Immersive Audio Bitstream (IAB)
A standardized digital container for delivering multi‑channel object‑based audio in film and broadcast.
Go behind the camera and explore the art and craft of filmmaking. This category breaks down the technical and creative processes involved in bringing a movie to life — from cinematography and directing to editing, sound design, production roles, and special effects. Whether you're curious about how a scene is shot or how a film crew operates, dive into the world of practical movie-making knowledge.
Listed alphabetically, each with its one-line answer first. This page runs from Immersive Audio Bitstream (IAB) to Location Notes. S is the busiest letter here, with 146 entries. Jump to a letter to see only the filmmaking terms that start with it.
21 of 25 on this page · all I entries
Immersive Audio Bitstream (IAB)
A standardized digital container for delivering multi‑channel object‑based audio in film and broadcast.
A virtual reality environment for comprehensive quality control reviews
French Impressionist Cinema was a 1920s avant-garde film movement that emphasized psychological exploration and the subjective experience of characters through innovative visual techniques.
An improv show is a live comedic performance where the scenes are created spontaneously, and its techniques are a fundamental tool in modern filmmaking.
The spontaneous creation of dialogue, movement, or action without a fixed script.
'In the Can' is a film industry idiom that means a scene, a day's worth of shooting, or the entire film has been successfully filmed and recorded.
The traditional animation process of drawing intermediate frames between key poses.
Any visual effect achieved directly during principal photography without post production.
In-Camera VFX (ICVFX) is a virtual production technique that uses real-time 3D environments displayed on LED walls as a direct replacement for greenscreen.
INFiLED is a leading manufacturer of high-resolution LED display panels widely used for creating immersive digital environments in virtual production studios.
An insert is a close-up shot of a specific object or detail that is edited into a scene to draw the audience's attention to its importance.
An insert shot is a close-up shot of a detail within the scene, often used to emphasize a specific object or action.
"INT." is the standard abbreviation for "Interior" used in a screenplay's slugline to indicate that a scene takes place inside a location.
"INTERCUT" is a screenwriting device that weaves two or more separate scenes together, cutting back and forth between the parallel actions.
An editing technique alternating between parallel scenes to build thematic or dramatic connections.
An internegative is a negative copy of a motion picture made from a master positive, used for creating release prints for theatrical distribution.
An interpositive is a high-quality positive film print made directly from the original camera negative, serving as the master for creating duplicates.
An Intimacy Coordinator is a trained professional who ensures the safety, well-being, and consent of actors performing in scenes of intimacy, nudity, or simulated sex.
An iris in is a classic film transition that begins a scene with a small circular point of the image which then expands to fill the entire screen.
An iris out is a classic film transition that ends a scene by shrinking the on-screen image into an ever-smaller circle until it disappears into blackness.
'Italian Suede' is a humorous on-set slang term for gaffer tape, referencing its versatility and the near-magical reverence grips and electricians have for it.
A 'Jam Take' is on-set slang for a rushed, last-ditch take attempted just as the crew is running out of time, light, or resources.
A jib is a boom device with a camera on one end and a counterweight on the other, used to create sweeping, crane-like shots.
A pivoting support that carries camera and operator for smooth vertical and horizontal movement
JPEG 2000 is the standardized image compression format used for every frame in a Digital Cinema Package (DCP), with its color encoded in the device-independent XYZ color space.
JPEG XS is a lightweight, ultra-low-latency video codec designed for live production workflows where preserving quality with minimal delay is critical.
'Jumping the frame' is a term for when an actor or object enters or exits the camera's frame in an abrupt, often unplanned or uncontrolled manner.
An encrypted key enabling secure playback of protected digital content.
Kelvin Color Temperature is an absolute scale used in filmmaking to measure the color of a light source, ranging from warm, orange hues at low Kelvin values to cool, blue hues at high Kelvin values.
The Kelvin scale is used in cinematography to measure the color temperature of light, providing a standardized way to white balance cameras and creatively control the color palette of a film.
The creative professional responsible for designing the primary marketing visuals for a film.
'Key Video' refers to the primary monitor at the Video Village, typically reserved for the director, which displays the main camera's clean feed.
Keyframe animation is the fundamental animation process of defining a movement by its most important 'key' frames.
An early motion-picture device designed for individual viewing through a peephole.
Kino Flo is a groundbreaking brand of fluorescent lighting fixtures developed for film production, celebrated for their signature soft, flattering light and high color accuracy.
A 'Knockout Take' is on-set slang for a performance or shot that is so perfect and powerful that it definitively achieves the scene's goals.
24 of 35 on this page · all L entries
A piece of essential on-set equipment used for rigging, adjusting lights, and accessing elevated positions.
The 'Last Looks Call' is the final opportunity for the hair, makeup, and wardrobe departments to make adjustments to the actors before a take is filmed.
A Latency Budget is the total acceptable delay, measured in milliseconds, accumulated across every component of a signal chain, from image capture to final display.
A small microphone clipped to talent to capture clear dialogue in any environment
A small, clip‑on microphone used for hands‑free audio capture
A lavalier transmitter is a compact, battery-powered radio transmitter that sends the audio signal from a small lavalier microphone to a receiver connected to the sound recorder.
A production role responsible for translating storyboards into preliminary scene compositions.
A rotating camera technique achieved by placing subjects on a turntable platform.
An LED lighting swap is one of the most impactful sustainable production practices, involving the replacement of traditional, high-wattage film lights with modern, energy-efficient LED technology.
Enclosed wall-and-ceiling LED stage used to display real-time environments for in-camera visual effects.
An LED wall technician is a specialized engineer responsible for the setup, calibration, and on-set operation of the LED screens used in virtual production.
The 'Leica Look' refers to a distinct, often desired, set of visual characteristics in cinematography associated with the optical qualities of Leica camera lenses.
Light artifacts created when bright sources reflect within a lens assembly
A presentation method preserving widescreen aspect ratios by adding horizontal bars
A 'library shot,' also known as a stock shot, is a piece of pre-existing footage from a film library or stock footage agency that is licensed for use in a new production.
A lifehack video showcases a clever trick for everyday tasks, a concept that translates into the world of resourceful, low-budget filmmaking techniques.
A 'light check' is a brief pause in filming for the lighting and camera departments to confirm that the lighting is correct and to make minor adjustments before the next take.
A cable‑tensioned lighting rail system for precision placement
The line producer balances artistic ambition against financial reality, guarding the ‘bottom line’ from script to wrap.
A telecine technique using fluid to minimize surface scratches during film scanning.
The 'load-in' is the process of unloading all the production trucks and bringing the camera, lighting, sound, and other equipment into the filming location to set up for the shoot.
A 'load-up' on a film set refers to the act of loading a new roll of film into a camera magazine or, in the digital era, inserting a fresh memory card.
A location is the specific, tangible physical place within the setting where a single scene or part of a scene unfolds.
Documented observations and logistical details about shooting environments.
The rest of the glossary, each with its own A to Z index: genres and styles, characters and tropes, storytelling, industry and awards, pop culture and fandom, general terms, and the odd ones out.