#1 of 23 2020 · Action, Sci-Fi
$39.9M worldwide · 44% of the chart's total
Bloodshot (2020) is the highest-grossing movie released in week 11 of 2020 (Mar 8–14), with $39.9M worldwide, ahead of I Still Believe (2020) at $16.1M and The Hunt (2020) at $10.6M. 23 films released that week report a worldwide gross, $91.5M in all, 31% of it from the US & Canada. That is down 78% on Week 10, 2020, whose releases took $418.9M. By genre, Drama leads with $74.8M across 14 releases.
#1 of 23 2020 · Action, Sci-Fi
$39.9M worldwide · 44% of the chart's total
Bloodshot (2020) leads with $39.9M, 44% of the total. The top 5 together took $82.1M, 90% of what all 23 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 11 of 2020 (Mar 8–14).
Mar 13, 2020 US and Canada: $12.6M Rest of the world: $27.3M Worldwide: $39.9M
Mar 13, 2020 US and Canada: $9.9M Rest of the world: $6.2M Worldwide: $16.1M
Mar 13, 2020 US and Canada: $5.8M Rest of the world: $4.7M Worldwide: $10.6M
Mar 13, 2020 US and Canada: – Rest of the world: – Worldwide: $9.5M
Mar 11, 2020 US and Canada: – Rest of the world: – Worldwide: $6M
Mar 13, 2020 US and Canada: $445K Rest of the world: $3.7M Worldwide: $4.1M
Mar 12, 2020 US and Canada: – Rest of the world: – Worldwide: $2.8M
Mar 13, 2020 US and Canada: – Rest of the world: – Worldwide: $1.3M
Mar 10, 2020 US and Canada: – Rest of the world: – Worldwide: $440.3K
Mar 13, 2020 US and Canada: $16.6K Rest of the world: $283K Worldwide: $299.6K
Mar 13, 2020 US and Canada: – Rest of the world: – Worldwide: $181.4K
Mar 13, 2020 US and Canada: – Rest of the world: – Worldwide: $106K
Mar 13, 2020 US and Canada: $3.5K Rest of the world: $101.9K Worldwide: $105.4K
Mar 13, 2020 US and Canada: – Rest of the world: – Worldwide: $43.5K
Mar 14, 2020 US and Canada: – Rest of the world: – Worldwide: $15.3K
Mar 13, 2020 US and Canada: $6K Rest of the world: $2.3K Worldwide: $8.4K
Mar 13, 2020 US and Canada: $8.1K Rest of the world: Worldwide: $8.1K
Mar 13, 2020 US and Canada: $5.5K Rest of the world: $347 Worldwide: $5.8K
Mar 8, 2020 US and Canada: – Rest of the world: – Worldwide: $2.5K
Mar 13, 2020 US and Canada: – Rest of the world: – Worldwide: $1.6K
Mar 13, 2020 US and Canada: – Rest of the world: – Worldwide: $1.4K
Mar 13, 2020 US and Canada: $790 Rest of the world: Worldwide: $790 Of the top 10, I Still Believe (2020) earned the biggest share at home (61% in the US & Canada), while Never Rarely Sometimes Always (2020) made 94% of its gross abroad. Across all 23 films, $28.7M (31%) came from the US & Canada. 5 films of the top 10 report no US & Canada figure.
None of the 23 films reached $100M. 20 films, 87% of the list, earned under $10M. Each band shows its films and its share of the $91.5M total.
Week 11 releases took $91.5M. The biggest of these 9 weeks is week 6 (Feb 2–8) with $493.7M, led by Jiang Ziya (2020).
Of these 10 years, Week 11, 2017 earned the most: $1.4B from 39 films, led by Beauty and the Beast (2017). Week 11, 2020 took $91.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 11, 2011 Mar 6–12 25 films | 25 | $471.9M | – | Battle: Los Angeles (2011) $211.8M |
| Week 11, 2012 Mar 11–17 27 films · −26% | 27 | $350.4M | −26% | 21 Jump Street (2012) $201.6M |
| Week 11, 2013 Mar 10–16 34 films · −25% | 34 | $262.3M | −25% | The Call (2013) $68.6M |
| Week 11, 2014 Mar 9–15 30 films · +42% | 30 | $371.9M | +42% | Need For Speed (2014) $203.3M |
| Week 11, 2015 Mar 8–14 26 films · −64% | 26 | $133.5M | −64% | Run All Night (2015) $71.7M |
| Week 11, 2016 Mar 6–12 40 films · +133% | 40 | $310.5M | +133% | 10 Cloverfield Lane (2016) $110.2M |
| Week 11, 2017 Mar 12–18 39 films · +347% | 39 | $1.4B | +347% | Beauty and the Beast (2017) $1.3B |
| Week 11, 2018 Mar 11–17 45 films · −49% | 45 | $704.5M | −49% | Tomb Raider (2018) $275M |
| Week 11, 2019 Mar 10–16 54 films · −4% | 54 | $679.3M | −4% | Dumbo (2019) $353.3M |
| Week 11, 2020 Mar 8–14 23 films · −87% | 23 | $91.5M | −87% | Bloodshot (2020) $39.9M |
Drama took $74.8M across 14 films, 82% of the total, ahead of Action ($53.2M) and Sci-Fi ($39.9M). A film counts once for each of its genres. English-language films took $77.2M across 14 films, 84% of the total, ahead of French-language films ($6M) and Punjabi-language films ($4.1M).
53 weeks of 2020 with reported grosses; the biggest is week 3 (Jan 12–18) with $919.3M, led by Bad Boys for Life (2020).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 23 films as the chart.
Bloodshot (2020) leads with $39.9M worldwide, $12.6M of it in the US & Canada. Next come I Still Believe (2020) at $16.1M and The Hunt (2020) at $10.6M.
23 films released in week 11 of 2020 (Mar 8–14) report a worldwide gross, $91.5M in all, or $4M per film on average. Week 10, 2020 releases took $418.9M.
None. The biggest, Bloodshot (2020), earned $39.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 11 of 2020 (Mar 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.