#1 of 26 2020 · Thriller, Fantasy
$22.3M worldwide · 34% of the chart's total
Gretel & Hansel (2020) is the highest-grossing movie released in week 5 of 2020 (Jan 26–Feb 1), with $22.3M worldwide, ahead of The Traitor (2020) at $8.9M and AI Amok (2020) at $7.9M. 26 films released that week report a worldwide gross, $65.3M in all, 35% of it from the US & Canada. That is down 64% on Week 4, 2020, whose releases took $183.4M. By genre, Thriller leads with $34.2M across 5 releases.
#1 of 26 2020 · Thriller, Fantasy
$22.3M worldwide · 34% of the chart's total
Gretel & Hansel (2020) leads with $22.3M, 34% of the total. The top 5 together took $50.9M, 78% of what all 26 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 5 of 2020 (Jan 26–Feb 1).
Jan 31, 2020 US and Canada: $15.3M Rest of the world: $7M Worldwide: $22.3M
Jan 31, 2020 US and Canada: $296K Rest of the world: $8.6M Worldwide: $8.9M
Jan 31, 2020 US and Canada: – Rest of the world: – Worldwide: $7.9M
Jan 31, 2020 US and Canada: $5.4M Rest of the world: $551.6K Worldwide: $6M
Jan 26, 2020 US and Canada: – Rest of the world: – Worldwide: $5.8M
Jan 31, 2020 US and Canada: – Rest of the world: – Worldwide: $4.5M
Jan 30, 2020 US and Canada: – Rest of the world: – Worldwide: $2.9M
Jan 31, 2020 US and Canada: – Rest of the world: – Worldwide: $1.7M
Jan 31, 2020 US and Canada: $1.1M Rest of the world: $238.6K Worldwide: $1.3M
Jan 30, 2020 US and Canada: – Rest of the world: – Worldwide: $981.3K
Jan 30, 2020 US and Canada: – Rest of the world: – Worldwide: $912.5K
Jan 31, 2020 US and Canada: $50.9K Rest of the world: $542K Worldwide: $592.9K
Jan 30, 2020 US and Canada: – Rest of the world: – Worldwide: $350.5K
Jan 30, 2020 US and Canada: – Rest of the world: – Worldwide: $163.6K
Jan 31, 2020 US and Canada: $140.3K Rest of the world: $2.9K Worldwide: $143.2K
Jan 27, 2020 US and Canada: – Rest of the world: – Worldwide: $107.7K
Feb 1, 2020 US and Canada: – Rest of the world: – Worldwide: $105.7K
Jan 31, 2020 US and Canada: – Rest of the world: – Worldwide: $85.9K
Jan 31, 2020 US and Canada: – Rest of the world: – Worldwide: $73K
Feb 1, 2020 US and Canada: – Rest of the world: – Worldwide: $64.6K
Jan 26, 2020 US and Canada: – Rest of the world: – Worldwide: $59.8K
Feb 1, 2020 US and Canada: – Rest of the world: – Worldwide: $13.9K
Jan 31, 2020 US and Canada: – Rest of the world: – Worldwide: $8.7K
Jan 27, 2020 US and Canada: – Rest of the world: – Worldwide: $4.1K
Jan 29, 2020 US and Canada: – Rest of the world: – Worldwide: $4K Of the top 10, The Rhythm Section (2020) earned the biggest share at home (91% in the US & Canada), while The Traitor (2020) made 97% of its gross abroad. Across all 26 films, $22.7M (35%) came from the US & Canada. 6 films of the top 10 report no US & Canada figure.
None of the 26 films reached $100M. 25 films, 96% of the list, earned under $10M. Each band shows its films and its share of the $65.3M total.
Week 5 releases took $65.3M. The biggest of these 9 weeks is week 52, 2019 (Dec 22–28) with $1.3B, led by 1917 (2019).
Of these 10 years, Week 5, 2016 earned the most: $623M from 32 films, led by Kung Fu Panda 3 (2016). Week 5, 2020 took $65.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 5, 2011 Jan 23–29 21 films | 21 | $286.9M | – | The Rite (2011) $96.6M |
| Week 5, 2012 Jan 29–Feb 4 25 films · +4% | 25 | $298.5M | +4% | The Woman in Black (2012) $129M |
| Week 5, 2013 Jan 27–Feb 2 26 films · −29% | 26 | $210.6M | −29% | Warm Bodies (2013) $117M |
| Week 5, 2014 Jan 26–Feb 1 24 films · +52% | 24 | $320.7M | +52% | From Vegas to Macau (2014) $163.9M |
| Week 5, 2015 Jan 25–31 35 films · −19% | 35 | $259M | −19% | Running Man (2015) $68.8M |
| Week 5, 2016 Jan 24–30 32 films · +141% | 32 | $623M | +141% | Kung Fu Panda 3 (2016) $521.2M |
| Week 5, 2017 Jan 29–Feb 4 30 films · −38% | 30 | $388.1M | −38% | Journey to the West: The Demons Strike Back (2017) $247.6M |
| Week 5, 2018 Jan 28–Feb 3 36 films · −67% | 36 | $128.1M | −67% | The Magic Tuche (2018) $47.4M |
| Week 5, 2019 Jan 27–Feb 2 39 films · −25% | 39 | $96.4M | −25% | Whistleblower (2019) $16.1M |
| Week 5, 2020 Jan 26–Feb 1 26 films · −32% | 26 | $65.3M | −32% | Gretel & Hansel (2020) $22.3M |
Thriller took $34.2M across 5 films, 52% of the total, ahead of Drama ($25M) and Fantasy ($22.9M). A film counts once for each of its genres. English-language films took $30.7M across 8 films, 47% of the total, ahead of Italian-language films ($8.9M) and Japanese-language films ($7.9M).
53 weeks of 2020 with reported grosses; the biggest is week 3 (Jan 12–18) with $919.3M, led by Bad Boys for Life (2020).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 26 films as the chart.
Gretel & Hansel (2020) leads with $22.3M worldwide, $15.3M of it in the US & Canada. Next come The Traitor (2020) at $8.9M and AI Amok (2020) at $7.9M.
26 films released in week 5 of 2020 (Jan 26–Feb 1) report a worldwide gross, $65.3M in all, or $2.5M per film on average. Week 4, 2020 releases took $183.4M.
None. The biggest, Gretel & Hansel (2020), earned $22.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 5 of 2020 (Jan 26–Feb 1). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.