#1 of 40 #1 movie of Week 16, 2019
The Curse of La Llorona (2019)
2019 · Mystery, Thriller
$123.2M worldwide · 45% of the chart's total
$54.7M US & Canada · 44% $68.5M elsewhere · 56%
Box office · Week 16 · Apr 14–20, 2019
Box Office Week 16, 2019: Highest-Grossing Releases of Apr 14–20
The Curse of La Llorona (2019) is the highest-grossing movie released in week 16 of 2019 (Apr 14–20), with $123.2M worldwide, ahead of Breakthrough (2019) at $50.4M and Crayon Shin-chan: Honeymoon Hurricane ~The Lost Hiroshi~ (2019) at $18.7M. 40 films released that week report a worldwide gross, $273.7M in all, 40% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 25% on Week 15, 2019, whose releases took $365M. By genre, Thriller leads with $136.4M across 7 releases.
- week 16 releases with a gross
- 40
- combined worldwide
- $273.7M
- film crossed $100M
- 1
- vs Week 15, 2019
- −25%
#1 of 40 Top 5
What Were the Biggest Hits of Week 16 of 2019?
The Curse of La Llorona (2019) leads with $123.2M, 45% of the total. The top 5 together took $223.3M, 82% of what all 40 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 $18.7M Crayon Shin-chan: Honeymoon Hurricane ~The Lost Hiroshi~ (2019)No US & Canada figure reported -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Release of Week 16 of 2019, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 16 of 2019 (Apr 14–20).
- 1 Apr 19, 2019 US and Canada: $54.7M Rest of the world: $68.5M Worldwide: $123.2M
- 2 Apr 17, 2019 US and Canada: $40.7M Rest of the world: $9.7M Worldwide: $50.4M
- 3 Crayon Shin-chan: Honeymoon Hurricane ~The Lost Hiroshi~ (2019)Apr 19, 2019 US and Canada: – Rest of the world: – Worldwide: $18.7M
Apr 19, 2019 · Japanese · Animation, Adventure $18.7M worldwide - 4 Apr 17, 2019 US and Canada: $2.7M Rest of the world: $15.3M Worldwide: $18M
- 5 Apr 19, 2019 US and Canada: – Rest of the world: – Worldwide: $12.9M
- 6
Apr 19, 2019 US and Canada: $1.6M Rest of the world: $9.1M Worldwide: $10.6M - 7
Apr 19, 2019 US and Canada: – Rest of the world: – Worldwide: $8.8M - 8
Apr 17, 2019 US and Canada: $7.7M Rest of the world: Worldwide: $7.7M - 9
Apr 18, 2019 US and Canada: – Rest of the world: – Worldwide: $6.6M - 10
Apr 18, 2019 US and Canada: – Rest of the world: – Worldwide: $5.6M - 11
Apr 17, 2019 US and Canada: – Rest of the world: – Worldwide: $2.2M - 12
Apr 19, 2019 US and Canada: $46.1K Rest of the world: $2M Worldwide: $2.1M - 13
Apr 19, 2019 US and Canada: – Rest of the world: – Worldwide: $1.7M - 14
Apr 19, 2019 US and Canada: – Rest of the world: – Worldwide: $1.4M - 15
Apr 17, 2019 US and Canada: $424.3K Rest of the world: $43.1K Worldwide: $467.4K - 16
The Prado Museum: A Collection of Wonders (2019)Apr 15, 2019 US and Canada: – Rest of the world: – Worldwide: $412.3K
Apr 15, 2019 · English · History, Documentary $412.3K worldwide - 17
Apr 16, 2019 US and Canada: – Rest of the world: – Worldwide: $377.3K - 18
Apr 17, 2019 US and Canada: – Rest of the world: – Worldwide: $339.4K - 19
Be Natural: The Untold Story of Alice Guy-Blaché (2019)Apr 19, 2019 US and Canada: $117.5K Rest of the world: $92.7K Worldwide: $210.2K Apr 19, 2019 · English · Documentary $210.2K worldwide - 20
Apr 18, 2019 US and Canada: – Rest of the world: – Worldwide: $205.2K - 21
Apr 19, 2019 US and Canada: – Rest of the world: – Worldwide: $204.7K - 22
Apr 19, 2019 US and Canada: $194.6K Rest of the world: Worldwide: $194.6K - 23
Apr 19, 2019 US and Canada: $138K Rest of the world: $43.3K Worldwide: $181.3K - 24
Apr 19, 2019 US and Canada: – Rest of the world: – Worldwide: $176.7K - 25
Apr 19, 2019 US and Canada: $150K Rest of the world: $21.9K Worldwide: $171.9K - 26
Apr 17, 2019 US and Canada: – Rest of the world: – Worldwide: $155.9K - 27
Apr 19, 2019 US and Canada: – Rest of the world: – Worldwide: $111.4K - 28
Apr 19, 2019 US and Canada: $76.9K Rest of the world: Worldwide: $76.9K - 29
Apr 18, 2019 US and Canada: – Rest of the world: – Worldwide: $67.4K - 30
Apr 16, 2019 US and Canada: $58.2K Rest of the world: Worldwide: $58.2K - 31
Apr 19, 2019 US and Canada: $8.1K Rest of the world: $45.4K Worldwide: $53.5K - 32
Apr 19, 2019 US and Canada: $45.7K Rest of the world: Worldwide: $45.7K - 33
Apr 15, 2019 US and Canada: – Rest of the world: – Worldwide: $44.3K - 34
Apr 19, 2019 US and Canada: – Rest of the world: – Worldwide: $39.4K - 35
Apr 19, 2019 US and Canada: – Rest of the world: – Worldwide: $7.2K - 36
Apr 15, 2019 US and Canada: – Rest of the world: – Worldwide: $7.1K - 37
Apr 18, 2019 US and Canada: – Rest of the world: – Worldwide: $6.3K - 38
Apr 20, 2019 US and Canada: $6.1K Rest of the world: Worldwide: $6.1K - 39
Apr 19, 2019 US and Canada: – Rest of the world: – Worldwide: $2.3K - 40
Apr 14, 2019 US and Canada: – Rest of the world: – Worldwide: $851
US & Canada vs the world
Where Did the Money Come From in Week 16 of 2019?
Of the top 10, Penguins (2019) earned the biggest share at home (100% in the US & Canada), while Red Joan (2019) made 85% of its gross abroad. Across all 40 films, $108.7M (40%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
- 1 The Curse of La Llorona (2019) $123.2M $54.7M US & Canada · 44% $68.5M elsewhere · 56%
- 2 Breakthrough (2019) $50.4M $40.7M US & Canada · 81% $9.7M elsewhere · 19%
- 3 Crayon Shin-chan: Honeymoon Hurricane ~The Lost Hiroshi~ (2019) $18.7M No US & Canada figure reported
- 4 Kalank (2019) $18M $2.7M US & Canada · 15% $15.3M elsewhere · 85%
- 5 Metamorphosis (2019) $12.9M No US & Canada figure reported
- 6 Red Joan (2019) $10.6M $1.6M US & Canada · 15% $9.1M elsewhere · 85%
- 7 The Eleventh Chapter (2019) $8.8M No US & Canada figure reported
- 8 Penguins (2019) $7.7M $7.7M US & Canada · 100% elsewhere · 0%
- 9 Billion (2019) $6.6M No US & Canada figure reported
- 10 Don’t Stop Me Now (2019) $5.6M No US & Canada figure reported
Gross bands
How Many Week 16 of 2019 Releases Crossed $100 Million?
1 of 40 films crossed $100M and took $123.2M between them, 45% of the total. 34 films, 85% of the list, earned under $10M.
45% 40% 15%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 1 film, 3% of the list $123.2M · 45% of the gross
- $10M to $100M 5 films, 13% of the list $110.7M · 40% of the gross
- Under $10M 34 films, 85% of the list $39.7M · 15% of the gross
Weeks around it
How Does Week 16 Compare With the Weeks Around It?
Week 16 releases took $273.7M. The biggest of these 9 weeks is week 17 (Apr 21–27) with $2.8B, led by Avengers: Endgame (2019).
- Week 10 Wk 10 Mar 3–9 Captain Marvel (2019) $1.2B Captain Marvel (2019)
- Week 11 Wk 11 Mar 10–16 Dumbo (2019) $679.3M Dumbo (2019)
- Week 12 Wk 12 Mar 17–23 Us (2019) $366M Us (2019)
- Week 13 Wk 13 Mar 24–30 Unplanned (2019) $44.2M Unplanned (2019)
- Week 14 Wk 14 Mar 31–Apr 6 Shazam! (2019) $535.7M Shazam! (2019)
- Week 15 Wk 15 Apr 7–13 After (2019) $365M After (2019)
- Week 16 Wk 16 Apr 14–20 The Curse of La Llorona (2019) $273.7M The Curse of La Llorona (2019)
- Week 17 Wk 17 Apr 21–27 Avengers: Endgame (2019) $2.8B Avengers: Endgame (2019)
- Week 18 Wk 18 Apr 28–May 4 Shadow (2019) $265.5M Shadow (2019)
Earlier years
How Does Week 16 of 2019 Compare With Earlier Years?
Of these 10 years, Week 16, 2016 earned the most: $1.2B from 41 films, led by The Jungle Book (2016). Week 16, 2019 took $273.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 16, 2010 Apr 11–17 25 films | 25 | $425M | – | Kick-Ass (2010) $96.2M |
| Week 16, 2011 Apr 10–16 19 films · +62% | 19 | $688.2M | +62% | Rio (2011) $483.9M |
| Week 16, 2012 Apr 15–21 20 films · −54% | 20 | $319.1M | −54% | The Lucky One (2012) $99.4M |
| Week 16, 2013 Apr 14–20 29 films · −61% | 29 | $123.7M | −61% | Detective Conan: Private Eye in the Distant Sea (2013) $36.3M |
| Week 16, 2014 Apr 13–19 25 films · +184% | 25 | $351.6M | +184% | Transcendence (2014) $103M |
| Week 16, 2015 Apr 12–18 40 films · −25% | 40 | $264.9M | −25% | Paul Blart: Mall Cop 2 (2015) $107.6M |
| Week 16, 2016 Apr 10–16 41 films · +366% | 41 | $1.2B | +366% | The Jungle Book (2016) $967.7M |
| Week 16, 2017 Apr 16–22 39 films · −90% | 39 | $120.2M | −90% | Born in China (2017) $25.1M |
| Week 16, 2018 Apr 15–21 45 films · +42% | 45 | $170.5M | +42% | I Feel Pretty (2018) $94.5M |
| Week 16, 2019 Apr 14–20 40 films · +60% | 40 | $273.7M | +60% | The Curse of La Llorona (2019) $123.2M |
Genres & languages
Which Genres and Languages Earned the Most in Week 16 of 2019?
Thriller took $136.4M across 7 films, 50% of the total, ahead of Mystery ($125.3M) and Horror ($123.7M). A film counts once for each of its genres. English-language films took $212M across 20 films, 77% of the total, ahead of Japanese-language films ($18.7M) and Hindi-language films ($18M).
Week 16 of 2019 Box Office by Genre
-
Thriller $136.4M7 films · #1 The Curse of La Llorona (2019) -
Mystery $125.3M3 films · #1 The Curse of La Llorona (2019) -
Horror $123.7M5 films · #1 The Curse of La Llorona (2019) -
Drama $91.4M18 films · #1 Breakthrough (2019) -
Biography $61.1M2 films · #1 Breakthrough (2019) -
Romance $28.8M4 films · #1 Kalank (2019) -
Documentary $21.7M7 films · #1 Metamorphosis (2019) -
Comedy $20M11 films · #1 Billion (2019) -
Adventure $19.1M2 films · #1 Crayon Shin-chan: Honeymoon Hurricane ~The Lost Hiroshi~ (2019) -
Family $19.1M2 films · #1 Crayon Shin-chan: Honeymoon Hurricane ~The Lost Hiroshi~ (2019)
Week 16 of 2019 Box Office by Language
- English $212M20 films · #1 The Curse of La Llorona (2019)
- Japanese $18.7M2 films · #1 Crayon Shin-chan: Honeymoon Hurricane ~The Lost Hiroshi~ (2019)
-
Hindi $18M1 film · #1 Kalank (2019) -
Chinese $8.8M1 film · #1 The Eleventh Chapter (2019) -
Russian $6.8M2 films · #1 Billion (2019) -
Italian $5.6M1 film · #1 Don’t Stop Me Now (2019) -
French $2.2M1 film · #1 Just a Gigolo (2019) -
Korean $754K4 films · #1 Watching (2019) - Telugu $204.7K1 film · #1 Jersey (2019)
- Malayalam $194.6K1 film · #1 Family (2019)
Archive
Box Office in 2019, Week by Week
53 weeks of 2019 with reported grosses; the biggest is week 17 (Apr 21–27) with $2.8B, led by Avengers: Endgame (2019).
- Week 1 $193.8M
- Week 2 $178.9M
- Week 3 $496.9M
- Week 4 $240.5M
- Week 5 $96.4M
- Week 6 $1.9B
- Week 7 $671M
- Week 8 $619.8M
- Week 9 $238.9M
- Week 10 $1.2B
- Week 11 $679.3M
- Week 12 $366M
- Week 13 $44.2M
- Week 14 $535.7M
- Week 15 $365M
- Week 16 $273.7M
- Week 17 $2.8B
- Week 18 $265.5M
- Week 19 $611.1M
- Week 20 $490.4M
- Week 21 $1.2B
- Week 22 $678.4M
- Week 23 $903.4M
- Week 24 $315.3M
- Week 25 $1.2B
- Week 26 $413.4M
- Week 27 $1.2B
- Week 28 $366.1M
- Week 29 $1.7B
- Week 30 $507.8M
- Week 31 $880.7M
- Week 32 $935.2M
- Week 33 $488.5M
- Week 34 $347.5M
- Week 35 $818.1M
- Week 36 $534.8M
- Week 37 $359.4M
- Week 38 $444.9M
- Week 39 $300M
- Week 40 $1.9B
- Week 41 $775.8M
- Week 42 $770M
- Week 43 $222.7M
- Week 44 $367.5M
- Week 45 $722.1M
- Week 46 $482M
- Week 47 $1.6B
- Week 48 $446.5M
- Week 49 $59.2M
- Week 50 $1.3B
- Week 51 $1.3B
- Week 52 $1.3B
- Week 53 $17.6M
FAQ
Box Office Week 16 of 2019: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 40 films as the chart.
What is the highest-grossing movie in week 16 of 2019 (Apr 14–20)?
The Curse of La Llorona (2019) leads with $123.2M worldwide, $54.7M of it in the US & Canada. Next come Breakthrough (2019) at $50.4M and Crayon Shin-chan: Honeymoon Hurricane ~The Lost Hiroshi~ (2019) at $18.7M.
How much did movies released in week 16 of 2019 (Apr 14–20) earn?
40 films released in week 16 of 2019 (Apr 14–20) report a worldwide gross, $273.7M in all, or $6.8M per film on average. Week 15, 2019 releases took $365M.
How many movies released in week 16 of 2019 (Apr 14–20) made $1 billion?
None. 1 film crossed $100 million, led by The Curse of La Llorona (2019) with $123.2M.
How is the week 16, 2019 box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 16 of 2019 (Apr 14–20). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 16, 2019 box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.