#1 of 5 2001 · Adventure, Fantasy
$579.8M worldwide · 76% of the chart's total
Monsters, Inc. (2001) is the highest-grossing comedy movie released in week 44 of 2001 (Oct 28–Nov 3), with $579.8M worldwide, ahead of Amélie (2001) at $175.2M and Mr. Bones (2001) at $3.7M. 5 comedy films released that week report a worldwide gross, $759M in all, 43% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is 51 times the total of Week 43, 2001, whose releases took $14.9M. By language, English leads with $583.4M across 2 comedy releases.
#1 of 5 2001 · Adventure, Fantasy
$579.8M worldwide · 76% of the chart's total
Monsters, Inc. (2001) leads with $579.8M, 76% of the total. The top 5 together took $759M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 44 of 2001 (Oct 28–Nov 3).
Nov 2, 2001 US and Canada: $290.6M Rest of the world: $289.1M Worldwide: $579.8M
Nov 2, 2001 US and Canada: $33.7M Rest of the world: $141.5M Worldwide: $175.2M
Oct 30, 2001 US and Canada: – Rest of the world: – Worldwide: $3.7M
Nov 2, 2001 US and Canada: $251.4K Rest of the world: Worldwide: $251.4K
Nov 2, 2001 US and Canada: $160.1K Rest of the world: Worldwide: $160.1K Of the top 5, Happenstance (2001) earned the biggest share at home (100% in the US & Canada), while Amélie (2001) made 81% of its gross abroad. Across all 5 films, $324.8M (43%) came from the US & Canada. 1 film of the top 5 reports no US & Canada figure.
Week 44 releases took $759M. The biggest of these 9 weeks is week 44 (Oct 28–Nov 3) with $759M, led by Monsters, Inc. (2001).
Of these 10 years, Week 44, 2001 earned the most: $759M from 5 films, led by Monsters, Inc. (2001).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 44, 1992 Oct 25–31 1 film | 1 | $169.6K | – | My New Gun (1992) $169.6K |
| Week 44, 1993 Oct 24–30 1 film · +4522% | 1 | $7.8M | +4522% | Fatal Instinct (1993) $7.8M |
| Week 44, 1994 Oct 23–29 1 film · −91% | 1 | $734.7K | −91% | Drop Squad (1994) $734.7K |
| Week 44, 1995 Oct 29–Nov 4 3 films · +3169% | 3 | $24M | +3169% | Home for the Holidays (1995) $17.5M |
| Week 44, 1996 Oct 27–Nov 2 3 films · −36% | 3 | $15.5M | −36% | Larger Than Life (1996) $8.3M |
| Week 44, 1997 Oct 26–Nov 1 3 films · +83% | 3 | $28.3M | +83% | An American Werewolf in Paris (1997) $26.6M |
| Week 44, 1998 Oct 25–31 4 films · −34% | 4 | $18.8M | −34% | Living Out Loud (1998) $15.6M |
| Week 44, 1999 Oct 24–30 5 films · +24% | 5 | $23.4M | +24% | Being John Malkovich (1999) $23.1M |
| Week 44, 2000 Oct 22–28 7 films · +74% | 7 | $40.7M | +74% | The Little Vampire (2000) $28M |
| Week 44, 2001 Oct 28–Nov 3 5 films · +1765% | 5 | $759M | +1765% | Monsters, Inc. (2001) $579.8M |
50 weeks of 2001 with reported grosses; the biggest is week 44 (Oct 28–Nov 3) with $759M, led by Monsters, Inc. (2001).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Monsters, Inc. (2001) leads with $579.8M worldwide, $290.6M of it in the US & Canada. Next come Amélie (2001) at $175.2M and Mr. Bones (2001) at $3.7M.
5 comedy films released in week 44 of 2001 (Oct 28–Nov 3) report a worldwide gross, $759M in all, or $151.8M per film on average. Week 43, 2001 releases took $14.9M.
None. 2 films crossed $100 million, led by Monsters, Inc. (2001) with $579.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 44 of 2001 (Oct 28–Nov 3). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.