#1 of 7 Kung Pow: Enter the Fist (2002)
2002 · Action, Comedy
$17M worldwide · 74% of the chart's total
Kung Pow: Enter the Fist (2002) is the highest-grossing comedy movie released in week 4 of 2002 (Jan 20–26), with $17M worldwide, ahead of Life Kills (2002) at $2.7M and Volesse il cielo! (2002) at $1.5M. 7 comedy films released that week report a worldwide gross, $23M in all, 76% of it from the US & Canada. By language, English leads with $18.8M across 5 comedy releases.
#1 of 7 Kung Pow: Enter the Fist (2002)
2002 · Action, Comedy
$17M worldwide · 74% of the chart's total
Kung Pow: Enter the Fist (2002) leads with $17M, 74% of the total. The top 5 together took $22.9M, 99% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 4 of 2002 (Jan 20–26).
Jan 25, 2002 US and Canada: $16M Rest of the world: $956.7K Worldwide: $17M
Jan 25, 2002 US and Canada: – Rest of the world: – Worldwide: $2.7M
Jan 25, 2002 US and Canada: – Rest of the world: – Worldwide: $1.5M
Jan 25, 2002 US and Canada: $921.4K Rest of the world: $397.5K Worldwide: $1.3M
Jan 23, 2002 US and Canada: $345K Rest of the world: Worldwide: $345K
Jan 25, 2002 US and Canada: $111.8K Rest of the world: Worldwide: $111.8K
Jan 25, 2002 US and Canada: – Rest of the world: – Worldwide: $9.6K Of the top 7, American Adobo (2002) earned the biggest share at home (100% in the US & Canada), while Storytelling (2002) made 30% of its gross abroad. Across all 7 films, $17.4M (76%) came from the US & Canada. 3 films of the top 7 report no US & Canada figure.
Week 4 releases took $23M. The biggest of these 9 weeks is week 51, 2001 (Dec 16–22) with $238.3M, led by Jimmy Neutron: Boy Genius (2001).
Of these 10 years, Week 4, 2001 earned the most: $114M from 4 films, led by The Wedding Planner (2001). Week 4, 2002 took $23M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 4, 1993 Jan 17–23 1 film | 1 | $2.8M | – | Hexed (1993) $2.8M |
| Week 4, 1994 Jan 16–22 1 film · −14% | 1 | $2.4M | −14% | Go Fish (1994) $2.4M |
| Week 4, 1995 Jan 22–28 2 films · +209% | 2 | $7.4M | +209% | Miami Rhapsody (1995) $5.2M |
| Week 4, 1996 Jan 21–27 1 film · −73% | 1 | $2M | −73% | Big Bully (1996) $2M |
| Week 4, 1997 Jan 19–25 2 films · +1297% | 2 | $28.5M | +1297% | Mother (1997) $19.1M |
| Week 4, 1998 Jan 18–24 2 films · +3% | 2 | $29.4M | +3% | Spice World (1998) $29.4M |
| Week 4, 1999 Jan 17–23 1 film · −87% | 1 | $4M | −87% | Playing by Heart (1999) $4M |
| Week 4, 2000 Jan 16–22 4 films · +532% | 4 | $25.1M | +532% | Down to You (2000) $24.4M |
| Week 4, 2001 Jan 21–27 4 films · +354% | 4 | $114M | +354% | The Wedding Planner (2001) $94.7M |
| Week 4, 2002 Jan 20–26 7 films · −80% | 7 | $23M | −80% | Kung Pow: Enter the Fist (2002) $17M |
52 weeks of 2002 with reported grosses; the biggest is week 27 (Jun 30–Jul 6) with $509.9M, led by Men in Black II (2002).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Kung Pow: Enter the Fist (2002) leads with $17M worldwide, $16M of it in the US & Canada. Next come Life Kills (2002) at $2.7M and Volesse il cielo! (2002) at $1.5M.
7 comedy films released in week 4 of 2002 (Jan 20–26) report a worldwide gross, $23M in all, or $3.3M per film on average.
None. The biggest, Kung Pow: Enter the Fist (2002), earned $17M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 4 of 2002 (Jan 20–26). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.