#1 of 5 1999 · Drama, Fantasy
$23.1M worldwide · 99% of the chart's total
Being John Malkovich (1999) is the highest-grossing comedy movie released in week 44 of 1999 (Oct 24–30), with $23.1M worldwide, ahead of The Big Tease (1999) at $187.2K and Man of the Century (1999) at $34.9K. 5 comedy films released that week report a worldwide gross, $23.4M in all, 99% of it from the US & Canada. That is down 50% on Week 43, 1999, whose releases took $47.2M. By language, English leads with $23.4M across 5 comedy releases.
#1 of 5 1999 · Drama, Fantasy
$23.1M worldwide · 99% of the chart's total
Being John Malkovich (1999) leads with $23.1M, 99% of the total. The top 5 together took $23.4M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 44 of 1999 (Oct 24–30).
Oct 29, 1999 US and Canada: $22.9M Rest of the world: $243.2K Worldwide: $23.1M
Oct 26, 1999 US and Canada: $187.2K Rest of the world: Worldwide: $187.2K
Oct 29, 1999 US and Canada: $34.9K Rest of the world: Worldwide: $34.9K
Oct 28, 1999 US and Canada: $13.7K Rest of the world: Worldwide: $13.7K
Oct 29, 1999 US and Canada: $11.1K Rest of the world: Worldwide: $11.1K Of the top 5, The Big Tease (1999) earned the biggest share at home (100% in the US & Canada), while Being John Malkovich (1999) made 1% of its gross abroad. Across all 5 films, $23.1M (99%) came from the US & Canada.
Week 44 releases took $23.4M. The biggest of these 9 weeks is week 40 (Sep 26–Oct 2) with $152.9M, led by Three Kings (1999).
Of these 10 years, Week 44, 1991 earned the most: $33.5M from 2 films, led by The People Under the Stairs (1991). Week 44, 1999 took $23.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 44, 1990 Oct 28–Nov 3 No films | 0 | – | – | – |
| Week 44, 1991 Oct 27–Nov 2 2 films | 2 | $33.5M | – | The People Under the Stairs (1991) $31.3M |
| Week 44, 1992 Oct 25–31 1 film · −99% | 1 | $169.6K | −99% | My New Gun (1992) $169.6K |
| Week 44, 1993 Oct 24–30 1 film · +4522% | 1 | $7.8M | +4522% | Fatal Instinct (1993) $7.8M |
| Week 44, 1994 Oct 23–29 1 film · −91% | 1 | $734.7K | −91% | Drop Squad (1994) $734.7K |
| Week 44, 1995 Oct 29–Nov 4 3 films · +3169% | 3 | $24M | +3169% | Home for the Holidays (1995) $17.5M |
| Week 44, 1996 Oct 27–Nov 2 3 films · −36% | 3 | $15.5M | −36% | Larger Than Life (1996) $8.3M |
| Week 44, 1997 Oct 26–Nov 1 3 films · +83% | 3 | $28.3M | +83% | An American Werewolf in Paris (1997) $26.6M |
| Week 44, 1998 Oct 25–31 4 films · −34% | 4 | $18.8M | −34% | Living Out Loud (1998) $15.6M |
| Week 44, 1999 Oct 24–30 5 films · +24% | 5 | $23.4M | +24% | Being John Malkovich (1999) $23.1M |
50 weeks of 1999 with reported grosses; the biggest is week 48 (Nov 21–27) with $503.6M, led by Toy Story 2 (1999).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Being John Malkovich (1999) leads with $23.1M worldwide, $22.9M of it in the US & Canada. Next come The Big Tease (1999) at $187.2K and Man of the Century (1999) at $34.9K.
5 comedy films released in week 44 of 1999 (Oct 24–30) report a worldwide gross, $23.4M in all, or $4.7M per film on average. Week 43, 1999 releases took $47.2M.
None. The biggest, Being John Malkovich (1999), earned $23.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 44 of 1999 (Oct 24–30). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.