#1 of 6 2002 · Action, Comedy
$12.9M worldwide · 50% of the chart's total
Formula 51 (2002) is the highest-grossing comedy movie released in week 42 of 2002 (Oct 13–19), with $12.9M worldwide, ahead of Real Women Have Curves (2002) at $7.8M and Slice of Life (2002) at $3.6M. 6 comedy films released that week report a worldwide gross, $25.8M in all, 43% of it from the US & Canada. That is down 70% on Week 41, 2002, whose releases took $87M. By language, English leads with $7.9M across 2 comedy releases.
#1 of 6 2002 · Action, Comedy
$12.9M worldwide · 50% of the chart's total
Formula 51 (2002) leads with $12.9M, 50% of the total. The top 5 together took $25.7M, 99% of what all 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 42 of 2002 (Oct 13–19).
Oct 18, 2002 US and Canada: $5.2M Rest of the world: $7.7M Worldwide: $12.9M
Oct 18, 2002 US and Canada: $5.9M Rest of the world: $1.9M Worldwide: $7.8M
Oct 16, 2002 US and Canada: – Rest of the world: – Worldwide: $3.6M
Oct 18, 2002 US and Canada: – Rest of the world: – Worldwide: $855.6K
Oct 18, 2002 US and Canada: – Rest of the world: – Worldwide: $535.9K
Oct 18, 2002 US and Canada: $154.6K Rest of the world: Worldwide: $154.6K Of the top 6, Hansel & Gretel (2002) earned the biggest share at home (100% in the US & Canada), while Formula 51 (2002) made 60% of its gross abroad. Across all 6 films, $11.2M (43%) came from the US & Canada. 3 films of the top 6 report no US & Canada figure.
Week 42 releases took $25.8M. The biggest of these 9 weeks is week 39 (Sep 22–28) with $313.3M, led by Sweet Home Alabama (2002).
Of these 10 years, Week 42, 2000 earned the most: $146.8M from 3 films, led by Billy Elliot (2000). Week 42, 2002 took $25.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 42, 1993 Oct 10–16 3 films | 3 | $60.6M | – | The Beverly Hillbillies (1993) $57.4M |
| Week 42, 1994 Oct 9–15 3 films · −54% | 3 | $27.9M | −54% | Little Giants (1994) $19.3M |
| Week 42, 1995 Oct 15–21 3 films · +43% | 3 | $39.8M | +43% | Now and Then (1995) $37.6M |
| Week 42, 1996 Oct 13–19 2 films · −88% | 2 | $4.6M | −88% | Swingers (1996) $4.6M |
| Week 42, 1997 Oct 12–18 2 films · −93% | 2 | $310.8K | −93% | The Swindle (1997) $250.9K |
| Week 42, 1998 Oct 11–17 5 films · +32211% | 5 | $100.4M | +32211% | Bride of Chucky (1998) $50.7M |
| Week 42, 1999 Oct 10–16 1 film · −41% | 1 | $58.9M | −41% | The Story of Us (1999) $58.9M |
| Week 42, 2000 Oct 8–14 3 films · +149% | 3 | $146.8M | +149% | Billy Elliot (2000) $110.2M |
| Week 42, 2001 Oct 14–20 4 films · −71% | 4 | $42.8M | −71% | Riding in Cars with Boys (2001) $35.7M |
| Week 42, 2002 Oct 13–19 6 films · −40% | 6 | $25.8M | −40% | Formula 51 (2002) $12.9M |
52 weeks of 2002 with reported grosses; the biggest is week 27 (Jun 30–Jul 6) with $509.9M, led by Men in Black II (2002).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Formula 51 (2002) leads with $12.9M worldwide, $5.2M of it in the US & Canada. Next come Real Women Have Curves (2002) at $7.8M and Slice of Life (2002) at $3.6M.
6 comedy films released in week 42 of 2002 (Oct 13–19) report a worldwide gross, $25.8M in all, or $4.3M per film on average. Week 41, 2002 releases took $87M.
None. The biggest, Formula 51 (2002), earned $12.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 42 of 2002 (Oct 13–19). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.