#1 of 5 2001 · Fantasy, Comedy
$77.5M worldwide · 79% of the chart's total
Serendipity (2001) is the highest-grossing comedy movie released in week 40 of 2001 (Sep 30–Oct 6), with $77.5M worldwide, ahead of Max Keeble's Big Move (2001) at $18.6M and The Debut (2001) at $1.7M. 5 comedy films released that week report a worldwide gross, $98.2M in all, 71% of it from the US & Canada. That is up 37% on Week 39, 2001, whose releases took $71.6M. By language, English leads with $96.2M across 3 comedy releases.
#1 of 5 2001 · Fantasy, Comedy
$77.5M worldwide · 79% of the chart's total
Serendipity (2001) leads with $77.5M, 79% of the total. The top 5 together took $98.2M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 40 of 2001 (Sep 30–Oct 6).
Oct 5, 2001 US and Canada: $50.3M Rest of the world: $27.2M Worldwide: $77.5M
Oct 5, 2001 US and Canada: $17.3M Rest of the world: $1.3M Worldwide: $18.6M
Oct 5, 2001 US and Canada: $1.7M Rest of the world: Worldwide: $1.7M
Oct 3, 2001 US and Canada: – Rest of the world: – Worldwide: $270.8K
Oct 5, 2001 US and Canada: – Rest of the world: – Worldwide: $28.8K Of the top 5, The Debut (2001) earned the biggest share at home (100% in the US & Canada), while Serendipity (2001) made 35% of its gross abroad. Across all 5 films, $69.3M (71%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 40 releases took $98.2M. The biggest of these 9 weeks is week 34 (Aug 19–25) with $101.8M, led by Jay and Silent Bob Strike Back (2001).
Of these 10 years, Week 40, 1998 earned the most: $202.1M from 2 films, led by Antz (1998). Week 40, 2001 took $98.2M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 40, 1992 Sep 27–Oct 3 4 films | 4 | $94.7M | – | The Mighty Ducks (1992) $50.8M |
| Week 40, 1993 Sep 26–Oct 2 4 films · +75% | 4 | $166M | +75% | Cool Runnings (1993) $154.9M |
| Week 40, 1994 Sep 25–Oct 1 3 films · −96% | 3 | $6.1M | −96% | Ed Wood (1994) $5.9M |
| Week 40, 1995 Oct 1–7 3 films · −88% | 3 | $748.4K | −88% | Kicking and Screaming (1995) $718.5K |
| Week 40, 1996 Sep 29–Oct 5 5 films · +10349% | 5 | $78.2M | +10349% | That Thing You Do! (1996) $34.6M |
| Week 40, 1997 Sep 28–Oct 4 2 films · −96% | 2 | $3.4M | −96% | The Matchmaker (1997) $3.4M |
| Week 40, 1998 Sep 27–Oct 3 2 films · +5845% | 2 | $202.1M | +5845% | Antz (1998) $171.8M |
| Week 40, 1999 Sep 26–Oct 2 7 films · −24% | 7 | $152.9M | −24% | Three Kings (1999) $107.8M |
| Week 40, 2000 Sep 24–30 4 films · −83% | 4 | $26.3M | −83% | Best in Show (2000) $20.8M |
| Week 40, 2001 Sep 30–Oct 6 5 films · +273% | 5 | $98.2M | +273% | Serendipity (2001) $77.5M |
50 weeks of 2001 with reported grosses; the biggest is week 44 (Oct 28–Nov 3) with $759M, led by Monsters, Inc. (2001).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Serendipity (2001) leads with $77.5M worldwide, $50.3M of it in the US & Canada. Next come Max Keeble's Big Move (2001) at $18.6M and The Debut (2001) at $1.7M.
5 comedy films released in week 40 of 2001 (Sep 30–Oct 6) report a worldwide gross, $98.2M in all, or $19.6M per film on average. Week 39, 2001 releases took $71.6M.
None. The biggest, Serendipity (2001), earned $77.5M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 40 of 2001 (Sep 30–Oct 6). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.