#1 of 7 Jimmy Neutron: Boy Genius (2001)
2001 · Adventure, Sci-Fi
$103M worldwide · 43% of the chart's total
Jimmy Neutron: Boy Genius (2001) is the highest-grossing comedy movie released in week 51 of 2001 (Dec 16–22), with $103M worldwide, ahead of Kate & Leopold (2001) at $76M and How High (2001) at $31.3M. 7 comedy films released that week report a worldwide gross, $238.3M in all, 76% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is up 53% on Week 50, 2001, whose releases took $155.7M. By language, English leads with $235.9M across 5 comedy releases.
#1 of 7 Jimmy Neutron: Boy Genius (2001)
2001 · Adventure, Sci-Fi
$103M worldwide · 43% of the chart's total
Jimmy Neutron: Boy Genius (2001) leads with $103M, 43% of the total. The top 5 together took $237M, 99% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 51 of 2001 (Dec 16–22).
Dec 21, 2001 US and Canada: $80.9M Rest of the world: $22.1M Worldwide: $103M
Dec 21, 2001 US and Canada: $47.1M Rest of the world: $28.9M Worldwide: $76M
Dec 21, 2001 US and Canada: $31.2M Rest of the world: $105K Worldwide: $31.3M
Dec 19, 2001 US and Canada: $22.8M Rest of the world: $1.7M Worldwide: $24.5M
Dec 21, 2001 US and Canada: – Rest of the world: – Worldwide: $2.2M
Dec 17, 2001 US and Canada: – Rest of the world: – Worldwide: $1.1M
Dec 19, 2001 US and Canada: – Rest of the world: – Worldwide: $125.7K Of the top 7, How High (2001) earned the biggest share at home (100% in the US & Canada), while Kate & Leopold (2001) made 38% of its gross abroad. Across all 7 films, $182M (76%) came from the US & Canada. 3 films of the top 7 report no US & Canada figure.
Week 51 releases took $238.3M. The biggest of these 9 weeks is week 49 (Dec 2–8) with $460.9M, led by Ocean's Eleven (2001).
Of these 10 years, Week 51, 2000 earned the most: $617M from 3 films, led by What Women Want (2000). Week 51, 2001 took $238.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 51, 1992 Dec 13–19 3 films | 3 | $64.6M | – | Leap of Faith (1992) $23.4M |
| Week 51, 1993 Dec 12–18 1 film · +83% | 1 | $118.2M | +83% | Beethoven’s 2nd (1993) $118.2M |
| Week 51, 1994 Dec 11–17 3 films · +127% | 3 | $268.7M | +127% | Dumb and Dumber (1994) $247.3M |
| Week 51, 1995 Dec 17–23 4 films · −35% | 4 | $173.8M | −35% | Waiting to Exhale (1995) $81.5M |
| Week 51, 1996 Dec 15–21 4 films · +13% | 4 | $195.8M | +13% | One Fine Day (1996) $97.5M |
| Week 51, 1997 Dec 14–20 1 film · −37% | 1 | $122.4M | −37% | Mousehunt (1997) $122.4M |
| Week 51, 1998 Dec 13–19 1 film · +105% | 1 | $250.8M | +105% | You've Got Mail (1998) $250.8M |
| Week 51, 1999 Dec 12–18 4 films · +69% | 4 | $423.2M | +69% | Stuart Little (1999) $300.1M |
| Week 51, 2000 Dec 10–16 3 films · +46% | 3 | $617M | +46% | What Women Want (2000) $374.1M |
| Week 51, 2001 Dec 16–22 7 films · −61% | 7 | $238.3M | −61% | Jimmy Neutron: Boy Genius (2001) $103M |
50 weeks of 2001 with reported grosses; the biggest is week 44 (Oct 28–Nov 3) with $759M, led by Monsters, Inc. (2001).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Jimmy Neutron: Boy Genius (2001) leads with $103M worldwide, $80.9M of it in the US & Canada. Next come Kate & Leopold (2001) at $76M and How High (2001) at $31.3M.
7 comedy films released in week 51 of 2001 (Dec 16–22) report a worldwide gross, $238.3M in all, or $34M per film on average. Week 50, 2001 releases took $155.7M.
None. 1 film crossed $100 million, led by Jimmy Neutron: Boy Genius (2001) with $103M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 51 of 2001 (Dec 16–22). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.