#1 of 5 2005 · Drama, Comedy
$52.2M worldwide · 96% of the chart's total
Elizabethtown (2005) is the highest-grossing comedy movie released in week 42 of 2005 (Oct 9–15), with $52.2M worldwide, ahead of Summer Storm (2005) at $2.1M and Suits on the Loose (2005) at $79.5K. 5 comedy films released that week report a worldwide gross, $54.4M in all, 50% of it from the US & Canada. That is down 83% on Week 41, 2005, whose releases took $322.2M. By language, English leads with $52.3M across 3 comedy releases.
#1 of 5 2005 · Drama, Comedy
$52.2M worldwide · 96% of the chart's total
Elizabethtown (2005) leads with $52.2M, 96% of the total. The top 5 together took $54.4M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 42 of 2005 (Oct 9–15).
Oct 14, 2005 US and Canada: $26.9M Rest of the world: $25.3M Worldwide: $52.2M
Oct 14, 2005 US and Canada: $95.2K Rest of the world: $2M Worldwide: $2.1M
Oct 14, 2005 US and Canada: $79.5K Rest of the world: Worldwide: $79.5K
Oct 11, 2005 US and Canada: – Rest of the world: – Worldwide: $22.7K
Oct 14, 2005 US and Canada: $9.7K Rest of the world: Worldwide: $9.7K Of the top 5, Suits on the Loose (2005) earned the biggest share at home (100% in the US & Canada), while Summer Storm (2005) made 95% of its gross abroad. Across all 5 films, $27M (50%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 42 releases took $54.4M. The biggest of these 9 weeks is week 41 (Oct 2–8) with $322.2M, led by Wallace & Gromit: The Curse of the Were-Rabbit (2005).
Of these 10 years, Week 42, 2004 earned the most: $241.3M from 10 films, led by Shall We Dance? (2004). Week 42, 2005 took $54.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 42, 1996 Oct 13–19 2 films | 2 | $4.6M | – | Swingers (1996) $4.6M |
| Week 42, 1997 Oct 12–18 2 films · −93% | 2 | $310.8K | −93% | The Swindle (1997) $250.9K |
| Week 42, 1998 Oct 11–17 5 films · +32211% | 5 | $100.4M | +32211% | Bride of Chucky (1998) $50.7M |
| Week 42, 1999 Oct 10–16 1 film · −41% | 1 | $58.9M | −41% | The Story of Us (1999) $58.9M |
| Week 42, 2000 Oct 8–14 3 films · +149% | 3 | $146.8M | +149% | Billy Elliot (2000) $110.2M |
| Week 42, 2001 Oct 14–20 4 films · −71% | 4 | $42.8M | −71% | Riding in Cars with Boys (2001) $35.7M |
| Week 42, 2002 Oct 13–19 6 films · −40% | 6 | $25.8M | −40% | Formula 51 (2002) $12.9M |
| Week 42, 2003 Oct 12–18 7 films · +22% | 7 | $31.5M | +22% | The Miracle of Bern (2003) $24.8M |
| Week 42, 2004 Oct 10–16 10 films · +666% | 10 | $241.3M | +666% | Shall We Dance? (2004) $170.1M |
| Week 42, 2005 Oct 9–15 5 films · −77% | 5 | $54.4M | −77% | Elizabethtown (2005) $52.2M |
53 weeks of 2005 with reported grosses; the biggest is week 29 (Jul 10–16) with $768.9M, led by Charlie and the Chocolate Factory (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Elizabethtown (2005) leads with $52.2M worldwide, $26.9M of it in the US & Canada. Next come Summer Storm (2005) at $2.1M and Suits on the Loose (2005) at $79.5K.
5 comedy films released in week 42 of 2005 (Oct 9–15) report a worldwide gross, $54.4M in all, or $10.9M per film on average. Week 41, 2005 releases took $322.2M.
None. The biggest, Elizabethtown (2005), earned $52.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 42 of 2005 (Oct 9–15). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.