
A filmmaker stands trial when a costume assistant on his movie accuses him of rape
Does Section 375 have end credit scenes?
No!
Section 375 does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Section 375, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Nishank Verma
Shekhar

Biswajit Das
Hiral Assistant 1

Sakshi Benipuri
Social Activist (uncredited)

Akshaye Khanna
Tarun Saluja

Kishore Kadam
Justice Madgaonkar

Sandhya Mridul
Shilpa

Dibyendu Bhattacharya
Medical Examiner 1

Meera Chopra
Anjali Damle

Rahul Bhat
Rohan Khurana

Richa Chadha
Hiral Gandhi

Shrikant Yadav
PSI Milind Kasle

Vibhawari Deshpande
PSI Manali Indulkar

Raviza Chauhan
Assistant Lawyer

Aparna Upadhyay
Session Court Judge

Tanuka Laghate
Meera Singh

Saahil Chadha
Jasbeer Walia

Shriswara
Kainaaz Khurana

Kruttika Desai
Justice Indrani

Shama Nivane
Anjali's Mother

Rajendra Shisatkar
Vasudev Dangle

Shahnaaz Deshpande
Natasha Malhotra

Annuup Choudhari
Pramod Dangle

Prajakta Wadaye
Savi

Narendra Karekar
Dutta Shinde

Barkha Fatnani
Hiral Assistant 2

Sanjay Dev
Medical Examiner 2

Ankita Goraya
Keerti

Apurva Chaudhari
Sujata
Discover where to watch Section 375 online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how Section 375 is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Section 375 stands among top-rated movies in its genre.
Section 375 delivers a meticulously staged courtroom drama that engages with contemporary legal debates. Critics and viewers alike commend the film’s strong performances, especially Akshay Khanna’s intensity, and its relevance to the MeToo discourse. At the same time, several reviewers criticize its handling of the subject as overly toxic and unsettling. The mixed yet generally favorable response positions the film as a noteworthy, if contentious, addition to social‑issue cinema.
The Movie Echo Score Breakdown for Section 375
Art & Craft
In terms of direction and visual execution, reviewers highlight Ajay Bahl’s measured pacing and the film’s moody cinematography, which sustain tension throughout. Editing is noted for maintaining narrative flow without resorting to sensationalism. While a few critics find the aesthetic veiled behind stereotypical framing, the prevailing view regards the craft as proficient and cohesive.
Character & Emotion
When evaluating acting and character depth, critics and audiences consistently praise Akshay Khanna’s commanding presence and nuanced portrayal of the defense lawyer, while Richa Chadha receives mixed remarks regarding dialogue delivery. Supporting cast members are described as delivering solid, sometimes standout, performances that reinforce the film’s emotional stakes. Overall, character work is viewed as a strong component of the film.
Story & Flow
The narrative centers on a high‑profile sexual assault case, employing courtroom procedures to explore legal ambiguities. Reviewers commend the film’s ability to sustain engagement and provoke debate, though some criticize its moral positioning as overly biased. Pacing is described as steady, yet the graphic content and unsettling scenes temper its overall accessibility.
Sensory Experience
From an auditory standpoint, the soundtrack is understated, allowing dialogue to remain foregrounded, while sound design accentuates courtroom tension. Visually, the film employs a restrained color palette that reinforces its sober tone. Though the sensory elements do not dominate, they effectively support the narrative without distracting the audience.
Rewatch Factor
Given its intricate legal arguments and layered performances, the film offers material that may reward repeat viewings for viewers seeking deeper analysis. However, the intense graphic depictions and moral ambiguity can deter some audiences from revisiting. Consequently, rewatch appeal is moderate, appealing chiefly to viewers interested in its thematic complexity.
Read the complete plot summary of Section 375, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Notable film director Rohan Khurana, [Rahul Bhat], is arrested and convicted by a sessions court after Anjali Dangle, [Meera Chopra], accuses him of rape. In the High Court, senior and talented criminal barrister Tarun Saluja, [Akshaye Khanna], works hard to punch holes in the accuser’s claims, while Hiral Gandhi, [Richa Chadha], a utopian and fervent lawyer fighting her first big case, who was once Tarun’s trainee, serves as the prosecutor and defence barrister for the claimed victim. Tarun goes by his principle Law is a fact, Justice is abstract and believes that a lawyer should not get emotionally involved in a case or get into an ethical debate. At a seminar in a flashback, also attended by Hiral, he surmises how justice is left out without proper defence, noting that the pursuit of justice is nothing but a career opportunity for the defence lawyer, prosecution & the judges as well. He summarises this with his line > We’re in the business of law, not of Justice. < This is completely contrary to Hiral’s belief, as she gets passionately involved in her pursuit to deliver justice. For this reason, she had to quit Tarun’s law firm in the past.
Tarun in his cross-examination exposes tampering of evidence, lies and facts hidden by key witnesses. He proposes that Anjali had a consensual relation with Rohan which started with the pressure of retaining her job, but with time she got emotionally involved in the relationship. Later, when she realises that Rohan is only interested in a physical relationship with her whereas she was expecting him marry her, there is a big argument between the two on this issue. Rohan belittles her and tells her that without him her career is over. Later, Rohan throws her out of his second flat where they pursued their relationship. After a couple of days, Anjali apologises to Rohan & they rekindle their relationship. Later in the day, she reports this incident as rape to police.
Insisting that it is a case of an affair gone sour, Tarun points out that the law does not regard consensual physical relations as rape. Hiral argues that though a couple may have had a consensual relationship in the past, any subsequent sexual encounter without consent of the girl is rape. The case disputes the legal provisions of the penal code’s section 375 that defines conditions under which a sexual offence can be defined as rape.
The judges are put in a tough spot because on one hand, it is clear that Anjali had filed this case to avenge her humiliation, and on the other hand, there is a strong public perception that rich and influential people are exploiting the underprivileged. The two judges deliberate on the case in their chamber. A judgement in favour of Tarun would reflect badly on their credentials, despite circumstantial evidence clearly pointing to false rape charges. One of the judges peeks from the balcony and sees protests against the accused going out of control, and it is clear what their judgement would be.
The bench, while delivering the verdict accepts the merit of the case presented by Tarun, but public sentiment forces the bench to strictly go by the book and deliver the judgment in line with popular opinion. The judges uphold the session court judgement which states that since there is no evidence of consent or force for this particular incident, the statement of the victim is considered as paramount evidence. Rohan’s wife Kainaz, Shriswara, indicates to him that she will not aid him anymore, and leaves. Tarun promises Rohan that he will approach the Supreme Court immediately. Rohan is taken to prison, and Anjali confesses in secret to Hiral that what Tarun had said in the court was true and she did this only to get revenge on Rohan. Hiral is shocked by this, and is later invited for dinner by Tarun’s family. Tarun once again reminds her “We’re in the business of law, not of Justice”, a principle she has now truly understood.
Uncover the Details: Timeline, Characters, Themes, and Beyond!

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