $1M
Sep 4, 2019 US and Canada: $663.7K Rest of the world: $131.8K Worldwide: $795.5K
Sep 6, 2019 US and Canada: – Rest of the world: – Worldwide: $764.8K
Sep 6, 2019 US and Canada: $144.2K Rest of the world: $567.5K Worldwide: $711.7K
Sep 5, 2019 US and Canada: – Rest of the world: – Worldwide: $628.7K
Sep 6, 2019 US and Canada: – Rest of the world: – Worldwide: $516.5K
Sep 5, 2019 US and Canada: – Rest of the world: – Worldwide: $387.7K
Sep 5, 2019 US and Canada: – Rest of the world: – Worldwide: $384.6K
Sep 3, 2019 US and Canada: $303.2K Rest of the world: $56.1K Worldwide: $359.4K
Sep 6, 2019 US and Canada: – Rest of the world: – Worldwide: $343K
Sep 2, 2019 US and Canada: – Rest of the world: – Worldwide: $221.8K
Sep 5, 2019 US and Canada: – Rest of the world: – Worldwide: $202.9K
Sep 6, 2019 US and Canada: $201.9K Rest of the world: Worldwide: $201.9K
Sep 6, 2019 US and Canada: $80.7K Rest of the world: Worldwide: $80.7K
Sep 7, 2019 US and Canada: $70.6K Rest of the world: Worldwide: $70.6K
Sep 6, 2019 US and Canada: – Rest of the world: – Worldwide: $67.5K
Sep 5, 2019 US and Canada: – Rest of the world: – Worldwide: $30.1K
Sep 5, 2019 US and Canada: $25.1K Rest of the world: Worldwide: $25.1K
Sep 2, 2019 US and Canada: – Rest of the world: – Worldwide: $22K
Sep 6, 2019 US and Canada: – Rest of the world: – Worldwide: $14.1K
Sep 6, 2019 US and Canada: $13.3K Rest of the world: Worldwide: $13.3K
Sep 6, 2019 US and Canada: $6K Rest of the world: $1.4K Worldwide: $7.4K
Sep 3, 2019 US and Canada: – Rest of the world: – Worldwide: $1.8K
Sep 6, 2019 US and Canada: – Rest of the world: – Worldwide: $271 Of the top 10, Linda Ronstadt: The Sound of My Voice (2019) earned the biggest share at home (100% in the US & Canada), while The Burnt Orange Heresy (2019) made 80% of its gross abroad. Across all 27 films, $218M (45%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
1 of 27 films crossed $100M and took $473.1M between them, 97% of the total. 26 films, 96% of the list, earned under $10M.
Week 36 releases took $485.5M. The biggest of these 9 weeks is week 31 (Jul 28–Aug 3) with $768M, led by Fast & Furious Presents: Hobbs & Shaw (2019).
Of these 10 years, Week 36, 2017 earned the most: $765.4M from 24 films, led by It (2017). Week 36, 2019 took $485.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 36, 2010 Aug 29–Sep 4 6 films | 6 | $156.2M | – | The American (2010) $67.9M |
| Week 36, 2011 Aug 28–Sep 3 14 films · −12% | 14 | $137.7M | −12% | The Debt (2011) $45.6M |
| Week 36, 2012 Sep 2–8 22 films · +34% | 22 | $184.7M | +34% | The Inbetweeners Movie (2012) $88.8M |
| Week 36, 2013 Sep 1–7 19 films · −32% | 19 | $125.1M | −32% | Riddick (2013) $98.3M |
| Week 36, 2014 Aug 31–Sep 6 15 films · −4% | 15 | $119.7M | −4% | Thunder and the House of Magic (2014) $64.2M |
| Week 36, 2015 Aug 30–Sep 5 14 films · −5% | 14 | $113.6M | −5% | The Transporter Refueled (2015) $72.6M |
| Week 36, 2016 Aug 28–Sep 3 11 films · +47% | 11 | $166.6M | +47% | Skiptrace (2016) $136.6M |
| Week 36, 2017 Sep 3–9 24 films · +359% | 24 | $765.4M | +359% | It (2017) $704.2M |
| Week 36, 2018 Sep 2–8 20 films · −42% | 20 | $440.2M | −42% | The Nun (2018) $366.1M |
| Week 36, 2019 Sep 1–7 27 films · +10% | 27 | $485.5M | +10% | It: Chapter Two (2019) $473.1M |
Drama took $477.8M across 15 films, 98% of the total, ahead of Thriller ($475.6M) and Horror ($473.5M). A film counts once for each of its genres.
53 weeks of 2019 with reported grosses; the biggest is week 17 (Apr 21–27) with $2.8B, led by Avengers: Endgame (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 27 films as the chart.
It: Chapter Two (2019) leads with $473.1M worldwide, $211.6M of it in the US & Canada. Next come Linda Ronstadt: The Sound of My Voice (2019) at $4.3M and Roger Waters: Us + Them (2019) at $1.3M.
27 English-language films released in week 36 of 2019 (Sep 1–7) report a worldwide gross, $485.5M in all, or $18M per film on average. Week 35, 2019 releases took $28.1M.
None. 1 film crossed $100 million, led by It: Chapter Two (2019) with $473.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 36 of 2019 (Sep 1–7). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.