#1 of 5 2020 · Thriller, Fantasy
$22.3M worldwide · 65% of the chart's total
Gretel & Hansel (2020) is the highest-grossing thriller movie released in week 5 of 2020 (Jan 26–Feb 1), with $22.3M worldwide, ahead of The Rhythm Section (2020) at $6M and Beasts Clawing at Straws (2020) at $5.8M. 5 thriller films released that week report a worldwide gross, $34.2M in all, 61% of it from the US & Canada. That is 14.9 times the total of Week 4, 2020, whose releases took $2.3M. By language, English leads with $28.3M across 2 thriller releases.
#1 of 5 2020 · Thriller, Fantasy
$22.3M worldwide · 65% of the chart's total
Gretel & Hansel (2020) leads with $22.3M, 65% of the total. The top 5 together took $34.2M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 5 of 2020 (Jan 26–Feb 1).
Jan 31, 2020 US and Canada: $15.3M Rest of the world: $7M Worldwide: $22.3M
Jan 31, 2020 US and Canada: $5.4M Rest of the world: $551.6K Worldwide: $6M
Jan 26, 2020 US and Canada: – Rest of the world: – Worldwide: $5.8M
Jan 31, 2020 US and Canada: $140.3K Rest of the world: $2.9K Worldwide: $143.2K
Jan 31, 2020 US and Canada: – Rest of the world: – Worldwide: $8.7K Of the top 5, Incitement (2020) earned the biggest share at home (98% in the US & Canada), while Gretel & Hansel (2020) made 31% of its gross abroad. Across all 5 films, $20.9M (61%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 5 releases took $34.2M. The biggest of these 9 weeks is week 3 (Jan 12–18) with $433.1M, led by Bad Boys for Life (2020).
Of these 10 years, Week 5, 2012 earned the most: $259.1M from 8 films, led by The Woman in Black (2012). Week 5, 2020 took $34.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 5, 2011 Jan 23–29 3 films | 3 | $172.7M | – | The Rite (2011) $96.6M |
| Week 5, 2012 Jan 29–Feb 4 8 films · +50% | 8 | $259.1M | +50% | The Woman in Black (2012) $129M |
| Week 5, 2013 Jan 27–Feb 2 4 films · −89% | 4 | $29.2M | −89% | Bullet to the Head (2013) $21.9M |
| Week 5, 2014 Jan 26–Feb 1 4 films · +38% | 4 | $40.4M | +38% | Forbidden Empire (2014) $38.9M |
| Week 5, 2015 Jan 25–31 6 films · +29% | 6 | $51.9M | +29% | Project Almanac (2015) $33.2M |
| Week 5, 2016 Jan 24–30 2 films · +11% | 2 | $57.5M | +11% | The Finest Hours (2016) $52.1M |
| Week 5, 2017 Jan 29–Feb 4 3 films · −99% | 3 | $386.9K | −99% | Eloise (2017) $372.1K |
| Week 5, 2018 Jan 28–Feb 3 7 films · +12006% | 7 | $46.8M | +12006% | Winchester (2018) $44M |
| Week 5, 2019 Jan 27–Feb 2 5 films · −64% | 5 | $16.8M | −64% | Miss Bala (2019) $15.4M |
| Week 5, 2020 Jan 26–Feb 1 5 films · +103% | 5 | $34.2M | +103% | Gretel & Hansel (2020) $22.3M |
49 weeks of 2020 with reported grosses; the biggest is week 3 (Jan 12–18) with $433.1M, led by Bad Boys for Life (2020).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Gretel & Hansel (2020) leads with $22.3M worldwide, $15.3M of it in the US & Canada. Next come The Rhythm Section (2020) at $6M and Beasts Clawing at Straws (2020) at $5.8M.
5 thriller films released in week 5 of 2020 (Jan 26–Feb 1) report a worldwide gross, $34.2M in all, or $6.8M per film on average. Week 4, 2020 releases took $2.3M.
None. The biggest, Gretel & Hansel (2020), earned $22.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 5 of 2020 (Jan 26–Feb 1). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.