#1 of 4 #1 thriller movie of Week 4, 2020
2020 · Action, Drama
$1.3M worldwide · 55% of the chart's total
No US & Canada figure reported
Thriller box office · Week 4 · Jan 19–25, 2020
Thriller Box Office, Week 4 of 2020: Thriller Releases of Jan 19–25
Shylock (2020) is the highest-grossing thriller movie released in week 4 of 2020 (Jan 19–25), with $1.3M worldwide, ahead of Possessor (2020) at $911.2K and Jinde Meriye (2020) at $66.6K. 4 thriller films released that week report a worldwide gross, $2.3M in all, 33% of it from the US & Canada. That is down 99% on Week 3, 2020, whose releases took $433.1M.
- week 4 releases with a gross
- 4
- combined worldwide
- $2.3M
- Shylock (2020), the #1
- $1.3M
- vs Week 3, 2020
- −99%
#1 of 4 Top 4
What Were the Biggest Thriller Hits of Week 4 of 2020?
Shylock (2020) leads with $1.3M, 55% of the total. The top 4 together took $2.3M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Thriller Release of Week 4 of 2020, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 4 of 2020 (Jan 19–25).
- 1 Jan 23, 2020 US and Canada: – Rest of the world: – Worldwide: $1.3M
- 2 Jan 25, 2020 US and Canada: $752.9K Rest of the world: $158.3K Worldwide: $911.2K
- 3 Jan 24, 2020 US and Canada: – Rest of the world: – Worldwide: $66.6K
- 4 Jan 24, 2020 US and Canada: – Rest of the world: – Worldwide: $51.9K
Weeks around it
How Does Week 4 Compare With the Weeks Around It?
Week 4 releases took $2.3M. The biggest of these 9 weeks is week 3 (Jan 12–18) with $433.1M, led by Bad Boys for Life (2020).
- Week 51, 2019 Wk 51 Dec 15–21 Ashfall (2019) $65.6M Ashfall (2019)
- Week 52, 2019 Wk 52 Dec 22–28 The Tunnel (2019) $3M The Tunnel (2019)
- Week 53, 2019 Wk 53 Dec 29–31 No reported grosses – No reported grosses
- Week 1 Wk 1 Jan 1–4 No reported grosses – No reported grosses
- Week 2 Wk 2 Jan 5–11 Underwater (2020) $61.7M Underwater (2020)
- Week 3 Wk 3 Jan 12–18 Bad Boys for Life (2020) $433.1M Bad Boys for Life (2020)
- Week 4 Wk 4 Jan 19–25 Shylock (2020) $2.3M Shylock (2020)
- Week 5 Wk 5 Jan 26–Feb 1 Gretel & Hansel (2020) $34.2M Gretel & Hansel (2020)
- Week 6 Wk 6 Feb 2–8 Malang (2020) $20.4M Malang (2020)
Earlier years
How Does Week 4 of 2020 Compare With Earlier Years?
Of these 10 years, Week 4, 2017 earned the most: $382.7M from 6 films, led by Resident Evil: The Final Chapter (2017). Week 4, 2020 took $2.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 4, 2011 Jan 16–22 4 films | 4 | $15.1M | – | The Housemaid (2011) $15M |
| Week 4, 2012 Jan 22–28 3 films · +993% | 3 | $165.5M | +993% | The Grey (2012) $79.8M |
| Week 4, 2013 Jan 20–26 4 films · −46% | 4 | $90.2M | −46% | Parker (2013) $46.9M |
| Week 4, 2014 Jan 19–25 2 films · −14% | 2 | $78M | −14% | I, Frankenstein (2014) $76.8M |
| Week 4, 2015 Jan 18–24 7 films · −12% | 7 | $68.7M | −12% | The Boy Next Door (2015) $52.4M |
| Week 4, 2016 Jan 17–23 10 films · +171% | 10 | $186.4M | +171% | The 5th Wave (2016) $109.9M |
| Week 4, 2017 Jan 22–28 6 films · +105% | 6 | $382.7M | +105% | Resident Evil: The Final Chapter (2017) $312.2M |
| Week 4, 2018 Jan 21–27 6 films · −18% | 6 | $313.5M | −18% | Maze Runner: The Death Cure (2018) $288.2M |
| Week 4, 2019 Jan 20–26 7 films · −93% | 7 | $22M | −93% | Serenity (2019) $14.5M |
| Week 4, 2020 Jan 19–25 4 films · −90% | 4 | $2.3M | −90% | Shylock (2020) $1.3M |
Archive
Thriller Box Office in 2020, Week by Week
49 weeks of 2020 with reported grosses; the biggest is week 3 (Jan 12–18) with $433.1M, led by Bad Boys for Life (2020).
- Week 1 No grosses
- Week 2 $61.7M
- Week 3 $433.1M
- Week 4 $2.3M
- Week 5 $34.2M
- Week 6 $20.4M
- Week 7 $49.5M
- Week 8 $36M
- Week 9 $145.1M
- Week 10 $187.7M
- Week 11 $14.1M
- Week 12 $1.1M
- Week 13 $19.8K
- Week 14 No grosses
- Week 15 $589.8K
- Week 16 $29.8K
- Week 17 $280K
- Week 18 $14.3M
- Week 19 $2.6M
- Week 20 $39.5K
- Week 21 $525.3K
- Week 22 $100.1K
- Week 23 $15.6M
- Week 24 $7.1M
- Week 25 $4.7M
- Week 26 $912.5K
- Week 27 No grosses
- Week 28 $3.8M
- Week 29 $43M
- Week 30 $4.5M
- Week 31 $1.9M
- Week 32 $1.6M
- Week 33 $343K
- Week 34 $45.3M
- Week 35 $233.4K
- Week 36 $372.1M
- Week 37 $671.6K
- Week 38 $49.8M
- Week 39 $3.4M
- Week 40 $2.5M
- Week 41 $1.9M
- Week 42 $38.4M
- Week 43 $11.6M
- Week 44 $15.8M
- Week 45 $18M
- Week 46 $18.1M
- Week 47 $56.8M
- Week 48 $1.6M
- Week 49 $2.8M
- Week 50 $1.1M
- Week 51 $59.5M
- Week 52 $217.9M
- Week 53 No grosses
FAQ
Thriller Box Office Week 4 of 2020: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing thriller movie in week 4 of 2020 (Jan 19–25)?
Shylock (2020) leads with $1.3M worldwide. Next come Possessor (2020) at $911.2K and Jinde Meriye (2020) at $66.6K.
How much did thriller movies released in week 4 of 2020 (Jan 19–25) earn?
4 thriller films released in week 4 of 2020 (Jan 19–25) report a worldwide gross, $2.3M in all, or $575.3K per film on average. Week 3, 2020 releases took $433.1M.
How many thriller movies released in week 4 of 2020 (Jan 19–25) made $1 billion?
None. The biggest, Shylock (2020), earned $1.3M.
How is the week 4, 2020 thriller box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 4 of 2020 (Jan 19–25). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 4, 2020 thriller box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.